Arts and Humanities Commons^™

Re-Visioning The Modern/Ist Body: Literature, Women, And Modern Dance, Marisa Higgins

Doctoral Dissertations

This project explores the connections between modern dance and modernism Though initially, these connections might seem inchoate, modern dance provides a way to consider how expressive movement in modernism and gender restrictions prompts a physical response. Dance is inherently stylistic movement, and it is vital to explore how movement offers women a way to engage or respond to modernity. By investigating the role of movement in modernist literature and the particular tension between constraint and freedom that characterized female movement during this period, I argue that expressive movement and embodied performance offers a means of self-exploration and self-actualization. Specifically, it …

Stranger Compass Of The Stage: Difference And Desire In Early Modern City Comedy, Catherine Tisdale

Doctoral Dissertations

In periods of social and political upheaval like ours, it is more important than ever to interrogate constructions of identity and difference and to understand the histories of alterity that separate us from one another. Stranger Compass of the Stage: Difference and Desire in Early Modern City Drama reimagines the cultural and social effect of alien, foreign, and stranger characters on the early modern stage and re-envisions how these characters contribute to, alter, and imaginatively build new epistemologies for understanding difference in early modern London. Resisting the field’s current critical inclination toward English identity formation, this project works intersectionally to …

Brooklyn Bedroom: An Ethnodrama On Female Sexuality, Third World Feminism And Performance Ethnography, Ayshia Stephenson

Doctoral Dissertations

Brooklyn Bedroom is a performance that interrogates societal perceptions of race and sexuality. I have utilized the writing of the performance as my method; the performance is an act of Third World feminist resistance and liberation. Storytelling is the type of research preferred by many black female playwrights. A type of qualitative inquiry, ethnodramatic work forms a bridge between individual stories and social issues affecting society with the goal of socio-political change. The source of reality for this ethnodrama is the Rose family, their history was a catalyst for the writing of Brooklyn Bedroom. I have explored their stories to …

Theatres Of War: Performing Queer Nationalism In Modernist Narratives, Elise Swinford

Doctoral Dissertations

Queer writers in Britain during the early twentieth century found themselves in a fraught geopolitical context formed by imperial violence and the First World War. In this dissertation, I argue that many queer modernist artists employed performative strategies in order to navigate the increasingly narrow vision of WWI-era British national culture that accompanied this historical context. While performance allowed them to express queer politics and desires without risking total exposure and persecution, their performative aesthetic depended on a problematic use of racial tropes through which these desires were channeled. By attending to moments of national and gendered performances in the …

Mediating Machines: Human Mechanisms And The Modern Stage, Kerri Ann Considine

Doctoral Dissertations

Vast changes in technology during the eighteenth and nineteenth centuries fundamentally altered the way living bodies related to the machines they increasingly encountered in everyday life. One consequence of this shift was a preoccupation with questions about bodily agency and creative authority that would continue into the modern era. While artists of all kinds engaged with these issues, the theatre proved uniquely suited to addressing the relationship between living bodies and their mechanical environments by not only cultivating a theoretical understanding of the relationship between live bodies and mechanism, but also necessitating the practical enactment of this relationship.

Modern theatre …

From What Remains: The Politics Of Aesthetic Mourning And The Poetics Of Loss In Contemporary African American Culture, Kajsa K. Henry

Doctoral Dissertations

While critical analyses of loss and mourning in African American studies have tended to focus on narratives that primarily concentrate on the Atlantic slave trade/slavery and music, particularly blues and gospel spirituals, this project advocates reimagining the boundaries of our discussions of loss to include other art forms, including assemblage art and performative dance. From What Remains: The Politics of Aesthetic Mourning and the Poetics of Loss in Contemporary African American Culture includes the assemblage art of the 1966 exhibition Signs of Neon and Tyree Guyton’s ongoing Heidelberg Project that respond to the violence of urban rebellions and decay and …

Transnational Gestures: Rethinking Trauma In U.S. War Fiction, Ruth A.H. Lahti

Doctoral Dissertations

This dissertation addresses the need to "world" our literary histories of U.S. war fiction, arguing that a transnational approach to this genre remaps on an enlarged scale the ethical implications of 20th and 21st century war writing. This study turns to representations of the human body to differently apprehend the ethical struggles of war fiction, thereby rethinking psychological and nationalist models of war trauma and developing a new method of reading the literature of war. To lay the ground for this analysis, I argue that the dominance of trauma theory in critical work on U.S. war fiction privileges the "authentic" …