Arts and Humanities Commons^™

Martin Cenquizqui, Christina Guillen

Electronic Theses and Dissertations

The historical novel, Cortes Cenquizqui, set in sixteenth century Mexico and Spain, follows the conflicted lives and minds of several characters through an age of freshly crossing culture, language, and power. The narrator, Maria de Quesada of high ranking Spanish and Mexica parents, resents the white world for condemning her work as a female healer or curandera. Yet she acknowledges that she is ill-equipped to leave Mexico City to live in the outlying Indigenous villages. Maria recalls the tale of her three brothers who were caught in a web of pride and prejudices. Her interjections throughout shed light on questions …

Representing Race Responsibly: A Case Study Of The Social Responsibility Paradigm In Colorado Museums, Angela Rueda

Electronic Theses and Dissertations

Although museums have moved towards more reflexive practice, misrepresentation continues to be a concern. How then can museums successfully represent racial and ethnic groups that have historically been marginalized or misrepresented? In this thesis I argue that with greater integration of the social responsibility paradigm--which argues that museums can be agents of social change-- museums may be able to improve representation. During the summer of 2013, I conducted field research that explored how the social responsibility paradigm was or was not being enacted at The History Colorado Center and Museo de las Americas. This thesis offers a critical analysis of …

Toward A More Hospitable Conception Of Race & The Political: The Play Of Difference & Economy In A Politic Of Disruption, Zachary Thomas Settle

Electronic Theses and Dissertations

The body of this thesis is framed around Carl Schmitt's articulation of the political as the distinction between friend and enemy; more importantly, though, it revolves around opposition as the necessary foundation of the political. Making use of Derrida and

Agamben, this particular argument critiques/radicalizes Schmitt's notion.

After establishing the necessary limits and boundaries at play in the binary opposite embedded within Schmitt's understanding of the political, this essay aims to level a certain generative critique of Schmitt's definition. A certain appropriation of Agamben's homo sacer reveals that the presence of those bound up in the fate of the state …