Arts and Humanities Commons^™

Ghosts And Ethics In The Early Works Of James Joyce, Michael Menase

Graduate Theses and Dissertations

In the last 20 years, critics have contributed new insights into the character development, overall messages, themes, and other literary aspects of James Joyce’s works by focusing on their ethical implications. By following an intertextual method and by performing close readings of Joyce’s texts, I try to fill a gap in the scholarly literature by adding a related focus on ghosts to the conversation about Joyce’s ethics and those of his characters. Focusing on Dubliners and A Portrait of the Artist as a Young Man, I hope to show that the ghosts in Joyce’s corpus motivate characters and readers to …

Diversifying Woolf’S Room: Private Spaces And Creativity In The Works Of Willa Cather, Kate Chopin, Gayl Jones, And Alice Walker, Ebtesam M. Alawfi

Graduate Theses and Dissertations

There is a divergence between Woolf’s vision of private physical spaces necessary for creating art and that of some feminists of color such as Alice Walker, Ortiz Cofer, and Gloria Anzaldua. Both Woolf and these contemporary scholars agree on the importance of physical spaces for female artists. However, they disagree on the nature of these spaces. Woolf’s private physical space is a room with a lock on the door whereas these writers’ room is the kitchen table, the bus, or the welfare line. Walker and like-minded writers challenge the narrowness of Woolf’s room because her locked room is a luxury …

Adapting Animals: Nineteenth-Century British Literature, Science, And Media, Kristen Layne Figgins

Graduate Theses and Dissertations

In the nineteenth century, Charles Darwin and other proponents of evolutionary theory provided a theoretical framework for discussing the question of humanity’s place in the world. These nascent theories emphasized the shared animal nature of humans and the nonhuman creatures who had once occupied a distinctly lower place on the chain of being. My dissertation addresses the question of how nineteenth-century scientific attitudes about animals were reflected in the literature of the period. By examining culture-texts from the nineteenth century, it is clear that literature was an active participant in extending scientific knowledge, often by playing with the blending categorical …

From The Womb To The Word: Pregnancy And Pregnancy Metaphors In 16th And 17th Century English Literature, Kelly S. Westeen

Graduate Theses and Dissertations

This dissertation employs a feminist theoretical lens in exploring the gendered uses of pregnancy and pregnancy metaphors in the production and dissemination of literary works in early modern England. By also examining the history of the printing press and the role it played in gendered textual production, early modern constructs of family and the role of mothers, as well as obstetric medicine and childbirth, I aim to demonstrate that mothering and authorship were congruent activities for female writers. Conversely, I argue that male writers of the period who employed metaphors of gestation did so not to try to claim biological …

Recovered Images: Medieval Echoes In C. S. Lewis’S Space Trilogy, Nathan Earl Houston Fayard

Graduate Theses and Dissertations

C. S. Lewis has begun to garner more scholarly attention in the last few decades, but his first novels, his science fiction or Space trilogy, continue to be largely ignored by academia. Yet, these three novels are deserving of more serious study, as they are pioneering works of literary science fiction, and even more surprisingly, of literary medievalism. Though long derided as mere reactionary attacks on Modernism and science, when properly understood, these strange and wonderful tales actually reveal the complexity and nuance of Lewis’s response to his times. In them, the Inkling author creates a unique combination of the …

Feeling Clumsy, Feeling Alien: Gender And Affect In Victorian Sensation Fiction, Gracie Mae Bain

Graduate Theses and Dissertations

“Feeling Clumsy, Feeling Alien: Gender and Affect in Victorian Sensation Fiction” explores the interactions between the shock of reading sensation fiction and the affective potential of the genre using Sara Ahmed’s definition of the killjoy and the affect alien. The sensation genre, as explained in its name, is potentially useful when thinking about affective ties in the Victorian period. The first chapter, “Tracing Sensations: Finding and Following the Killjoy” explores the affective footwork that readers of sensation fiction are asked to perform in their sympathetic process with the female villains and fallen heroines. Affective tools employed by sensational fiction create …

On The Variations Of 'Occupatio' In "Richard Ii", William Kelly Reeder

Graduate Theses and Dissertations

Recent scholarship of Shakespeare’s Richard II has been interested in or preoccupied with its historical relations. Particularly the plays association with the Essex Rising of 1601, and the censorship of the deposition scene, both of which seem to resonate for history with Elizabeth’s enigmatic comment expressing her identification with Shakespeare’s portrayal of Richard II.

