Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- American Studies (3)
- Performance Studies (3)
- Race, Ethnicity and Post-Colonial Studies (3)
- Theatre History (3)
- Theatre and Performance Studies (3)
-
- Feminist, Gender, and Sexuality Studies (2)
- History (2)
- Latina/o Studies (2)
- Lesbian, Gay, Bisexual, and Transgender Studies (2)
- African American Studies (1)
- Africana Studies (1)
- American Literature (1)
- American Popular Culture (1)
- Community-Based Research (1)
- Dance (1)
- English Language and Literature (1)
- Ethnic Studies (1)
- Museum Studies (1)
- Place and Environment (1)
- Politics and Social Change (1)
- Social History (1)
- Social and Behavioral Sciences (1)
- Sociology (1)
- Women's History (1)
Articles 1 - 4 of 4
Full-Text Articles in Arts and Humanities
'Once Famous In An Odd Way': Curiosity And Queerness In Late 19th-Century American Male Impersonation, S.C. Lucier
'Once Famous In An Odd Way': Curiosity And Queerness In Late 19th-Century American Male Impersonation, S.C. Lucier
Dissertations, Theses, and Capstone Projects
This thesis depicts the emergence of one particular iteration of the popular female actor within 19th century performance, the male impersonator, and identifies the ways in which this theatrical expression was related to and affected by similar amusements of the period. Public amusements of this period include a diversity of experiential entertainment that was primarily geared toward working and lower-middle class males. Included in these types of illegitimate theater is the variety hall. Male impersonators were the height of theatrical fashion not only in New York City, which is the focused landscape of this paper, but this type of …
Corporeal Archives Of Hiv/Aids: The Performance Of Relation, Jaime Shearn Coan
Corporeal Archives Of Hiv/Aids: The Performance Of Relation, Jaime Shearn Coan
Dissertations, Theses, and Capstone Projects
Corporeal Archives of HIV/AIDS: The Performance of Relation, explores how choreographers and theater artists in the early years of the HIV/AIDS epidemic in New York City used time and space to involve their audiences experientially in the project of grieving and rebuilding in the midst of the temporal chaos of mass death and illness (crisis time). Refusing to portray HIV/AIDS as a discrete or singular phenomenon, these artists revealed how it intersected with every aspect of life, including artistic practice, thereby delinking their bodies from a singular association with pathology and death. Undertaking extensive archival research on the work …
The Life And Death Of Mambo: Culture And Consumption In New York's Salsa Dance Scene, Carmela Muzio Dormani
The Life And Death Of Mambo: Culture And Consumption In New York's Salsa Dance Scene, Carmela Muzio Dormani
Dissertations, Theses, and Capstone Projects
In recent decades salsa dancing has become a global phenomenon, spawning a variety of styles and levels. Although formerly passed from person to person through Latinx family and community networks, salsa dance has long been practiced in a more codified way. Today, salsa is largely reproduced in dance studio classes, congresses, and competitions collectively referred to as “the salsa scene”. In New York City, the salsa scene retains vestiges of Nuyorican and Afro-Caribbean identity, though it is practiced by people of all racial and ethnic backgrounds and marketed to a global base. Building on long term participation observation and nearly …
Performing Nyc Latinidades: Building A Diasporic Home At Pregones And The Puerto Rican Traveling Theater, Oriana E. Gonzales
Performing Nyc Latinidades: Building A Diasporic Home At Pregones And The Puerto Rican Traveling Theater, Oriana E. Gonzales
Dissertations, Theses, and Capstone Projects
In December 1966, Miriam Colón, a Puerto Rican actress, starred in The Oxcart at the Greenwich Mews Theatre in New York City. The play, written by Puerto Rican playwright René Marques in 1951, told the story of a Puerto Rican family’s migration from the countryside to San Juan, and finally, to New York City. One-year post-production Colón founded the Puerto Rican Traveling Theater (PRTT) as a response to the lack of diversity she saw in the audiences at the Greenwich Mews and everywhere else she performed during her prolific acting career in the 1950s and 1960s. Thirteen years later, Rosalba …