Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 5 of 5

Full-Text Articles in Arts and Humanities

Live Performance Interaction For Humans And Machines In The Early Twenty-First Century: One Composer's Aesthetics For Composition And Performance Practice, Brian Belet Dec 2003

Live Performance Interaction For Humans And Machines In The Early Twenty-First Century: One Composer's Aesthetics For Composition And Performance Practice, Brian Belet

Faculty Publications

No abstract provided.


Casa Mañana: The Morrow Collection Of Mexican Popular Arts, Chris J. Goertzen Sep 2003

Casa Mañana: The Morrow Collection Of Mexican Popular Arts, Chris J. Goertzen

Faculty Publications

No abstract provided.


If You Don't Go, Don't Hinder Me: The African American Song Tradition, Chris J. Goertzen Jun 2003

If You Don't Go, Don't Hinder Me: The African American Song Tradition, Chris J. Goertzen

Faculty Publications

No abstract provided.


Old-Time Kentucky Fiddle Tunes, Chris J. Goertzen Mar 2003

Old-Time Kentucky Fiddle Tunes, Chris J. Goertzen

Faculty Publications

No abstract provided.


Compositional And Programming Issues Within Lyra, A Fully Interactive Performance Environment For Violin And Kyma System, Brian Belet Jan 2003

Compositional And Programming Issues Within Lyra, A Fully Interactive Performance Environment For Violin And Kyma System, Brian Belet

Faculty Publications

Meaningful real-time interaction between human performers and computer processing is an important aesthetic issue for many composers. With the advent of computer systems that are actually fast enough to permit real-time algorithmic sound realizations based on the analysis of live performance data the issue now facing composers is how to utilize these tools in a meaningful and artistic way. Lyra, composed in 2002 for violin and Kyma, is an environment in which the acoustically generated sounds and the computer generated and processed sounds are mutually dependent upon each other for a unified ensemble performance. All of the computer music layers …