This paper proposes to resolve the question of the play’s censorship by interpreting the deposition scene as a dramatization of transubstantiation, perhaps triggering Elizabethan censors.

Transubstantiation is the doctrine by which the Catholic Church interprets the Eucharist using the distinction between substance and accidens (eternal and …

Losing Faith: Emily Brontë'S Revolutionized Religion, Emily Renee Holmes

Graduate Theses and Dissertations

“Losing Faith: Emily Brontë’s Revolutionized Religion” discusses the role of religion in her novel Wuthering Heights and her poems set in the mythical world of Gondal. Through close readings of both her prose and poetry, this paper seeks to understand the relationship between the dark, vindictive nature of Brontë’s characters and their hopeful ending. The first chapter, Here’s The Situation, discusses the situation as set up by the novel, focusing specifically on Catherine and Heathcliff. I discuss the violence and codependence of their relationship, their Gondal predecessors, their fascination with each other as well as their torment when apart, and …

"We Are Strangers In This Life": Theology, Liminality, And The Exiled In Anglo-Saxon Literature, Nathan John Haydon

Graduate Theses and Dissertations

In “‘We Are Strangers in this Life’: Theology, Liminality, and the Exiled in Anglo-Saxon Literature,” I analyze the theme of exile in the theological literature of the Anglo-Saxon era as a way of conveying the spiritual condition of eschatological separation. The anthropological theory of liminality will be applied in this dissertation as a way of contextualizing the existence of the exiled, and the multiple ways in which exile is enacted. The intervention of the theory of liminality in this dissertation offers a methodology and vocabulary for assessing what exile means in terms of a spiritual identity, how it operates in …

Monstrous Mobility In Dr. Jekyll And Mr. Hyde And Dracula, Autumn Danielle Weese

Graduate Theses and Dissertations

This thesis explores Late Victorian Gothic texts that are central to theories on monstrosity in terms of mobility by examining Dr. Jekyll and Mr. Hyde and Dracula. The goal of this project is to survey the ways in which two exemplary monsters, Mr. Hyde and Count Dracula, promote mobility for others and themselves as an inherent part of their monstrosity. The variety of this mobility is demonstrated by examples showing how monsters move and encourage movement in ways that are social and transformative as well as physical. Because social mobility is essential to these movements, this study also considers the …

“A Woman’S Story”: Lady Macbeth And Performing Femininity In The Early 1600s – Late 1900s, Phyllis Lebert

Graduate Theses and Dissertations

This paper uses gender studies to understand the themes of gender performance further, and more specifically, femininity, in Shakespeare’s Macbeth. It also explores the many ways feminine gender performance has changed as society has changed. Thus, proving gender is performative rather than innate. It does this by examining first the text within the context of Elizabethan society. Moreover, by examining three pivotal performances of Lady Macbeth through history within the context of their social structures as well. The three performances are that of Sarah Siddons in the Late 18th Century, Ellen Terry in the 19th Century, and Judy Dench in …

Mumbai Macbeth: Gender And Identity In Bollywood Adaptations, Rashmila Maiti

Graduate Theses and Dissertations

This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre-independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. Ultimately, this project hopes to fulfil the gap in scholarship on adaptations in Bollywood.

