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"The Best Soil Of Their Hearts": Protestant Explorations Of Catholic Spirituality In Cooper, Longfellow, And Hawthorne, Amy Oatis Dec 2016

"The Best Soil Of Their Hearts": Protestant Explorations Of Catholic Spirituality In Cooper, Longfellow, And Hawthorne, Amy Oatis

Graduate Theses and Dissertations

This dissertation examines the works of James Fenimore Cooper, Henry Wadsworth Longfellow, and Nathaniel Hawthorne, focusing upon their explorations of Roman Catholic spirituality, as reflected in their poetry, prose, and personal writings. Despite the anti-Romanism prevalent in nineteenth-century American political and religious culture, these authors engaged deeply with Catholic sacramentality, discovering an appeal in the Catholic faith tradition that provided possible answers to questions about spirituality in an increasingly pluralistic democratic society. The first chapter explores the aesthetic appeal of Roman Catholic sacramentals that attracted the attention of Cooper, Longfellow, and Hawthorne. The second chapter connects Catholic sacramentality to the …


"Everyone Has Thought About Killing Someone - One Way Or Another": Cannibalism And The Question Of Morality In Bryan Fuller's Hannibal, Kristi Michelle Pierse Aug 2016

"Everyone Has Thought About Killing Someone - One Way Or Another": Cannibalism And The Question Of Morality In Bryan Fuller's Hannibal, Kristi Michelle Pierse

Graduate Theses and Dissertations

Popular criticism insists that violence in the media perpetuates violence in the real world. This is an especially relevant argument today as we witness on a daily basis the violence that is occurring in the United States through mass shootings, police brutality, and countless other forms of aggressive actions. While studies do show a correlation between violent media and real-world violence, there is no absolute conclusion that proves such. My thesis addresses the moral lessons that can be learned through violence on television, particularly through the creative adaptation of Thomas Harris’ Hannibal Lecter series as reimagined by Bryan Fuller in …


Divining The Southwest: Liminality, Pragmatism, And Regionalism In "Death Comes For The Archbishop", Alex C. Blomstedt May 2016

Divining The Southwest: Liminality, Pragmatism, And Regionalism In "Death Comes For The Archbishop", Alex C. Blomstedt

Graduate Theses and Dissertations

This work aims to explore the themes of pragmatism and liminality, particularly as they pertain to spirituality, in Willa Cather’s Death Comes for the Archbishop. By taking an interdisciplinary critical approach to the novel, I will synthesize its spiritual affect into a sensibility called “pragmatic liminality.” Finally, I will connect this sensibility to other works in the Southwestern literary canon and elucidate the foundational importance that pragmatic liminality has to the Southwestern “sense of place” and its role in the larger narratives of regionalism in American literature.


Beyond "Main Street": Small Towns In Post-"Revolt" American Literature, Rachael Price May 2016

Beyond "Main Street": Small Towns In Post-"Revolt" American Literature, Rachael Price

Graduate Theses and Dissertations

“Beyond Main Street” examines the impact and legacy of the literary movement that Carl Van Doren, in an infamous 1920 article from The Nation, referred to as the “revolt from the village.” This movement, which is widely acknowledged to encompass such writers as Edgar Lee Masters, Sherwood Anderson, and Sinclair Lewis, pushed back against the primacy of the heretofore-dominant pastoral tradition when it came to depictions of rural America. These authors sought to create a more accurate portrayal of the small town, one that, while not completely eschewing the pastoral, also exposed the more seedy side of village life. Critics …


The Stories Of Junot Díaz: Genre And Narrative In Drown And This Is How You Lose Her, Luis Fernando Marin May 2016

The Stories Of Junot Díaz: Genre And Narrative In Drown And This Is How You Lose Her, Luis Fernando Marin

Graduate Theses and Dissertations

This thesis examines how Junot Díaz creates and constructs his literary alter-ego and narrator, Yunior de las Casas, and examines the Social and cultural aspects, such as race, ethnicity, and gender, that condition or influence Yunior’s construction. I argue that Díaz uses the short story as a subversive genre and modernist narrative techniques, such as shifts in space-time and focalization, to reflect Yunior’s diasporic, fragmented subjectivity. My analysis includes narratological and generic readings of Drown and This Is How You Lose Her, with a brief look at The Brief Wondrous Life of Oscar Wao, paying particular attention to Yunior as …