Arts and Humanities Commons^™

How I Came To Jam With The Angels Of The Dirty South: A Journey Into Art And Art Education, Miki Skak

Graduate Theses and Dissertations

This paper dives into my personal journey from a far-left activist youth into becoming an artist. It explains how a poet saw artistic potential within me, introduced me to the world of art and eventually art education. I reflect on the art education I have received from several different art schools and how they try to adapt to the demands of the contemporary art world that has been in a constant condition of reshaping itself since Marcel Duchamp’s readymade. As an artist who is less focused on the techniques of traditional artistic mediums, I investigate how the state of art …

Crying At Nothing But Colors, Maryalice Carroll

Graduate Theses and Dissertations

crying at nothing but colors is an installation of ceramic works that explores the abstraction of feelings, both physical and emotional. The installation itself is a house made out of tension cables that stretch wall to wall in the gallery space. Inside the house are 7 ceramic objects placed on wooden pedestals paired with tufted rugs.

Throughout this essay, I will describe the abstract ceramic objects as Beings. They are colorful and have textured glaze on the surface with a gloopy opalescent glaze oozing out of holes that cover each piece. They are an extension of myself. They are the …

What's Going On Here, Joanna R. Pike

Graduate Theses and Dissertations

This project is an installation depicting shirts and pants in various degrees of Recognizability. The Components vary from somewhat Unrecognizable to entirely Unrecognizable; Bumps and Blocks are interspersed and interrupt the Semi-logic of What’s going on here while adding repetitive elements to clarify the existence of the Semi-logic. The arrangement of the Components in the installation makes the Unrecognizable forms surrounded by the In-between Space into somewhat Recognizable versions of shirts and pants. The viewer does not fully recognize all the Components, but instead understands the implied Recognition given their existence within the installation. The ideas of Lists, Patterns, Systems, …

Do You Wanna Go Dancing?, Anthony Kascak

Graduate Theses and Dissertations

The transdisciplinary art work within Do you wanna go dancing? unpacks the experience and perception of my interpersonal relationships, as well as the role that touch and introspection has in my visual arts practice and everyday life. I am interested in pairing the act of looking with the sensation of touching through specific installation and arrangement of intimate imagery, ceramic fragments and frames, and manual or digitally fabricated surfaces. The negotiation of these installations orient the viewer to consider their positionality within space, as well as the extent in which distance, intimacy, and vulnerability fluctuate inside these psychological spaces.

The …

Seeing Through Feeling, Christopher Mitchell Rodgers

Graduate Theses and Dissertations

The purpose of this paper is to describe both the inherent formal qualities and conceptual framework that are addressed within the exhibition, Seeing Through Feeling. The exhibition is centered around the methodology of making, collection, and display all through the one singular positioning, the object. The objects within the exhibition are either handmade or collected fragments that weave together around the singular position of craft and history under the pretense of how our understanding of time may not always be true. The thesis breaks down key components through specific themes into the categories of the hand, eye, symbol, object, value, …

Ice Cream, Richard Frank Peterson

Graduate Theses and Dissertations

Ice Cream is a series of 2D and 3D depictions of lawn ornaments, Charlie Brown, and novelty ice cream bars, which question how White America is indoctrinated through seemingly innocuous images and objects. The exhibition unveils the white supremacy fostered within the American way of life and articulates an environment where Americans act in racist ways when they believe they are acting morally. The research found within Ice Cream attempts to dismantle the foundation these justifications are built upon. This honesty, coupled with acknowledging that these historic traditions are rooted in racial constructs, will result in a double consciousness and …

Tableau Vivant [Living Picture], G J Christopher Drobnock

Graduate Theses and Dissertations

With an overwhelming concern for functionality, the design world and industrial production have moved far beyond the pure necessity of the handmade object. With the paper coffee cup, disposable utility is the primary goal; afterwards the service is performed and the thing is discarded. On the other hand, the clay object can be used and reused allowing a personal relationship to form between the user and the object, the maker and the user. My work is meant to reconnect us with the haptic; the tacit knowledge of the physical. I want the user to think of a place beyond the …

Noise., Laura Katherine Polaski

Graduate Theses and Dissertations

My research is in the realm of the psychological, the emotional and way these drives manifest physically. The works in Noise. aims to give a physical representation to the non-physical. Research on Affect Theory and the teachings of Silvan Tomkins were paramount to understanding emotional drives and the ways in which they manifest.

The purpose of this research is to understand how emotions are generated and communicated and to ask if specific emotions can be generated upon viewing inanimate objects. I create abstract figurative sculpture, which imitate emotion that has no specific physicality. These works exist with one foot in …

Breaking Wind, Todd William Pentico

Graduate Theses and Dissertations

Breaking Wind is a research project and thesis exhibition composed of a series of ceramic objects in conjunction with paintings that explore the systems that dictate belief, the motives that drive curiosity, and biological connection to our surroundings. The work uses the context of the gallery and devices used in museums such as plinths, shelves, and wall text to reinforce the idealized and fictive into something believable.

In the work, Breaking Wind refers to a clumsy breakdown and rethinking of the seemingly simple natural phenomenon, wind. Wind is understood as a natural occurrence that has no origin or any innate …

The Adair Site: Ouachita River Valley Relations Through Ceramic Analysis, Joanne Demaio

Graduate Theses and Dissertations

The Adair site (3GA1), located in the Upper Ouachita River Valley in Garland CO, Arkansas is an Upper Ouachita Caddo site. The people at the site are presumed to be at the center of cultural dominance for the area and had interaction with Caddo sites in the region. This thesis explores this by studying the whole vessel collections that were excavated at the Adair site in the 1930s. Comparing the Adair collection to three other Caddo sites provides information about the Social standing of the Adair site, its relations with other sites, and how it fits into the greater fabric …

"An Ample Provision For Our Posterity": Transportation, Ceramic Diversity, And Trade In Historic Arkansas, 1800-1930, Katherine Rose Cleek

Graduate Theses and Dissertations

In this dissertation I present a method to study transportation using ceramic diversity and access to transportation infrastructure. Ceramic tableware richness, or the number of types present, is analyzed over time as a proxy for access to local transportation infrastructure at seven sites in Arkansas, dating from approximately 1800 to 1930. Previous efforts to look at trade in historical archaeology including Adams (1976), Riordan and Adams (1985), and Adams, Bowers, and Mills (2001) have not thoroughly assessed transportation as a means of trade. This dissertation looks at the many ways of assessing diversity in archaeology, biology, business, and economics, as …

Dessert, Glenna Worrell

Graduate Theses and Dissertations

From an early age craft played a major role in my development as a person and as an artist. The traditional 1950s-70s crafts such as quilting, knitting, and sewing as performed by my mother began to influence me as a child and are now what I draw upon in my artwork. This thesis exhibition addresses my future role as a nurturer and how it relates to my relationship with my mother. It is my way of forming a connection with the rich history of craft and that of the studio potter. I draw inspiration from historical and contemporary ceramics, the …