Gothic Voids: Nineteenth-Century Reader Experience And Participation, Garrett Chapman Jeter

Graduate Theses and Dissertations

Characterization of nineteenth-century literary Gothic is usually confined to affective response. This project argues that literary Gothic works constitute an intellectual, empirical endeavor. Because authors of literary Gothic intentionally left voids in their narratives, they invited their readers to participate in making narrative through speculation and conjecture about missing information. The practice of Gothic reading makes the reader an active partaker in filling those voids with rational conclusions. Reading is not just textual encounter. Rather, it incorporates making meaning of one’s surroundings. In their experiences, literary works’ characters “read” their environments: people, objects, events, etc. Chapter 1 characterizes Gothic reading …

A Flourynge Aege: Tracing The Sacred And Secular In The Book Of St. Albans, Allison Treese

Graduate Theses and Dissertations

With the introduction of the printing press to England around the mid-fifteenth century, English authors were not only writing under the lingering influence of Chaucer and the conventions of established medieval genres, but now had to confront the implications for reading and readership that printing brought with it along with the already turbulent political climate of the fifteenth century. Though this cultural shift was arguably a gradual one, with the earliest printers taking special care to remain faithful to the manuscripts they were copying, and conventional scribes likewise being commissioned to make copies of printed works, there were nevertheless radical …

"A Magic Deeper Still": Sacramental Poetics In William Wordsworth, Christina Rossetti, And C.S. Lewis, Eric Michael Bontempo

Graduate Theses and Dissertations

A sacramental poetics requires a particular mode of being-in-the-world. Religiously-minded poets, from Dante and Milton to Donne and Herbert, have long considered how the individual becomes attuned with creation and God’s will. But what happens when modernity and secularization challenge long-held assumptions about the universe and how humankind fits into it? A reevaluation is then needed. My thesis begins with an examination of how William Wordsworth, who sort of falls into modernity, seeks to reoccupy the functions of religion in an increasingly secularized landscape. One consequence of the European Enlightenment is the disentangling and distancing that occurs in regards to …

The Two-Sided Coin: Madness And Laughter As Subversion In Alice’S Adventures In Wonderland And The Sandman, Tessa Starr Swehla

Graduate Theses and Dissertations

Mad female characters in Western literature have traditionally represented attempts by dominant patriarchal discourse to subjugate women’s discourse: these characters are usually pathologized in both their dialogue with other characters and in their physical bodies. This subjugation by representation of mad female characters in dominant discourse parallels similar attempts to portray women as lacking in humor. This thesis studies the intersections between madness and humor and the ability of female characters that embody both to challenge and subvert dominant discourse. By examining the characters of Alice from Lewis Carroll’s novel and Delirium from Neil Gaiman’s graphic novel series The Sandman …

The Power Fantastic: How Genre Expectations Mediate Authority, Angela Rose Cox

Graduate Theses and Dissertations

This dissertation reconciles academic and popular uses of the term genre, concluding that genre is a transmedial, mutable, associative, recognized system regulated through tacit understandings of prestige and power in a given Social space. The study employs a digital humanities method (dependent on digitally facilitated data analysis), conducting descriptive discourse analysis on collected online discussions from fan spaces concerning the fantasy genre and matters related to fantasy. In this way, I construct an image of the fantasy genre, and genre in general, as a multimodal space in which material freely passes between traditional and new media and participants actively negotiate …

Ecological Approaches To Modernism, The U.S. South, And 20th Century American Literature, Justin Ford Tinsley

Graduate Theses and Dissertations

This project seeks to draw from the insights of the emerging scholarly discipline known as ecocritism, study of the relationship between human and nonhuman in all arts and in all diverse forms, and apply them to the study of a specific regional art, that of the U.S. South. As an interrogation of the human / nonhuman binary, ecocriticism is intrinsically intertwined with the concept of place. Southern studies—having long explored the diversity (in terms of both human experience and geographical terrain) characterizing the region—offers ecocriticism a ripe testing ground for theoretical mergers and analytic applications. Both fields celebrate hybridity, multiplicity, …

"Good To Think With": Women And Exempla In Four Medieval And Renaissance English Texts, Jennifer Fish Pastoor

