Arts and Humanities Commons^™

Australian Literature’S Legacies Of Cultural Appropriation, Michael R. Griffiths

Faculty of Law, Humanities and the Arts - Papers (Archive)

Non-Indigenous Australian writers face a dilemma. On the one hand, they can risk writing about Aboriginal people and culture and getting it wrong. On the other, they can avoid writing about Aboriginal culture and characters, but by doing so, erase Aboriginality from the story they tell.

Korean-Chinese Film Remakes In A New Age Of Cultural Globalisation: Miss Granny (2014) And 20 Once Again (2015) Along The Digital Road, Kai Ruo Soh, Brian Yecies

Faculty of Law, Humanities and the Arts - Papers (Archive)

No abstract provided.

Chinese As A Foreign Language: Cultural Components In An Australian Classroom, Xiaoping Gao

Faculty of Law, Humanities and the Arts - Papers (Archive)

Culture and language are intertwined with each other. Understanding the target language culture has long been one of the central goals of foreign language teaching and learning. However, there remains considerable scope for exploring how to integrate cultural components into second language teaching practice. This paper first reinforces the role of culture in foreign language education and language pedagogy in the international arena. It focuses on Chinese language education and the cultural components in Chinese as a foreign language class in Australia. Surveys with Chinese teachers and their students in Australian schools and universities show that the explicit explanation of …

Sites To Remember: Performing The Landscape In Cultural History, Janys Hayes

Faculty of Law, Humanities and the Arts - Papers (Archive)

This paper aims to compare and contrast two site-specific performance productions, both designed to grapple with processes of cultural remembrance, whilst also operating as successful tourist attractions. The narratives encompassed by both productions revolve around shared Australian histories, for audiences attracted by place and what it is able to represent. Re-enactments of past events call into the present a consideration of what still remains, with both shows enabling new subjective interpretations of earlier times. The defining difference between the two, however, rests in the context of each performance, in the one case as a commodification of heritage and in the …

Changes To Radio National Are Gutting A Cultural Treasure Trove, Siobhan Mchugh

Faculty of Law, Humanities and the Arts - Papers (Archive)

"RN is the home of big thinking, big ideas, and the national conversation," the statement from ABC management said. It seems odd that, in pursuit of that notion, RN intends to halve the output of its documentary program, Earshot; cease almost all music broadcasting; abort its flagship sound art show, Soundproof, and a short-form storytelling show, PocketDocs; and dispense with the services of respected religious broadcaster John Cleary as well as seven music and features producers.

The Korean “Cinema Of Assimilation” And The Construction Of Cultural Hegemony In The Final Years Of Japanese Rule, Brian Yecies, Richard Howson

Faculty of Law, Humanities and the Arts - Papers (Archive)

During the late 1930s, as Japan escalated war preparations with China, and after Governor-General Minami formalized the assimilationist ideology of “Japan and Korea as One Body”, cinema in Korea experienced a fundamental transformation. Korean filmmakers had little choice but to make co-productions that aimed to draw Koreans toward Japanese ways of thinking and living, while promoting a sense of loyalty to the Japanese Empire. Within this colonial context, and especially after the 1940 Korean Film Law facilitated the absorption of the Korean film industry into the Japanese film industry, a particular type of masculine hegemony was encouraged by a comprehensive …

Sovereign Bodies: Australian Indigenous Cultural Festivals And Flourishing Lifeworlds, Lisa Slater

Faculty of Law, Humanities and the Arts - Papers (Archive)

In 2008, I was an observer at a two-day workshop concerned with the future of the Laura Aboriginal Dance Festival. The delegates were Aboriginal and Torres Strait Islander peoples from across Cape York Peninsula, representing communities (Indigenous townships) that dance at this long-running event. There was an openfloor discussion; following cultural protocols, one by one elders got to their feet to speak for country. A highly respected elder told of how he and his family cared for country - walked, talked, sung, hunted, burned - to keep their ancestral lands healthy, as the land looked after them. He then passionately …

‘Calling Our Spirits Home’: Indigenous Cultural Festivals And The Making Of A Good Life, Lisa Slater

Faculty of Law, Humanities and the Arts - Papers (Archive)

Speaking about the problems affecting Wik youth of Aurukun, Cape York, a local community health worker, Derek Walpo, lamented that ‘their spirits have wandered too far. We need to call them back.’ The poignant reflection was made at a debriefing session following a social and wellbeing festival in Aurukun.1 The five-day event culminated in a Mary G concert, in which almost all the township gathered to laugh and cheer the indomitable Broome ‘lady’. It was not just Mary G’s ribald humour that vitalised and galvanised the crowd, but also her performance that playfully reflected back and validated some of the …

Pastel De Tentugal: Serendipity Or Cultural Syncretism?, Paula Arvela

Faculty of Law, Humanities and the Arts - Papers (Archive)

Pastel de Tentugal, a wrapped sweet pastry and a popular item of the traditional Doçaria Conventual Portuguesa, is simultaneously a food and an item of cultural history.1 As a food, the cigar-shaped pastry constitutes a distinctive item of confectionary. It exhibits most of the culinary attributes that seem mandatory in sweet-making – balanced symmetric shape with perfect texture, colour and flavour. Pastel de Tentugal strikes a flawless balance between visual structure and the gustatory experience, with its multilayered crispy wrapping enclosing a filling that teases the taste buds and senses. One bite breaks through the crunchy, delicate wrapping to expose …

