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Articles 1 - 17 of 17
Full-Text Articles in Arts and Humanities
Children's Film As Social Practice, Joseph L. Zornado
Children's Film As Social Practice, Joseph L. Zornado
Faculty Publications
In his paper "Children's Film as Social Practice," J. Zornado argues that the animated feature is a genre distinct in its own right, and, although overlooked by film criticism up to now, deserves rigorous, scholarly attention. Zornado employs the term "iconology" to develop a foundation for a critical methodology indebted to Althusser, Foucault, and Lacan as well as contemporary film criticism. Iconology of the animated feature film is the study of the meaning systems of the dominant culture and the ways in which such systems are inscribed into all kinds of social practice geared, specifically, to seduce and inform the …
Cinema/History/Feminism, Joan C. Dagle
Cinema/History/Feminism, Joan C. Dagle
Faculty Publications
Margarethe von Trotta's 1986 film Rosa Luxemburg offers a cinematic portrait of a historically significant female revolutionary, one of the central figures of 20th century socialism. The film attempts to reclaim this figure as historical subject, as feminist subject, and as a cinematic subject for contemporary audiences for whom socialist and feminist history has been lost or suppressed and for whom cinema is articulated within mainstream conventions.
Psychoanalysis And The Problem Of Evil, Barbara A. Schapiro
Psychoanalysis And The Problem Of Evil, Barbara A. Schapiro
Faculty Publications
Since "evil" has become a term much in vogue in our current political climate, it seems ever more important to explore its psychic meanings and origins. What, first of all, do analysts and therapists mean by the word "evil"? The grandiosity of the term, as well as its traditionally religious connotations, perhaps make it unsuited to the therapeutic context. As Ruth Stein (2002) has commented, "Evil' may sound too allegorical or too concrete, too essentialist or too objective for psychoanalytic ways of thinking that are oriented towards the study of individual subjectivity" (394).
Psychoanalysis And Romantic Idealization, Barbara A. Schapiro
Psychoanalysis And Romantic Idealization, Barbara A. Schapiro
Faculty Publications
No abstract provided.
Trading French And Postcolonial Feminisms, Zubeda Jalalzai
Trading French And Postcolonial Feminisms, Zubeda Jalalzai
Faculty Publications
Gayatri Chakravorty Spivak, in articulating feminist and postcolonial politics, raises issues of importance for both first world and third world feminists as well as enacting some of the very dangers which accompany those tenuous relationships. Spivak's essays, "French Feminism in an International Frame" (1981) and "French Feminism Revisited: Ethics and Politics" (1992), provide a rich arena in which she presents powerful cautions regarding international solidarities and explores the complicated dynamics of ethical relationships on multiple levels, including that between mother and daughter, bourgeois postcolonial feminist and the woman of the "ground," as well as between metropolitan and postcolonial feminists.
Transitional States And Psychic Change, Barbara A. Schapiro
Transitional States And Psychic Change, Barbara A. Schapiro
Faculty Publications
One of my favorite scenes in literature occurs in D. H. Lawrence's novel The Rainbow (1915). Tom Brangwen's Polish wife Lydia is upstairs in their home giving birth. Tom is downstairs with Anna, Lydia's four-year-old child by her first marriage. Anna is panic-stricken, screaming in terror for her mother, and Tom is responding to her with irritation and mounting anger. Like the child, he too is feeling shut out and abandoned by Lydia. Tom is made particularly furious by the "blind" and "mechanical" nature of Anna's crying.
A Becoming Habit, Joseph L. Zornado
A Becoming Habit, Joseph L. Zornado
Faculty Publications
Much of Flannery O'Connor's fiction undermines the notion that her texts, or any text for that matter, offers the reader a chance at fixed comprehensibility In fact, O'Connor's fiction often clears itself away as a meaning-bearing icon in order to introduce the reader to something other, to the mystery latent and invisible in the manners. O'Connor remains remarkable as an avowed Catholic and as a writer because she resisted spelling out that mystery though her Catholic faith offered much in the way of dogma that might have sufficed. Even so, there is an indissoluble link between the writer and the …
A Poetics Of History: Karen Cushman's Medieval World, Joseph L. Zornado
A Poetics Of History: Karen Cushman's Medieval World, Joseph L. Zornado
Faculty Publications
Historical fiction occupies an uncertain space in the field of children's literature. Offer a teacher or scholar a work of historical fiction in any genre, from picture book to novel, and you are sure to get a varied, contentious response about what makes historical fiction work. Why? Because historical fiction has ambitious, ambiguous aims. For instance, should historical fiction be good history, even if this means the story might be, say, a little dull? Or, on the other hand, should the author take liberties with setting, dialogue, and character in order to provide the audience with "a good read?" What …
L'Objet X, Russell A. Potter
L'Objet X, Russell A. Potter
Faculty Publications
... white envy of black history, even though that history is written with whips and chains, extends to countless other visual and aural signifiers of black culture; in today's suburban enclaves it's hip-hop culture that brings the 'flava' to what many white kids apprehend as a flavorless cultural landscape.