Graduate Theses and Dissertations

This dissertation examines four English texts—Beowulf; Ancrene Wisse; Geoffrey Chaucer’s Canterbury Tales’ Man of Law’s Tale and Second Nun’s Tale; and Richard Hyrde’s English translation, The Instruction of a Christen Woman, of Juan Luis Vives’ De Institutione Feminae Christianae—in terms of their use of exempla related to women. These texts all find women good “to think with,” to use, from The Body and Society, Peter Brown’s appropriation of Levi-Strauss’s famous wordplay. The ways in which these Old English, Middle English, and modern English texts portray women’s lives and bodies as a gateway into thought about the Christian life are also …

Dandy As Disease: Gender Hygiene And British Nineteenth-Century Literature, Sharon Louise Fox

Graduate Theses and Dissertations

“Dandy as Disease: Gender Hygiene and British Nineteenth-century Literature” explores the link between the nineteenth-century dandy, ideas of hegemonic masculinity, and Walter Besant’s The Revolt of Man, a dystopian text in which women have usurped all traditionally-masculine roles, while men are the caretakers and manual workers. The first chapter deals with the historical role of the dandy in the nineteenth-century and how he might be viewed as the cause of the fall of Britain. The second chapter revolves around Besant’s novel, exploring how men are shown to be at fault for Britain’s fall in the eyes of the rest of …

Telling New Tales: Modernizations Of Chaucer In The Eighteenth Century, Eric Duane Larson

Graduate Theses and Dissertations

Any review of medieval culture and literature in the British eighteenth century requires some consideration for the modernizations of Chaucer’s Canterbury Tales. Effectively a collaboration that spanned the entire century, this project began with Dryden and Pope and continued in earnest with lesser-known poets like George Ogle and William Lipscomb. The resulting modernization of every Chaucerian tale between 1700 and 1795 revisits medieval themes, but it also displays contemporary anxieties through presentations of language, content, style, and rhetorical intent that are sometimes vastly different from Chaucer’s originals.

The modernization project is worthy of study, in particular because it reflects, across …

The Threat At Court: Subversive Uses Of Translation, Transcription, And Tradition In The Henrician Court, Rebecca Marie Moore

Graduate Theses and Dissertations

This project aims to consider the use, at the Henrician court, of the strategies of translation, transcription, and tradition to cushion and to code the presentation of dangerous and radical ideas. Each of these strategies allows the authors deniability, while nonetheless allowing them to communicate clearly with their readers. These writers speak in a code that can be interpreted by anyone at court, but use that code to create just enough distance to avoid overt confrontation with the king. This is further complicated, though, by the king’s own deeply influential role in the creation of that code. Each strategy also …

Literature As Virtual Reality: An Exploration Of Subjectivity Formation In The Digital Era, Jessica Danielle Schnebelen

Graduate Theses and Dissertations

This project traces a line of developing subjectivity in the history of mediation. Using Jacque Lacan’s mirror stage to emphasize the relationship between Social identification and self formation, I suggest literary virtual realities further our understanding of human-technology relationships. Examining the evolution of eighteenth and nineteenth century sympathetic consciousness reveals a subjectivity intricately bound to both cognitive and physical spaces. The emergence of the virtual body complicates this consciousness by obscuring physicality and mixing man and machine. To trace this consciousness this project looks at the work of Jane Austen, Virginia Woolf, and a contemporary television writer, Charlie Brooker. These …

“Deliberate Voluptuousness”: The Monstrous Women Of Dracula And Carmilla, Judith Bell

Graduate Theses and Dissertations

Vampire women play a culturally significant role in films and literature by revealing the extent to which deviation from Socially accepted behavior is tolerated. In this thesis, I compare the vampire women of Bram Stoker’s Dracula and J. Sheridan Le Fanu’s Carmilla to their depictions in recent adaptations. In Stoker’s Dracula, the vampire sisters are representative of the shortcomings of 19th century gender roles, especially in regard to women’s communities. In recent adaptations, the vampire sisters’ revealing clothing, promiscuity, and lack of characterization are still closely connected with villainy, and as in Stoker’s novel, the women’s violent deaths in the …

A Watchman On The Walls: Ezekiel And Reaction To Invasion In Anglo-Saxon England, Max K. Brinson

