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English Language and Literature

Romanticism

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Unread: The (Un)Published Texts Of Romanticism, Marc D. Mazur Oct 2018

Unread: The (Un)Published Texts Of Romanticism, Marc D. Mazur

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This dissertation reads the unpublished texts of Romanticism not as fragments on the road to publication but as psychoanalytic “partial objects” that re-figure our understanding of the relationship between Romantic authors and publication. Against positivist interpretations of literary production that limit writing to the professionalization of the author and to a sociology of texts, Unread develops the concept of the (un)published whose parenthetical bracketing signals an unstable suspension of textual instability that is at once prior to and yet persistently remains a part of the writing of the published text. I argue that non-publication also arises from the author’s relation …


Buddhism In Progress: Ecstasy, Eternity, And Zen Sickness In The English Romantics, Logan M. Rohde Mar 2018

Buddhism In Progress: Ecstasy, Eternity, And Zen Sickness In The English Romantics, Logan M. Rohde

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This dissertation addresses the philosophical similarity between English Romanticism and Buddhism from a Zen Buddhist perspective. In contrast to scholars such as Mark Lussier and John G. Rudy, who have focused on the similarity between Romantic and Buddhist philosophy, I explore their differences. I argue that Romanticism represents a “Buddhism in progress”: both philosophies seek to overcome “the self,” but do so through different means. Lacking direct access to Buddhist teachings, the authors considered in this study (Beckford, Coleridge, De Quincey, Shelley, and Keats) developed their own practice of self-transcendence through writing, often prompted by experiences of ecstatic intoxication that …


Romantic Metasubjectivity: Rethinking The Romantic Subject Through Schelling And Jung, Gord Barentsen Aug 2017

Romantic Metasubjectivity: Rethinking The Romantic Subject Through Schelling And Jung, Gord Barentsen

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This thesis takes up Friedrich Schelling’s philosophy and Carl Jung’s analytical psychology to develop Romantic metasubjectivity, a model of the subject absorbing more of the vast compass of Romantic thinking on subjectivity than what prevails in Romantic criticism. Romantic criticism tends to be dominated by psychoanalysis as well as deconstruction and poststructuralist theory, which see the subject as either a linguistic phenomenon or simply a locus of difference without a unified “I.” In response to this critical tradition, Romantic metasubjectivity discerns a notion of Self which is neither a linguistic fantasy nor a transcendental essence which is or becomes fully …


Organizations Of Knowledge About The Orient In German And British Romanticism 1780-1820, Naqaa Abbas Aug 2016

Organizations Of Knowledge About The Orient In German And British Romanticism 1780-1820, Naqaa Abbas

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This dissertation examines the various literary modes in which German and British Romantic literature and culture organize knowledge about Islam and the Middle East. I explore how the Orient exceeds and troubles the “place” it is given in a historical and geographical classification systems. I argue that many Romantic writers challenge the constructedness of the Oriental narrative during their time, thus questioning what really constitutes knowledge and the limits of knowledge. In this context, I re-evaluate Edward W. Said’s socio-historical generalizations regarding Orientalism as a form of Western control over the East. While studies on Romantic Orientalism have focused on …


Dark Sympathy: Desiring The Other In Godwin, Coleridge, And Shelley, Jeffrey T. King Nov 2013

Dark Sympathy: Desiring The Other In Godwin, Coleridge, And Shelley, Jeffrey T. King

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Dark Sympathy: Desiring the Other in Godwin, Coleridge, and Shelley explores how Romantic writers took up and responded to eighteenth-century discourses of sympathy in the context of an increasingly influential materialist epistemology and ontology. In its formulation by David Hume and Adam Smith, sympathy plays a central role in society, using the imagination to smooth over uncertainties about the status of the self and its relation to the world that might otherwise paralyze human activity. Sympathy therefore carries a twofold purpose: on the one hand, it provides a feasible substitute for personal identity; on the other hand, it facilitates social …