Arts and Humanities Commons^™

From Libertine To Incel: How The "Manosphere" Has Fostered The Continuation Of Gender Violence In Western Culture, Lauren Ziolkowski

Honors Theses

In this thesis, I examine the similarities between the ideologies of the Restoration libertine and the present-day beta-male, the social and cultural forces that shape those ideologies, and the practices of flirtation and seduction shared by the libertine and beta-male. This thesis addresses the expansion of female agency and power in the mid-eighteenth century and twenty-first century, as well as how this expansion of power threatens the social, cultural, and economic privilege held by the Restoration libertine and beta-male respectively. In the eighteenth century, this expansion of power manifests in the emergence of the bourgeoisie class and the development of …

Contextualizing Sexual Assault Data Collection On College Campuses: A Socio-Technical Approach, Anushikha Sharma

Honors Theses

Sexual assault is a rampant issue on college campuses in the United States. Colleges and universities use a variety of survey instruments to collect data regarding sexual assault as a means to improve campus culture, policies, and resources. These instruments contain a wealth of associated information in the form of metadata, that is, data about data.

This project takes a human-centered socio-technical approach to understanding the data collection processes associated with sexual assault, specifically, on the campus of Bucknell University. By identifying the underlying metadata within the data collection processes, this research contextualizes and critiques the process of data collection, …

"It Came In Little Waves": Feminist Imagery In Chantal Akerman's Je, Tu, Il, Elle +, Staci C. Dubow

Honors Theses

Chantal Akerman writes, “she who seeks shall find, find all too well, and end up clouding her vision with her own preconceptions.”[1] This thesis addresses the films of Chantal Akerman from a theoretical feminist film perspective. There are many lenses through which Akerman’s rich body of work can be viewed, and I would argue that she herself never intended for it to be understood in just one way. I wish to situate Akerman’s films, in particular her 1974 Je, Tu, Il, Elle (1h 30m), within a discourse of other feminist film theorists and makers that were further rooted in …

Listening To An/Other Voice: Gender, Creativity, And The Divine In The Works Of Female Christian Mystics And Women Surrealists, Stephanie Garboski

Honors Theses

This thesis will compare two groups, Christian women mystics and women surrealists, by analyzing select works by Hildegard of Bingen, Mechthild of Magdeburg, Leonora Carrington, and Dorothea Tanning. This analysis will involve a comparative, theoretical approach that draws connections between the way in which both groups utilize varying literary and artistic forms, symbols, and polyglottery. I will utilize Bourdieu’s terms of cultural production as a framework in which to better understand how women of both fields are used for their creativity and supposed connection to an/other, which is the source of inspiration native to each field, God and the unconscious. …