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Full-Text Articles in Arts and Humanities

Critical Introduction To No Easy Way Out: A Memoir Of Interruption, Cameron S. Steele Jul 2021

Critical Introduction To No Easy Way Out: A Memoir Of Interruption, Cameron S. Steele

Department of English: Dissertations, Theses, and Student Research

No Easy Way Out: A Memoir of Interruption is a collection of personal essays examining themes of race, the body, violence and desire as it seeks to examine and interrupt inherited, normative understandings of work, art, beauty, love, and belonging. An illness narrative that follows my experiences as a girl born into a family of white Southern wealth, as a young crime reporter in the Deep South, and as a mother, scholar, and writer in the Midwest, No Easy Way Out raises questions about the entanglement of privilege, illness, and access to care. The book considers the stories I covered …


Birth Family Search, Trauma, And Mel-Han-Cholia In Korean Adoptee Memoirs, Katelyn J. Hemmeke May 2016

Birth Family Search, Trauma, And Mel-Han-Cholia In Korean Adoptee Memoirs, Katelyn J. Hemmeke

Department of English: Dissertations, Theses, and Student Research

“Birth Family Search, Trauma, and Mel-han-cholia in Korean Adoptee Memoirs” analyzes the connections between adoption trauma and birth family search by examining three Korean-American adoptee memoirs: The Language of Blood and Fugitive Visions: An Adoptee’s Return to Korea, both by Jane Jeong Trenka; and Ghost of Sangju by Soojung Jo. I draw links between their work and studies on trauma by critical scholars Cathy Caruth, Dori Laub, Margaret Homans, and Jennifer Cho. According to Caruth, the pathology of a traumatic experience lies in the victim’s inability to fully experience the traumatic event as it happens; only …


My Secret Life In Film: A Memoir, Kelly Grey Carlisle Apr 2011

My Secret Life In Film: A Memoir, Kelly Grey Carlisle

Department of English: Dissertations, Theses, and Student Research

This creative dissertation is an original work in the genre of memoir, and consists of the first two sections of my book, My Secret Life in Film. I believe that my book speaks to contemporary experiences of childhood, violence, sexuality, and faith, and complicates conceptions of a ‘normal’ family. When I was three weeks old, my mother, who worked as a prostitute, was murdered near downtown Los Angeles. Her case remains unsolved, and I do not know my father. Her own parents were unwed. At first I lived with my maternal grandmother and the woman I believe to have been …