Arts and Humanities Commons^™

On The Variations Of 'Occupatio' In "Richard Ii", William Kelly Reeder

Graduate Theses and Dissertations

Recent scholarship of Shakespeare’s Richard II has been interested in or preoccupied with its historical relations. Particularly the plays association with the Essex Rising of 1601, and the censorship of the deposition scene, both of which seem to resonate for history with Elizabeth’s enigmatic comment expressing her identification with Shakespeare’s portrayal of Richard II.

This paper proposes to resolve the question of the play’s censorship by interpreting the deposition scene as a dramatization of transubstantiation, perhaps triggering Elizabethan censors.

Transubstantiation is the doctrine by which the Catholic Church interprets the Eucharist using the distinction between substance and accidens (eternal and …

What The Fuck Is This?: Aesthetic Nature Of Being Or Ontology In The Poetry Of Gerard Manley Hopkins, Alexis Stephenson

Graduate Theses and Dissertations

“What the Fuck is This?” examines the intersection of phenomenology and poetry arguing for an aesthetic nature of Being and focuses on how we know or experience the world instead of Cartesian absolutes. This subjective knowledge does not compete against objective knowledge but simply recognizes the use that poetic language has for communicating the subjective knowledge from experience of being as it unfolds for us. The major movements of the thesis focus on aesthetic objects, aesthetic intersubjectivity, and the aesthetic self. These are labeled “aesthetic” because a phenomenological methodology reveals a dialectic between that which is unfolding and that which …