Arts and Humanities Commons^™

Recording The Classical Tuba, Larry Dine

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Many musicians find it difficult to capture the sound of their instrument in a recording. Often times the trouble is getting a recording to sound natural, or true to life. This is no different for the classical tuba, especially due to the way its sound is produced. This paper focuses on some of the broad variables that go into realistically reproducing the tuba’s sound, which has received very little, if any, academic study.

Within this study, microphone selection and placement is considered, interpreted, and discussed via objective and subjective methods. More specifically, this includes direct and indirect microphone placements, as …

Defining The Late Style Of Johannes Brahms: A Study Of The Late Songs, Natilan Casey-Ann Crutcher

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Johannes Brahms has long been viewed as a central figure in the Classical tradition during a period when the standards of this tradition were being altered and abandoned. His resistance to innovation creates some difficulty when trying to pinpoint his "late style", and how he fits into the late style concept. While existing scholarship on Brahms's late style tends to focus on his chamber works, this document focuses on his late Lieder. This document proves a study of Brahms's literary considerations, a comparison of his early and late songs, and a comparison between Brahms and some of his contemporaries. In …

Chercheur De Lumière: The Art Of Jean-Louis Rouméguère (1863-1925), Elizabeth Ann Wheeler

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This thesis examines the landscape paintings of Jean-Louis Rouméguère (1863-1925), who was active in southwestern France in the early twentieth century. Rouméguère, who also had a brief Parisian career, was a fervently independent artist whose work nonetheless shows the varied influences of the Barbizon school, the Impressionist movement, and even classical landscape techniques. Working exclusively in the regions stretching from Auvergne to the Pyrenees, Rouméguère created atmospheric, somatically-appealing paintings that experimented with pushing small scale to an extreme. The artist’s work demonstrates his quest to capture the intense, ever-shifting light of his region while maintaining a sense of harmony and …

Vi Et Armis: Londoners And Violent Trespass Before The Common Pleas In The Fifteenth Century, Lindsey Mcnellis

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Civil litigation in early fifteenth-century England encompassed a variety of actions, but only one writ covered acts of violence: trespass vi et armis. These writs, all before the central Court of Common Pleas, detail a variety of violent torts, or wrongs, such as housebreaking, theft, imprisonment, abduction, and assault. The Londoners who entered pleadings in this court between 1405 and 1415 have left a fascinating glimpse into both interpersonal violence and the world of savvy litigators. Through a close examination of eighty-two cases, I demonstrate that Londoners were knowledgeable litigants who used the Court of Common Pleas and its …

Contemporary Collaborative Piano Practices In Korea: Five Case Studies, Jiyeon Lee

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This research paper provides insight into the practices of collaborative piano in Korea. Interviews are included with five Korean pianists who have enjoyed successful careers in either Korea or the United States: Eun Young Lee, Young Kyung Hyun, Jin Hye Lee, Tony Cho and Hun Won Yim. Their responses provide practical advice for collaborative pianists as well as details about educational and career opportunities for collaborative pianists in Korea and the United States. Also included is biographical information about the selected pianists, information about Korean collaborative pianists’ associations, a list of Korean universities offering collaborative piano degrees, and a bibliography.

Johannes Brahms’S Fünf Ophelia-Lieder Performance History, Cultural Context, And Character Study As It Pertains To Johannes Brahms’S Fünf Ophelia-Lieder: A Performer’S Perspective, Caryn Alexis Crozier

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This document aims to contribute research on the lesser known and under researched vocal works by Johannes Brahms, particularly his Fünf Ophelia Lieder. This song cycle, while not written to be performed on its own, originally, is a rich technical resource for beginning singers and advanced singers alike. Brahms wrote a simple melody with sparse accompaniment that really allows the performer to focus on language, technique, or dramatic interpretation. This document looks at Brahms’s setting of Ophelia’s mad scene through many different lenses including theoretical, by analyzing each song musically and dramatically, historical analysis of Hamlet and its many iterations, …

