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Articles 1 - 8 of 8
Full-Text Articles in Arts and Humanities
The Heralds Of The Dawn: A History Of The Motion Picture Industry In The State Of Florida, 1908-2019, David Morton
The Heralds Of The Dawn: A History Of The Motion Picture Industry In The State Of Florida, 1908-2019, David Morton
Electronic Theses and Dissertations
Often overlooked in its contribution to cinema history, the State of Florida has the distinction of being among just a handful of regions in the United States to have a continuous connection with the American motion picture industry. This relationship in turn has produced iconic entertainment that has shaped the state's image to the outside world, while production spending has served as an important booster for local economies across Florida. The purpose of this study is to demonstrate how the sometimes cooperative and often contentious dynamics between film and television producers and state politicians have influenced this history of film …
Whatever Happened To Blackwater Rd.?: A Visual Documentary Concerning Achievement In The Face Of Failure, Michael Stephenson
Whatever Happened To Blackwater Rd.?: A Visual Documentary Concerning Achievement In The Face Of Failure, Michael Stephenson
Electronic Theses and Dissertations
Whatever happened to Blackwater RD.? is a feature length documentary thesis film created and cultivated by Michael E. Stephenson to fulfill the requirements of the Master of Fine Arts degree in Entrepreneurial Digital Cinema while attending the University of Central Florida. Whatever happened to Blackwater RD.? has met these criteria of the School of Visual Arts and Design, in the College of Arts and Humanities, by being a feature length digital film with a budget no larger than $50,000. This film is the efforts of the filmmaker to trace the failure of his original narrative thesis film Blackwater RD., attempting …
Design And Production Of An Episodic Online Animation: Cairns Of Apeiron, Andrew Cadieux
Design And Production Of An Episodic Online Animation: Cairns Of Apeiron, Andrew Cadieux
Electronic Theses and Dissertations
This paper describes the development of a feature length script and an independent episodic animation to be distributed online. The goal is to show that appealing animation can be achieved using digital tools, a limited animation workflow, few artists and a strict micro-production budget. I will detail the methods of animation used for the project and describe plans for its distribution to an online audience, including a market analysis and business plan.
Dialectics Of Microbudget Cinema, Milos Ajdinovic
Dialectics Of Microbudget Cinema, Milos Ajdinovic
Electronic Theses and Dissertations
Magic Kingdom is a feature-length, microbudget motion picture, produced, "written", directed, and edited by Milos Ajdinovic as a part of the University of Central Florida's Masters in Fine Arts program in Digital Entrepreneurial Cinema. Its narrative is a product of the collective improvisation between a group of collaborators – Chealsea Anagnoson, Henry Gibson, Mikaela Duffy and Marcus Nieves – moderated by Milos Ajdinovic. This written dissertation is an attempt to document the concepts and processes that surrounded the production of this film.
83 Orange Peels, Klara Hammoud
83 Orange Peels, Klara Hammoud
Electronic Theses and Dissertations
83 ORANGE PEELS is a feature-length film written and directed by Klara Hammoud and produced by Biddayat as part of the requirements for earning a Master of Fine Arts in Entrepreneurial Digital Cinema from the University of Central Florida. The project aims to challenge existing conventions of the documentary filmmaking on multiple levels – aesthetic, narrative, and technical– while also examining growing importance of workflow throughout all aspects of production. These challenges were both facilitated and necessitated by the limited resources available to the production team and the academic context of the production. This thesis is a record of the …
That's A Wrap! The Organizational Culture And Characteristics Of Successful Film Crews, Lisa C. Cook
That's A Wrap! The Organizational Culture And Characteristics Of Successful Film Crews, Lisa C. Cook
Electronic Theses and Dissertations
This study seeks to determine through survey research what characteristics film production crews possess that makes them so successful as an organization. The factors of age, gender, years of professional experience and education level were tested for their significance on how the respondents view their culture. Hofstede's six dimensions of organizational culture survey questions were rewritten to be applicable to the freelance film crew sample. The presentation of findings focuses on the resultant organizational profile of a film production crew, the workplace values of this group and the influence that the education level of the participants had on responses. The …
The Last Two Years Of David Brachman: The Case For Slow Cinema As A Microbudget Production Model, Marcos Casilli
The Last Two Years Of David Brachman: The Case For Slow Cinema As A Microbudget Production Model, Marcos Casilli
Electronic Theses and Dissertations
The Last Two Years of David Brachman is a feature-length digital film directed, written and produced by Marcos Casilli in pursuit of the Master of Fine Arts in Film & Digital Media from the University of Central Florida. This is a very personal film that presents a sometimes-humorous approach to the following question: what makes life worth living? The film was made on what is categorized as a microbudget, but following the studio production model for the most part. This thesis presents a critique of that combination, advocating for a "slow cinema" model instead.
The Development Of Loop-Based Cinematic Techniques In Twentieth Century Motion Pictures And Their Application In Early Digital C, David Scoma
Electronic Theses and Dissertations
For centuries, repetition in one form or another has been seen as a significant element in the artistic palette. In numerous formats of expression, duplication and looping became a significant tool utilized by artisans in a multitude of creative formats. Yet within the realm of film, the Griffith and Eisenstein models of cinematic editing techniques (as the most popular-- and near-monolithic--narrative aesthetic criteria) effectively disregarded most other approaches, including looping. Despite the evidence for the consistent use of repetition and looping in multiple ways throughout the course of cinematic history, some theorists and practitioners maintain that the influx of the …