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Acting Hysterical: Analyzing The Construction, Diagnosis And Portrayal Of Historical And Modern Hysterical Women, Gillian Singer

Honors Theses

Hysterical women’s stories from the 19th and 20th centuries have all too often been ignored and furthermore, invalidated through the capitalization and spectacularization of hysterical women’s experiences. “Acting Hysterical: Analyzing the Construction, Diagnosis and Portrayal of Historical and Modern ‘Hysterical’ Women” aims to acknowledge hysterical women’s narratives by studying the visual documentation of hysterical women. Visual documentation of hysteria began with the photographing of Dr. Jean-Martin Charcot’s “hysterical” female patients and extends to modern cinematic representations from the last two decades of historical and modern hysterical women.

Medical Muses, a book based in years of research by Asti Hustvedt served …

L' Obscurite' Manifestee (A Manifested Obscurity), Roswald Morales

Honors Theses

There are three directors that have revolutionized the world of French cinema by bringing to the forefront topics that make its audiences uncomfortable. Abdellatif Kechiche, director of the film Black Venus (2010), Ousmane Sembène, director of the film Black Girl (1966), and Céline Sciamma, director of the film Girlhood (2014) have become renowned for discussing the portrayal of black women in French society. This is a topic at hand that reveals the devastating truth behind French society in regarding black women during various eras. Black Venus narrates the life of an African woman during the slavery period in Europe. Black …