Latin American Influences On Selected Piano Pieces By Louis Moreau Gottschalk And Darius Milhaud, Hyejeong Seong

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This research document examines selected piano works by Louis Moreau Gottschalk (1829-1869) and Darius Milhaud (1892-1974) that are influenced by Latin American cultures.The paper traces the influence of Latin American music and the incorporation of characteristic melodic, harmonic, and rhythmic elements in the following compositions: Souvenir de Porto Rico, op. 31 (1857) and Souvenir de la Havane, op. 39 (1859) by Gottschalk; Saudades do Brasil, op. 67 (1920-1921) and Brasileira: Third movement of Scaramouche Suite, op. 165b (1937), for Two Pianos, by Milhaud. After a brief introduction, the study reviews the existing related literature about this topic. Then, Chapters Three …

Emily Dickinson's Echology: A Listener's Reconceptualization Of Citizenship, Consciousness, And The World, Beth Ann Staley

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What I call Emily Dickinson’s “echology” combines the terms “echo” and “ecology” to understand how Dickinson’s work echoes – and is an echo – of the world and how, consequently, her work resides not just in her handwritten documents and their publication in various editions but in an ecology that’s tied to the earth that hosted her, the air that faced her, and the sea kept her listening. To assess the critical value of Dickinson’s echology, this dissertation begins by apprehending how the story of the echo is a story about sound masking, specifically about how the echo that is …

Listening For The Cosmic Other: Postcolonial Approaches To Music In The Space Age, Paige Zalman

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As government programs such as NASA and SETI seek signs of intelligent life in space and privately-funded programs such as SpaceX finalize plans to colonize Mars in the coming decades, representations of space and extraterrestrial life in American culture have become increasingly relevant. Focusing on Jóhann Jóhannsson’s musical score for Denis Villeneuve’s science-fiction film Arrival (2016), Terry Riley’s Sun Rings (2002) for string quartet, chorus, and recorded space sounds, and former International Space Station Commander Chris Hadfield’s “Songs about Space” Spotify playlist, my research problematizes the ways in which composers, musicians, and even astronauts depict alterity through music and reinforce …

Living Tangent, Cornelius Alexander Hugo

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A living tangent is how I am known by many and how I have lived my life for some time. I think in tangents and my life and art seem to evolve through them. Everything I make is connected by multiple thoughts or tangent lines that run from something as simple as the color red, to the idea that I believe communism has invaded my family’s homeland. This then leads to the recollection of childhood games, taught to me by my family in Venezuela and the importance these games played in my psychological development and in my presence as an …

Nuanced Narratives: Reporting With Critical Race And Feminist Standpoint Theories, Emily Margaret Pelland

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The Google Expedition titled WWI Era Through the Eyes of the Chicago Defender explores African American experiences during the early years of the Great Migration (1910-1970). Conventional journalism relies on the false idea that journalists are meant to be, and can be, objective, outside observers. This report provides tools for journalists to create more nuanced, thorough storytelling endeavors. This report describes the theoretical framework and intent of the Virtual Reality (VR) project for students in grades 8 and above. It utilizes Feminist Standpoint Theory (FST) and Critical Race Theory (CRT) to cultivate a VR experience that acknowledges particular, overlooked aspects …

The Life And Work Of Alex Klein, Ramon Thiago Mendes De Oliveira

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Alex Klein is one of the best-known figures of the American oboe school. He is the winner of multiple international competitions, including the first prize at the Geneva’s Concours International d’Execution Musicale. Appointed principal oboe at the Chicago Symphony Orchestra in 1995, Klein is one of the most highly regarded musicians hired during the Barenboim era. His recording of Richard Strauss’ oboe concerto with the CSO was awarded Best Instrumental Soloist Performance (with Orchestra) at the 44th Grammy Awards. In 2004, his tenure at CSO was interrupted due to the onset of Focal Dystonia; which affected multiple fingers in …

