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Articles 1 - 12 of 12
Full-Text Articles in Arts and Humanities
Watch Me Disappear: Gendered Bodies, Pro-Anorexia, And Self-Injury In Virtual Communities, Leandra Preston-Sidler
Watch Me Disappear: Gendered Bodies, Pro-Anorexia, And Self-Injury In Virtual Communities, Leandra Preston-Sidler
Electronic Theses and Dissertations
This project examines the relationship between gendered identities, virtual communities, and material bodies, with an emphasis on eating disorders and self-injury practices. The use of the internet to represent and foster particular categories of material bodies, such as the anorexic, the fitness buff, and the self-injurer, has gained substantial visibility due in part to the proliferation of visual imagery presented through social networks. I analyze written and visual texts within specific social networks to assess their function and potential impact on individuals and larger communities. Drawing from Donna Haraway's cyborg theory, N. Kathryn Hayles' posthuman, Judith Butler's performativity, feminist poststructural …
Lonely Monsters, Patricia Davis
Lonely Monsters, Patricia Davis
Electronic Theses and Dissertations
Lonely Monsters is a full-length feature screenplay that explores the ways in which a classic damsel narrative may be reconsidered. It offers ideas on how death and girlhood may find symmetry. The characters within Lonely Monsters deal with loss, identity of the self versus the world's ideas on self-identity, place, gender, and class. Utilizing the elements of a fairy tale, the narrative seeks to complicate the roles of gender in a cautionary tale. Set in the fictional Florida town of Puerto Palmera, an economic divide between the Estates and the Glades makes for a ripe, troublesome environment for a foul …
Le Temps Des Copains: Youth And The Making Of Modern France In The Era Of Decolonization, 1958-1968, Drew Fedorka
Le Temps Des Copains: Youth And The Making Of Modern France In The Era Of Decolonization, 1958-1968, Drew Fedorka
Electronic Theses and Dissertations
This thesis examines the popular yé-yé phenomenon and its role in articulating a vision of modern France in the aftermath of decolonization. Yé-yé, a teen-oriented and music-based popular culture that flourished from roughly 1962-1966, was in a unique position to define what it meant to be young in 1960s France. I argue that the yé-yé popular culture, through its definition of youth, provided an important cultural channel through which to articulate a modern French identity after the Algerian War (1954-1962). Using a combination of advertisements, articles, and sanitized depictions of teenage pop singers, the yé-yé popular culture constructed an idealized …
Reconciling Order And Progress: Auguste Comte, Gustave Le Bon, Emile Durkheim, And The Development Of Positivism In France, 1820-1914, Khali Navarro
Reconciling Order And Progress: Auguste Comte, Gustave Le Bon, Emile Durkheim, And The Development Of Positivism In France, 1820-1914, Khali Navarro
Electronic Theses and Dissertations
This thesis discusses the philosophy of positivism in nineteenth century France. Based on an empirical vision of society, positivism advocated values of rationality, progress, and secularization. In that way, it stood as one of the defining systems of thought of the modern era. I discuss, however, an undercurrent of anxiety about those same values. Positivism's founder, Auguste Comte, argued that all sciences would become unified and organized under universal principles and empirical standards. He viewed the human mind as becoming more rationalized throughout history. In his later career, however, he argued that rationalism was a destructive force and that a …
I Play To Beat The Machine: Masculinity And The Video Game Industry In The United States, Anne Mcdivitt
I Play To Beat The Machine: Masculinity And The Video Game Industry In The United States, Anne Mcdivitt
Electronic Theses and Dissertations
This thesis examines the video game industry within the United States from the first game that was created in 1958 until the shift to Japanese dominance of the industry in 1985, and how white, middle class masculinity was reflected through the sphere of video gaming. The first section examines the projections of white, middle class masculinity in U.S. culture and how that affected the types of video games that the developers created. The second section examines reflections of this masculine culture that surrounded video gaming in the 1970s and 1980s in the developers, gamers, and the media, while demonstrating how …
White And Black Womanhoods And Their Representations In 1920s American Advertising, Lindsey L. Turnbull
White And Black Womanhoods And Their Representations In 1920s American Advertising, Lindsey L. Turnbull
Electronic Theses and Dissertations
The 1920s represented a time of tension in America. Throughout the decade, marginalized groups created competing versions of a proper citizen. African-Americans sought to be included in the national fabric. Racism encouraged solidarity, but black Americans did not agree upon one method for coping with, and hopefully ending, antiblack racism. White women enjoyed new privileges and took on more roles in the public sphere. Reactionary groups like the Ku Klux Klan found these new voices unsettling and worrisome and celebrated a white, nativeborn, Protestant and male vision of the American citizen. Simultaneously, technological innovations allowed for advertising to flourish and …
The Immaculate Condemnation, Corey Robertson
The Immaculate Condemnation, Corey Robertson
Electronic Theses and Dissertations
