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Articles 1 - 9 of 9
Full-Text Articles in Arts and Humanities
‘Jesus, Me’: ‘Suggestive Apposition In Cowper’S ‘Lines Written During A Period Of Insanity’, Thomas Dilworth
‘Jesus, Me’: ‘Suggestive Apposition In Cowper’S ‘Lines Written During A Period Of Insanity’, Thomas Dilworth
English Publications
No abstract provided.
Allusive Stanza Ten Of Dylan Thomas’S ‘Poem On His Birthday’, Thomas Dilworth
Allusive Stanza Ten Of Dylan Thomas’S ‘Poem On His Birthday’, Thomas Dilworth
English Publications
No abstract provided.
‘Amazing’, ‘Forsaken’: Allusive Meanings In Auden’S ‘Musée Des Beaux Arts’, Thomas Dilworth
‘Amazing’, ‘Forsaken’: Allusive Meanings In Auden’S ‘Musée Des Beaux Arts’, Thomas Dilworth
English Publications
No abstract provided.
Mcluhan As Medium, Thomas Dilworth
Hell And Unhappiness In Larkins’S ‘High Windows’, Thomas Dilworth
Hell And Unhappiness In Larkins’S ‘High Windows’, Thomas Dilworth
English Publications
[This essay is a revision of an article entitled ‘Larkin’s “High Windows”, published in The Explicator 60:4 (Summer 2002), 221-3]
The Hidden Date In Yeats’S ‘Easter 1916’, Thomas Dilworth
The Hidden Date In Yeats’S ‘Easter 1916’, Thomas Dilworth
English Publications
[This essay is a revised version of one with the same title published in Explicator 67:4 (Summer 2000), 236-7, copyright T.D]
Rhetorical And Symbolic Form In Hopkins’S ‘To What Serves Mortal Beauty’, Thomas Dilworth
Rhetorical And Symbolic Form In Hopkins’S ‘To What Serves Mortal Beauty’, Thomas Dilworth
English Publications
[This essay is a revision of an article entitled ‘Hopkins’s “To What Serves Mortal Beauty,” which was published in The Explicator 48:4 (Summer1990), 264-6.]
Death And Pleasure In Wallace Stevens’ ‘The Emperor Of Ice-Cream', Thomas Dilworth
Death And Pleasure In Wallace Stevens’ ‘The Emperor Of Ice-Cream', Thomas Dilworth
English Publications
Unconcerned with preparations for a wake or funeral, ‘The Emperor of Ice-Cream’ is a general statement about life and in particular pleasure, which the speaker enthusiastically endorses and celebrates in stanza one. A pervasive motif of contained pleasureables and the presence of a corpse in stanza two support the speaker’s implication that pleasure sometimes deviates from morality and sanity.
Civilization And Culture: Imagery In Williams’ ‘The Red Wheelbarrow’, Thomas Dilworth
Civilization And Culture: Imagery In Williams’ ‘The Red Wheelbarrow’, Thomas Dilworth
English Publications
No abstract provided.