Cloud 9: Bringing The Abstract To Light, Thomas N. Gillette

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This document chronicles my journey designing the lighting for Carol Churchill’s Cloud 9 in the Creative Arts Center at West Virginia University. Starting with the initial read, this paper will continue through the early meetings and initial concepts discussed by the design team. Proceeding through the evolution of the design up to and throughout the tech process and will conclude with an evaluation of the overall experience. I have also provided a combination of paperwork items which were essential in the mounting of the production including: light plot, the channel hookup, cue list, and the EOS magic sheet. In addition, …

Predictors Of Perceived Multicultural Competence Among Neuropsychological Trainees, Hannah K. Greenbaum

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Multicultural competence is necessary to provide psychological services to an increasingly diverse population (Sue, 2001). It is established that multicultural competence is important for training in psychology (Bodin et al., 2014; Diaz-Santos & Hill, 2016). Despite increased interest in recent years, multicultural competence in neuropsychology has not progressed in parallel with the focus of multiculturalism in psychology broadly (Rivera Mindt, Byrd, Saez, & Manly, 2010). Little is known about multicultural assessment, and it is not yet known what factors in training contribute to perceived multicultural competence in neuropsychological trainees (Elbulok-Charape, Rabin, Spadaccini, & Barr, 2014). The primary purpose of this …

State Counter-Insurgency And Political Policing In Colonial And Post-Colonial Malawi, 1891-1994, Paul Brenard Chiudza Banda

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This is a study that adopts the longue durée historical approach to analyze the main causes behind the rise of ‘insurgencies’ or the so-called resistance against the colonial and post-colonial state in the present-day southern African country called Malawi from 1891 to 1994. In turn, it also uses the concept of ‘counter-insurgency’ to analyze the various measures the states in question used to defeat the ‘insurgents’. To arrive at the conclusions made in the study, I have migrated through various domestic and transnational spaces, personalities, and documents that inform the current study. I also adopt two main historical approaches to …

Training Friends And Overseas Relief: The Friends Ambulance Unit And The Friends Relief Service, 1939 To 1948, Nerissa Kalee Aksamit

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This transnational case study investigates the establishment and development of training programs by two British faith-based voluntary relief organizations, the Friends Ambulance Unit (FAU) and the Friends Relief Service (FRS), during the Second World War and explores the implementation of learned skills by members of those organizations working during the immediate postwar period in the British Occupation Zone in Germany. It contributes new perspectives to scholarship on humanitarianism as it highlights both the continuities and ruptures in the approaches to and practices of humanitarian aid. It identifies the Quaker traditions that shaped the work of the FAU and FRS—particularly the …

Examining Musical Hybridity And Cultural Influences In Valerie Coleman’S Wish Sonatine And Fanmi Imèn, Brittany Marie Trotter

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The purpose of this research document is to examine elements of musical hybridity and cultural influences in renowned African-American flutist-composer Valerie Coleman’s Wish Sonatine and Fanmi Imèn for solo flute and piano. Prominently known for her chamber music works, Coleman describes her compositional style as “urban-classical,” which infuses elements of popular American styles into modern Western art music traditions to highlight and encapsulate the cultural experiences of various diasporas of our time.

The most significant elements of hybridity and cultural influences examined in Wish Sonatine and Fanmi Imèn are programmatic imagery and compositional motifs. The programmatic imagery is represented through …

The Marvel Sonic Narrative: A Study Of The Film Music In Marvel's The Avengers, Avengers: Infinity War, And Avengers: Endgame, Anthony Walker

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This document explores the music of three films in the Marvel Avengers enterprise: Marvel’s The Avengers, Avengers: Infinity War, and Avengers: Endgame. It does not examine the second film of the series, Avengers: Age of Ultron. The document seeks to uncover and further understand the music’s function in each film and to determine its continuity throughout all three films. This study uses a combination of film music studies and theory-based analysis to support the findings with the aim of identifying connecting musical elements that stretch throughout these three films. This includes the use of leitmotif/themes, previously …