Interrogating Identity, Daniel M. Scott
Interrogating Identity, Daniel M. Scott
Faculty Publications
Discusses the structures of identity and the role writing plays in the reconfiguration of the self in Charles Johnson's novel `Middle Passage.' Fundamental assumptions about human and literary identity; Allusion and appropriation of textual authority; Novel's debt to preceding Western writing; Complications of Afro-American experience; Johnson's reconfiguration of writing..
The Tripled Plot And Center Of Sula, Maureen T. Reddy
The Tripled Plot And Center Of Sula, Maureen T. Reddy
Faculty Publications
Critics of Sula frequently comment on the pervasive presence of death, the uses of a particular cultural and historical background, the split or doubled protagonist (Sula/Nel), and the attention to chronology in the novel. However, as far as I am aware, no one has presented a reading of Sula that explores the interrelatedness of these elements; yet it is the connections among them that most usefully reveal the novel's overall thematic patterns. Sula can be, and has been, read as, among other things, a fable, a lesbian novel, a black female bildungsroman, a novel of heroic questing, and an historical …
Trauma And Sadomasochistic Narrative, Barbara A. Schapiro
Trauma And Sadomasochistic Narrative, Barbara A. Schapiro
Faculty Publications
This essay applies trauma theory and relational psychoanalysis to a close reading of Mary Gaitskill's short story "The Dentist." It argues that the sadomasochistic relationship central to this story, and to much of Gaitskill's fiction, is rooted in trauma and can be illuminated by an understanding of the post-traumatic condition.
Folktales From Habi'ina, Katnantu District, Eastern Highlands Province, Terence E. Hays
Folktales From Habi'ina, Katnantu District, Eastern Highlands Province, Terence E. Hays
Faculty Publications
The people of Habi'ina village live on the northern slopes of Mount Piora in the Dogara Census Division of the Kainantu District, Eastern Highlands Province. Like other Papua New Guineans, they possess a rich oral literature and tell each other stories for a wide variety of reasons. All stories are called huri, but several different types can be distinguished.
Power And The Poet, Spencer Hall
Power And The Poet, Spencer Hall
Faculty Publications
In this examination of the English Romantic poet P. B. Shelley, Spencer Hall takes a new direction into the critical review of this work. Whereas traditional thought expresses a metaphysical belief or revelation in regards to Shelley's Power myth, Hall provides a new perspective of deep-seated skepticism. By focusing on the function of the poem rather than a symbolic meaning, Hall seeks to show that the myth is a subjective attribute of human experience rather than supernatural and should be taken as a metaphor used in a variety of ways.
Wordsworth's Later Style, Spencer Hall
Wordsworth's Later Style, Spencer Hall
Faculty Publications
The three "close readings" described in the March 1978 Editor's Column were introduced with this line from Marianne Moore: "we do not admire what we cannot understand." The proposition is, of course, as patently false to experience as is Keats's at the end of the "Ode on a Grecian Urn." We often admire exceedingly what we do not understand, precisely because we do not understand it. This is as true of literary criticism as of religious revelation (the two activities having become strangely similar these days), and one of the three "close readings" referred to is a significant case in …
Shelley's Mont Blanc, Spencer Hall
Shelley's Mont Blanc, Spencer Hall
Faculty Publications
"Mont Blanc" studies the relationship between the poet and the omnipotent. Spencer Hall questions the attribution of the supernatural to Shelley's thinking. Hall sees Shelley as creating a non-transcendental and hybrid confluence of emotions and ideas. Shelley concept of the sublime is not intuited by the poet, but rather constructed and projected by him. It is a process in which the imagination is primary.
Wordworth's "Lucy" Poems, Spencer Hall
Wordworth's "Lucy" Poems, Spencer Hall
Faculty Publications
This essay seeks to provide meaning and a context for interpretation of the Romantic "Lucy" poems by William Wordsworth. Hall argues against two critics' opposing interpretations by suggesting the meaning is humanistic which provides somewhat of a clarity into Wordsworth's poetic development. Hall suggests that his proposed context into these poems isn't merely one dimensional, but multi-faceted and draws upon other critics.