Arts and Humanities Commons^™

"Terror As Theater": Unraveling Spectacle In Post 9/11 Literatures, Elise Christine Silva

Faculty Publications

For the purposes of this paper, I will discuss two post 9/11 novels—both of which utilize the terror-as-theatre metaphor in order to work through the 9/11 spectacle. Both Don DeLillo’s Falling Man (2007), and Jonathan Safran Foer’s Extremely Loud and Incredibly Close (2005) explore avenues of communication and meaning making in the face of an event that many critics suggested defied language, description, and expression. Through their thematic use of performance, these texts reject a closed and inert polarized interpretation of 9/11 and invite a pastiche of interpretations and interactions. Through this communicative connection, authors, texts, and readers convene to …