Core Curriculum For Orchestra, Andrew Thomas Aycoth

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Core Curriculum draws inspiration from the idea of a sound collage that incorporates many specific pieces and techniques that I have encountered or studied during my time in music academia. Nearly everything is derived from something else, often being transformed or altered in some way. From my own private teaching of guitar lessons to analyses of 20th century art music, I tried to represent as much music as possible from these formative years. There are two main features that continue throughout the piece. The first is the repetitive rhythmic figure based on eighth notes that are out of phase, which …

The /H/ Phenomenon: Overgeneralised Or Confused? The Nigerian Yoruba-English Speakers As A Case Study, Oluwabukola Omolara Bamidele

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In this thesis, I examined why the Yoruba speakers of the English language have difficulty in pronouncing word-initial glottal fricative in English. /h/ dropping and /h/ insertion is not expected as the Yoruba language supposedly have the glottal fricative in its sound inventory. I gave a brief introduction to Yoruba phonetics, a brief history about the contact between English and Yoruba language, and what other researchers have written about the /h/ dropping and insertion phenomenon.

The research question was why the Yoruba-English speakers delete and insert the glottal fricative at the word-initial position. I started by investigating the nature of …

Building An Image: Japanese Influence On The Perception Of Western Countries, A Study Of The 1904 St. Louis World’S Fair, Andrea M. Fowler

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In this thesis, I argue that the Japanese government has utilized art and artistic expression to influence the perception that Western countries had of its nation and culture. This phenomenon is examined through a case study of Japanese participation at the 1904 St. Louis World’s Fair, and the exhibits that they presented. These exhibits are examined utilizing both reception and post-colonial theory, and then applying these theories to primary source material from the 1904 World’s Fair. These materials include guidebooks and photographs from both the United States and Japanese authors, to showcase differences between how the East and West interpreted …

Music Technology, Gender, And Sexuality: Case Studies Of Women And Queer Electroacoustic Music Composers, Justin Thomas Massey

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This document aims to contribute to the established scholarship that highlights the role gender and sexuality has with one’s fundamental relationship to composition and music technology. The profession of electronic music composition and music production are strongly associated with notions of power and control, as much of this technology was built during the World Wars and Cold War. These aggressive views have created gendered language and metaphors in the field. Metaphors are the primary way in which we accommodate and assimilate information and experience to our conceptual organization of the world. It is at the source of our capacity to …

The Hard Bop Trombone: An Exploration Of The Improvisational Styles Of The Four Trombonist Who Defined The Genre (1955-1964), Emmett Curtis Goods

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This dissertation examines the improvisational stylings of Curtis Fuller, Locksley “Slide” Hampton, Julian Priester and Grachan Moncur III from 1955 through 1964. In part one of this study, each musician is presented through their improvisational connections to J.J. Johnson, the leading trombonist of the Bebop era. His improvisational signatures are then traced through to the musical innovations of the Hard-Bop Trombone Era. Source material for this part of the study includes published books, dissertations, articles, online sources, discographies and personal interviews. Part two of this paper analyzes selected solos from each of the four subjects to identify the defining characteristics …

Folk-Song To Formal Performance: Interpreting The Songs Of Jean Ritchie For Voice Recital, Julianne E. Laird

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The purpose of this study was to identify the value of incorporating American folk-song into a formal voice recital program, specifically the collections and compositions of Jean Ritchie. This qualitative study identified criteria for choosing specific folk-songs to include in formal recital, assessed quality in a folk-song arrangement, discussed suitable instrumentation for accompaniment, and suggested appropriate performance practices for concert performance. New folk-song literature was discovered through accessing original unpublished sources in the American Folklife Center of the Library of Congress. Finally, a format and program for incorporating the collected and composed folk-songs of Jean Ritchie in formal recital was …

