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Full-Text Articles in Arts and Humanities
Marking Time In The Barry Mckenzie Films' Music, Rebecca Coyle, Michael Hannan
Marking Time In The Barry Mckenzie Films' Music, Rebecca Coyle, Michael Hannan
Dr Rebecca Coyle
This article examines aspects of the music of the Barry McKenzie films directed by Bruce Beresford (The adventures of Barry McKenzie, 1972, and Barry McKenzie holds his own, 1974), with particular regard to the ways in which the music places the films in a set of historical contexts. First, the music composed by former advertising songwriter Peter Best, reflects a particular approach to film music associated with the revival of the Australian film industry. Second, performance numbers in each film can be heard in the context of collections of sea shanties and bush ballads. The bawdy nature of the songs …
Light From Shadow: The Legacy Of Chiaroscuro In Spacial Imaging, Ivan Dougherty Gallery, College Of Fine Art, University Of New South Wales, Sydney Australia, 22 October - 29 November 2003, Rebecca Coyle
Dr Rebecca Coyle
No abstract provided.
Country Folk: The 'Voices' Of John Williamson And Sara Storer, Rebecca Coyle
Country Folk: The 'Voices' Of John Williamson And Sara Storer, Rebecca Coyle
Dr Rebecca Coyle
No abstract provided.
Nashville And Back: Country Music And Film Representation In Doing Time For Patsy Kline, Rebecca Coyle
Nashville And Back: Country Music And Film Representation In Doing Time For Patsy Kline, Rebecca Coyle
Dr Rebecca Coyle
No abstract provided.
Bazza's Bawdy Ballads...And Other Aspects Of The Barry Mckenzie Film Musics, Rebecca Coyle, Michael Hannan
Bazza's Bawdy Ballads...And Other Aspects Of The Barry Mckenzie Film Musics, Rebecca Coyle, Michael Hannan
Dr Rebecca Coyle
No abstract provided.
Untangling Lantana: A Study Of Film Sound Production, Rebecca Coyle
Untangling Lantana: A Study Of Film Sound Production, Rebecca Coyle
Dr Rebecca Coyle
Summary:"Over the last decade popular cinema has employed a variety of forms of music. These include traditional composed screen music, pre-recorded music tracks, mixes of music and sound effects and various combinations of these. In response to this, film music scholars have developed new ways of understanding and analysing the role of film music in relation to genre, narrative and creative roles and inter-relations in film music scoring. 'Reel Tracks' provides a series of insightful analyses of recent mainstream Australian cinema. Following the editor's careful exploration of film music's relation to national cinema culture and identity, individual chapters offer stimulating …
Radio Norfolk: Community And Communication On Norfolk Island, Rebecca Coyle
Radio Norfolk: Community And Communication On Norfolk Island, Rebecca Coyle
Dr Rebecca Coyle
IntroductionMy interest and research into the radio service on Norfolk Island commenced with a three-month residency in 1999.[1] Both my research and my experiences on the island brought to mind the contradictions and tensions between public and private, as well as between global and local, which seemed significant then and still affect island identities today. These aspects pertain to the radio service on the island insofar as Radio Norfolk is both a highly localised service while at the same time a conduit for broadcasts from elsewhere, some of which represent Norfolk Island back to itself through news coverage of island …
Introduction: Film, Music Mnemonics: Australian Cinema Scores In The 1990s And 2000s, Rebecca Coyle
Introduction: Film, Music Mnemonics: Australian Cinema Scores In The 1990s And 2000s, Rebecca Coyle
Dr Rebecca Coyle
Summary: "Over the last decade popular cinema has employed a variety of forms of music. These include traditional composed screen music, pre-recorded music tracks, mixes of music and sound effects and various combinations of these. In response to this, film music scholars have developed new ways of understanding and analysing the role of film music in relation to genre, narrative and creative roles and inter-relations in film music scoring. 'Reel Tracks' provides a series of insightful analyses of recent mainstream Australian cinema. Following the editor's careful exploration of film music's relation to national cinema culture and identity, individual chapters offer …
Bastardising The Waterfront Dispute: Production And Critical Reception Of The Bastard Boys Mini-Series, Lisa Milner, Rebecca Coyle
Bastardising The Waterfront Dispute: Production And Critical Reception Of The Bastard Boys Mini-Series, Lisa Milner, Rebecca Coyle
Dr Rebecca Coyle
This article examines the production and reception of Bastard Boys, a television mini-series broadcast on ABC TV in May 2007 that depicted aspects of the 1998 Australian waterfront dispute. Our research concerns how the dramatisation of such a union dispute (and historical moment) informed the final outcome as a media product. Employing commonplace fictional devices as well as seemingly factual referents, the series offers a link to the original events via four 'personal' storylines. We scrutinise the critical reception of the series and argue that the supposed 'reality' and ethics of the dispute have been confused with those of the …
Thwack! Hearing The Motion In Animation, Rebecca Coyle
Thwack! Hearing The Motion In Animation, Rebecca Coyle
Dr Rebecca Coyle
No abstract provided.
Orchestrating The Waterfront Dispute: Music And Discourse In Bastard Boys, Rebecca Coyle
Orchestrating The Waterfront Dispute: Music And Discourse In Bastard Boys, Rebecca Coyle
Dr Rebecca Coyle
Bastard Boys is a historically-inspired mini-series broadcast on ABC TV in May 2007. It dramatizes a set of events that are commonly described as the Waterfront dispute, an industrial showdown between unions, the then-conservative Coalition government and corporate owners that occurred on the Australian docks in April 1998. The screenplay for Bastard Boys by Sue Smith and direction by Ray Quint interpret the dispute through a thematic framework of war. This approach is musically supported by Jan Preston’s score and the featured use of a rendition – by ex-Noiseworks singer Jon Stevens – of Edwin Starr’s 1970 hit song War. …
'Now You Blokes Own The Place': Representations Of Japanese Culture In Recent Australian Cinema, Rebecca Coyle
'Now You Blokes Own The Place': Representations Of Japanese Culture In Recent Australian Cinema, Rebecca Coyle
Dr Rebecca Coyle
No abstract provided.