Arts and Humanities Commons^™

"I Have A Seat In The Abandoned Theater": Post-Foundational Subjects, Inoperative Teleologies, And The Aesthetics Of Dispossession, Averil L. Novak

Electronic Thesis and Dissertation Repository

What is the nature of political ‘reality,’ and in what ways are we capable of affecting it? Who (or what? and where?) is the subject of democratic politics? Of revolutionary politics? Are they opposed to one another? The grand narratives that ‘ground’ this project and the resistances that unground them form the basis for a post-foundational analytic of the subject of politics, of identity, and of community, which constitutes a mobilization of democratic resistance as a commitment to persistent (and in some cases, relentless) contestation, interruption, and disruption. These questions are explored through the argument that modern politics is …

Invisible Labour: Support-Service Workers In India’S Information Technology Industry, Indranil Chakraborty

Electronic Thesis and Dissertation Repository

The dissertation investigates the life, working conditions and urban experience of support-service workers in the Information Technology (IT) sector of India: the janitors, security guards, fast food delivery service professionals and car pool drivers who work in and around technology parks that develop software applications for a world-market. The common experiences of these employees are migration from rural contexts to a radically modern employment setting, where they work long hours with minimal benefits in informal conditions that often violate basic labour laws. The thesis draws on quantitative and qualitative research, and in particular on analysis and interpretation of hundred and …

Because I Am Not Here, Selected Second Life-Based Art Case Studies. Subjectivity, Autoempathy And Virtual World Aesthetics, Francisco Gerardo Toledo Ramírez

Electronic Thesis and Dissertation Repository

Second Life is a virtual world accessible through the Internet in which users create objects and spaces, and interact socially through 3D avatars. Certain artists use the platform as a medium for art creation, using the aesthetic, spatial, temporal and technological features of SL as raw material. Code and scripts applied to animate and manipulate objects, avatars and spaces are important in this sense. These artists, their avatars and artwork in SL are at the centre of my research questions: what does virtual existence mean and what is its purpose when stemming from aesthetic exchange in SL?

Through a qualitative …