Musical And Cultural Perspectives Of Héctor Campos Parsi: An Examination Of His Influences And Analysis Of Selected Vocal Works, Cynthia Ortiz-Bartley

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This paper examines the historical and cultural atmosphere in Puerto Rico and how it affected one of Puerto Rico’s most celebrated composers, Héctor Campos Parsi, and two selected works in two different times of his life. The discussion includes events that affected the island with respect to art music from 1898, the birth of Héctor Campos Parsi in 1922, and up to 1986, which marks the date of the second selected work. This document considers three questions about cultural and structural influences about the life and experiences of Héctor Campos Parsi: Does a composer’s life experience and environment and culture …

Hyperscales: Analysis, Historical Uses, And Possible Applications In Contemporary Music Composition, Douglas Wayne Brown

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This paper introduces the hyperscale, defines terminology that is new or potentially ambiguous, examines historical scales which may be a hyperscale or not (with examples when available), introduces two synthetic hyperscales created by the author, tells the story behind their creation through an analysis of an original piece by the author that uses both scales, compares the scale characteristics and composition techniques used in the piece with those of another piece written by a contemporary composer, and finally offers some concluding thoughts on the future of the hyperscale in art music. Because relatively little scholarship exists for this topic, this …

Prizes, Winning, And Identity: Narrative Vocal Music Of The Pulitzer Prize, 2008–2018, Julia K. Kuhlman

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This thesis considers the ways in which the Pulitzer Prize for Music shapes and is shaped by music of the moment. Since 1943, the Pulitzer Prize has marked 83 pieces as “distinguished” examples of American music. The financial rewarding of winning composers and the initiation of a reciprocal transfer of prestige and political capital, the Pulitzer’s expert juries and governing body has contributed to the preservation of a perpetually-shifting status quo. By chronicling the year-to-year shifts of administrative power dynamics in prize selections, the Pulitzer Prize has mirrored the changing American musical landscape.

Drawing on methods of reception history, archival …

Pedagogical Thoughts On Album Des Six: A Piano Set By Les Six To Represent French Nationalism, Dipendra Sunam

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Les Six, formally established in 1920, included a group of young French composers: Georges Auric (1899-1983), Louis Durey (1888-1979), Arthur Honegger (1892-1955), Darius Milhaud (1892-1974), Francis Poulenc (1899-1963) and Germaine Tailleferre (1892-1983). The primary motivation for their formation was the reaction against foreign influences, especially German Romantic music, in French music. Jean Cocteau, inspired by Erik Satie’s style, proposed a new French musical aesthetic: simplicity, directness, clarity, and terseness. Les Six followed these ideals in their formative years. Their artistic association was short-lived, but while it lasted it produced Album des Six, their sole joint production, a published …

Artifacts Of Imagination, Rachel Emily Simpson

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My MFA thesis and supporting exhibition focus on works ranging from video and sculpture to installation. The work has evolved from an intimate spiritual dialogue and interaction with the terrestrial world. This personal narrative is a jumping off point to pursue more universal themes and ideas of layering of information, shared versus collective perceptions and creating systems of understanding. Many of the processes involved in this exhibition contain some form of collage. The use of these various collage techniques furthers the idea of complexity in perception and expression and the many layers of experience. I will explain how the creation …

The Effect Of Phonetic Training On The Perception And The Production Of L1-Related Difficult Sounds In Esl, Moonjung Jang

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A considerable amount of research has been conducted on the influence of first languages’ phonological features in pronunciation of a second language. While it has been accepted that pronunciation is one of the most significant aspects in the acquisition of a second language, many studies have not considered whether explicit phonetic training in pronunciation would help English as Second language Learners to improve their pronunciation on particular English sounds that can be confused due to L1 influence. The present study will explore whether Korean ESL learners are able to perceive the particular pairs of the different phonetic sounds (i.e., /p/-/f/, …