Un Viaje Redondo A Las Antípodas Normativas: La Contextualización Cultural De La Modernidad Jurídica En La Narrativa De D.H. Lawrence, Luis Gomez Romero

Faculty of Law, Humanities and the Arts - Papers (Archive)

A few months before the collapse of the Soviet Union, the Mexican poet Octavio Paz was proclaimed at a crossroads uppercase: praising the modernity as a blessing or regret it as a curse. This dilemma was paradoxical that peace in both professed an almost mystical commitment by the modernity: that is a destination: if Mexico wants to be, will be modern, stated (Peace, 2003: 57). Such an assertion requires some additional explanation, especially if we take into account that modernity is a theoretical concept extremely debatido. What peace I wanted to say on the threshold of the last decade of …

Creative Praxis And Cross-Cultural Research, Sukhmani Khorana

Faculty of Law, Humanities and the Arts - Papers (Archive)

This article theorises the process of conducting and exhibiting cross-cultural research through a particular kind of creative praxis, a hybrid visual essay. Beginning with a model for understanding such a visual form, I then go on to detail the pre-production, production and post-production stages. This helps comprehend the potential cross-cultural impact of the chosen methodology, as well as the consequences of various production choices. The article ends with an overview of the impact of the screenings of the visual essay.

Cultural Myths And Open Secrets: The Cattle Industries In Australia, Melissa Boyde

Faculty of Law, Humanities and the Arts - Papers (Archive)

In a meditation on the “question of identity” Gertrude Stein, modernist writer, art collector, dog lover, writes about one of the dogs she and her partner Alice B. Toklas lived with: “I am I because my little dog knows me” (Geographical History 99). In a later discussion on identity and creativity Stein again includes the statement about her dog, adding: I was just thinking about anything and in thinking about anything I saw something. In seeing that thing shall we see it without it turning into identity, the moment is not a moment and the sight is not the thing …

Cultural Politics: Who Cares About The Arts?, Marcus O'Donnell

Faculty of Law, Humanities and the Arts - Papers (Archive)

The fact that the arts haven’t starred in this election and its media coverage is perhaps no big surprise. But it sends a disturbing signal about the place of the arts in our public discourse.

When Arts Minister Tony Burke and shadow arts spokesperson George Brandis addressed an arts forum in Western Sydney last week it was one of the few moments when the arts got a focus in media reporting, but even then coverage was scant. A single story appeared in the Fairfax papers, The Australian followed up their debate story with a Brandis profile and this week the …

Ensuring The Preservation Of Submerged Treasures For The Next Generation: The Protection Of Underwater Cultural Heritage In International Law, Lowell Bautista

Faculty of Law, Humanities and the Arts - Papers (Archive)

In a historic moment that culminated almost a decade of negotiations, the Convention on the Protection of the Underwater Cultural Heritage (UCH Convention) was adopted on 2 November 2001.2 The UCH Convention is the fourth international instrument dealing with cultural heritage adopted under the aegis of the United Nations Educational, Scientific and Cultural Organization (UNESCO) and the first one specifically addressing the protection of underwater cultural heritage (UCH) in international law.3 The UCH Convention is the first universal instrument that exclusively deals with the preservation of UCH in international waters. The UCH Convention builds upon and addresses the gaps of …

Undead Ghosts: Spectrality And The Transgression Of Cultural Norms, Frances Devlin-Glass, Antonio Simoes Da Silva

Faculty of Law, Humanities and the Arts - Papers (Archive)

When on 30 December 2010, JASAL received a 'last will and testament' from Mudrooroo from Nepal-'Portrait of the Artist as a Sick Old Villain 'Me Yes I Am He the Villain': Reflections of a Bloke From Outside'-we were both energized and relieved. Coming as it did after a long self- and other-imposed silence, it was exciting to have one of the foremost theorists of Indigenous Australian writing enter the national conversation again.

Law's Empiricism Of The Object: How Law Recreates Cultural Objects In Its Own Image, Marett Leiboff

Faculty of Law, Humanities and the Arts - Papers (Archive)

Watch an antique or collectables show on television, and more often than not, one segment is devoted to testing the knowledge of an expert panel (and sometimes members of the public) with a problem or 'mystery' object. The object of the exercise (no other word will do so the pun must stay), is to find out what the object actually is, what it was used for, and when it was used. Sometimes the experts know what it is, but more often than not, the host has to tell them. The only way an object can provide some kind of objective …

Renewing Cultural Studies, Philip Marshall

Faculty of Law, Humanities and the Arts - Papers (Archive)

Renew is an awkward word. Its prefix seems to make its idea of something 'new' impossible. And everyday experience further underlines the contradiction. My first memory of using the word 'renew' was related to the anxiety of library overdue books: renewing those books was a pragmatic way to avoid the impending fines.

This is a useful starting point for pondering any cultural moment of renewal. Renew describes the impetus towards change while acknowledging the past's weighted effect on producing any transformation. It articulates a challenged continuity rather than a break or discontinuity with a particular past. Where I would like …