Graduate Theses and Dissertations

During the Viking Age, the Christian Anglo-Saxons in England found warnings and solace in the biblical text of Ezekiel. In this text, the God of Israel delivers a dual warning: first, the sins of the people call upon themselves divine wrath; second, it is incumbent upon God’s messenger to warn the people of their extreme danger, or else find their blood on his hands. This thesis examines how the Anglo-Saxon applied Ezekiel’s warnings to their own cultural crisis. It begins with the early development of this philosophy by the Britons in the 500s, its adoption by the Anglo-Saxons, Irish, and …

A Band Of Sisters: Female Detectives, Authority, And Fiction From 1864 To The 1930s, Amanda Renee Schafer

Graduate Theses and Dissertations

Because mystery and detective fiction have been classified as “popular” genres, the complex ideas and ideologies that the authors work with and within reach a wide and varied audience through formulaic and familiar ways. The perceived conservatism of the genre allows authors to present and pursue distinctly anti-conservative views in disguise. For fictional detectives and, especially female detectives, disguise is an effective tool for solving their cases. Often, these detectives will disguise themselves as someone infinitely more conservative than they are in order to gain access to their quarry. Similarly, mystery and detective fiction wear a cloak of conservatism to …

[Re]Visiting The Rime: A Case Study Of Adaptation As Process And Product With The Rime Of The Ancient Mariner, Sally Ferguson

Graduate Theses and Dissertations

This thesis combines adaptation theory with ecology to examine Samuel Taylor Coleridge's Rime of the Ancient Mariner (1798) and its adaptations; it argues further combinations of adaptation with evolutionary theory and ecological ideas could allow for a better interpretation of many texts. The adaptation Rime of the Modern Mariner (2011) by Nick Hayes and the appropriation Perelandra (1943) by C.S. Lewis will also be present in individual chapters to examine the texts' interactions with each other as they evolve and how each work represents the combined theory.

At Home In Exile: Ezra Pound And The Poetics Of Banishment, Andy Kay Trevathan

Graduate Theses and Dissertations

Ezra Pound is one of the most important poets, critics, and writers of the 20th century. Through his literary efforts, and his work on behalf of many other writers, Pound changed the way we read and write poetry today. His cultivation and support of other writers and poets like T.S. Eliot, James Joyce, Robert Frost, Marianne Moore, etc. created the basis for what we refer to as Imagism, Modernism, and other important literary movements of the early 20th century. Pound’s use of fragmentation, pastiche, and bricolage laid the foundation for post-modern writers of the latter half of the 20th century, …

The Literary Unconscious: Ideology And Utopia In The Nineteenth-Century Realist Novel In England And Russia, Isra Ahmed Daraiseh

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In this volume, I have examined a number of works of nineteenth-century realist fiction from England and Russia, using the double interpretive method recommended by Fredric Jameson in The Political Unconscious. In particular, I have employed the dialectical double hermeneutic suggested by Jameson, who argues that the most productive approach to literary texts is to consider them from the double perspective of ideology and utopia. That is, critics should approach literary texts by seeking out the ideological roots that lie beneath the textual surface and from which the texts grow, while at the same time keeping a careful eye out …

The Many Faces Of Cleopatra: How Performance And Characterization Change Cleopatra In Geoffrey Chaucer's "The Legend Of Good Women," William Shakespeare's The Tragedy Of Antony And Cleopatra, And John Dryden's All For Love; Or, The World Well Lost, Rebecca Piazzoni Chatham

Graduate Theses and Dissertations

Geoffrey Chaucer, William Shakespeare, and John Dryden presented the character of Cleopatra differently, through both the written language of their pieces and their own and others’ performances of her, in order to meet the demands of their respective audiences and performance conditions. Chaucer, in “The Legend of Cleopatra,” portrays and performs Cleopatra comically. Shakespeare, in his Tragedy of Antony and Cleopatra, characterizes Cleopatra as a complex woman. In All for Love; or, The World Well Lost, Dryden characterizes Cleopatra as sentimental, but the performance of her on stage by female actresses added depth to the role. For Chaucer and Dryden, …