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Dissertations (1934 -)

Theses/Dissertations

Modernism

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When The Foreign Became Familiar: Modernism, Expatriation, And Spatial Identities In The Twentieth Century, Danielle Kristene Clapham Apr 2020

When The Foreign Became Familiar: Modernism, Expatriation, And Spatial Identities In The Twentieth Century, Danielle Kristene Clapham

Dissertations (1934 -)

This dissertation uses the life writing and fiction of Gertrude Stein, Ernest Hemingway, and James Joyce to challenge the mythic construction of the autonomous modernist subject through the lens of expatriation. I use the expatriate as a paradigmatic figure of modernism to scrutinize common perceptions of modernist expatriation as a dissociation with tradition and national politics. Instead, this project positions modernism as a movement deeply enmeshed in celebrity culture and the cooptation of foreign spaces. I employ a spatial mode of reading expatriate fiction through which the physical sites of expatriation become symbols of expatriate values and identity in conflict …


The Fantastic And The First World War, Brian Kenna Apr 2019

The Fantastic And The First World War, Brian Kenna

Dissertations (1934 -)

This study argues that the First World War was a key event in the formation of the modern fantasy genre. It asserts that academic literary criticism formed around a set of assumptions that left it ill-equipped to conceptualize the fantastic as a modern mode of writing. By studying veteran English authors of World War I, including Siegfried Sassoon, David Jones, and J. R. R. Tolkien, it identifies the fantastic as an essential means of representing and responding to a set of events that were experienced as incomprehensible, even impossible. Because it offered a safe means of engaging the events of …


From Pastorals To Paterson: Ecology In The Poetry And Poetics Of William Carlos Williams, Daniel Edmund Burke Jul 2014

From Pastorals To Paterson: Ecology In The Poetry And Poetics Of William Carlos Williams, Daniel Edmund Burke

Dissertations (1934 -)

Modernist poet William Carlos Williams died in 1962 - a landmark year in the history of the modern environmentalist movement. He did not live to see contemporary culture come to the deeper appreciation of humanity's place in the world which we now know as ecology. This dissertation will argue, however, that supporting his entire oeuvre of poetry are philosophical and poetic underpinnings which resonate strongly with - and usefully anticipate - our modern understanding of the interpenetrative relationship between natural and culture, human and nonhuman. I begin by tracing the roots of Williams's "ecopoetics" back to the father of Williams's …