My work is a continuously evolving self portrait formulated by a combination of past experiences and influences. The Immaculate Condemnation body of work is a cathartic reaction that confronts Catholic Sin and rebels against gender conformity. As both a confirmed Catholic and transgender woman, I speak from an authentic voice that seeks open conversation regarding these topics. I also hope to demystify the transsexual body for the non-transgendered viewer. Additionally, I use allegoric imagery to communicate my interpretation of beauty, power, horror, and sex. I combine performance, photography, sculpture, video, audio, and graphic design to execute my installations. I intentionally …
The Machine, The Victim, And The Third Thing: Navigating The Gender Spectrum In Margaret Atwood's Oryx And Crake And The Year Of The Flood, Lindsay Mccoy Anderson
The Machine, The Victim, And The Third Thing: Navigating The Gender Spectrum In Margaret Atwood's Oryx And Crake And The Year Of The Flood, Lindsay Mccoy Anderson
Electronic Theses and Dissertations
This thesis explores Atwood's depiction of gender in Oryx and Crake and The Year of the Flood. In an interview from 1972, Margaret Atwood spoke on survival: "People see two alternatives. You can be part of the machine or you can be something that gets run over by it. And I think there has to be a third thing." I assert that Atwood depicts this "third thing" through her characters who navigate between the binaries of "masculine" and "feminine" in a third realm of gender. As the female characters—regardless of their passive or aggressive behavior—engage in a quest for agency, …
Examining Gender In Pharmaceutical Rhetoric Through A Cultural Studies Lens: A Case Study On The Gardasil Vaccine, Jennifer Fickley-Baker
Examining Gender In Pharmaceutical Rhetoric Through A Cultural Studies Lens: A Case Study On The Gardasil Vaccine, Jennifer Fickley-Baker
Electronic Theses and Dissertations
On June 8, 2006, Merck announced the debut of Gardasil, the world's first vaccine found successful in preventing human papillomavirus (HPV) infections, a sexually transmitted infection that is one of the main causes of certain cancers in men and women, including cervical, vulvar, penile and anal cancers. To promote the vaccine's release, Merck launched Gardasil's "One Less" advertising campaign that included television commercials, print ads and a consumerfocused website (www.Gardasil.com), each promoting the message that "you" could now be "one less woman" affected by cervical cancer ("One Less" campaign). The vaccine, tested and approved only for females age 9-26, was …
But This Is What I See; This Is What I See: Re-Imagining Gendered Subjectivity Through The Woman Artist In Phelps, Johnstone, And Woolf, Heather Wayne
But This Is What I See; This Is What I See: Re-Imagining Gendered Subjectivity Through The Woman Artist In Phelps, Johnstone, And Woolf, Heather Wayne
Electronic Theses and Dissertations
Since the publication of Laura Mulvey's influential article 'Visual Pleasure and Narrative Cinema,' in which she identifies the pervasive presence of the male gaze in Hollywood cinema, scholars have sought to account for the female spectator in her paradigm of gendered vision. This thesis suggests that women writers have long debated the problem of the female spectator through literary depictions of the female artist. Women writers of the nineteenth and twentieth centuries'including Elizabeth Stuart Phelps, Edith Johnstone, and Virginia Woolf'recognized the power of the woman artist to undermine the trope of the male gazing subject and a passive female object. …
Exploring Transient Identities: Deconstructing Depictions Of Gender And Imperial Ideology In The Oriental Travel Narratives Of Englishwomen, 1831-1915, Carrieanne Deloach
Exploring Transient Identities: Deconstructing Depictions Of Gender And Imperial Ideology In The Oriental Travel Narratives Of Englishwomen, 1831-1915, Carrieanne Deloach
Electronic Theses and Dissertations
Englishwomen who traveled to the "Orient" in the Victorian era constructed an identity that was British in its bravery, middle-class in its refinement, feminine in appearance and speech and Christian in its intolerance of Oriental heathenism. Studying Victorian female travel narratives that described journeys to the Orient provides an excellent opportunity to reexamine the diaphanous nature of the boundaries of the public/private sphere dichotomy; the relationship between travel, overt nationalism, and gendered constructions of identity, the link between geographic location and self-definition; the power dynamics inherent in information gathering, organization and production. Englishwomen projected gendered identities in their writings, which …
An Inquiry Into Discourse Choices As Indicators Of Gender Attitudes In A Non-Profit Conservative Christian Business, Dawn Marie Kruger
An Inquiry Into Discourse Choices As Indicators Of Gender Attitudes In A Non-Profit Conservative Christian Business, Dawn Marie Kruger
Electronic Theses and Dissertations
This paper is an inquiry into the discourse styles of men and women who work together in a conservative Protestant Christian business. Many conservative Protestant Christian churches teach that the Bible forbids women from holding positions of authority over men. Yet in the communications department of this particular business, women fill the top three management positions, supervising a mixed-gender staff of 15. Research has shown that men and women subconsciously use language markers that indicate personal attitudes toward the same and the opposite genders. This research project draws on that information while it analyzes the oral and electronic discourse of …