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Full-Text Articles in Arts and Humanities
Aesthetics, Opera, And Alterity In Herzog's Work, Jacob-Ivan Eidt
Aesthetics, Opera, And Alterity In Herzog's Work, Jacob-Ivan Eidt
CLCWeb: Comparative Literature and Culture
In his article "Aesthetics, Opera, and Alterity in Herzog's Work" Jacob-Ivan Eidt analyses Werner Herzog's 1982 film Fitzcarraldo. Eidt's analysis is executed in the context of opera, cinema, and aesthetics. Eidt argues that Herzog uses opera as a romantic motif with which he creates a self-critical process whereby elements of the Romantic vision are called into question thus providing a nuanced reading of the main character and the Indigenous world he encounters. This process, Eidt argues, produces a complex narrative of colonial alterity where colonial self-inscription upon an Other is ultimately doomed to failure.
Trauma, Apocalypse, And Ethics In Israeli Theater, Zahava Caspi
Trauma, Apocalypse, And Ethics In Israeli Theater, Zahava Caspi
CLCWeb: Comparative Literature and Culture
In her article "Trauma, Apocalypse, and Ethics in Israeli Theater" Zahava Caspi traces the traumatic experience as a point of departure in apocalyptic plays in Israeli literature. Caspi argues that in Israeli apocalyptic plays a critical gap opens up between the fictional narrative that ends with destruction and the theatrical apparatus that creates a sense of continuity. The theatrical text delivers a message to the audience inviting them to increase their engagement with and accountability for continuity not merely during the theatrical event, but more significantly, once the performance is over. The play's moral imperative to provide a "positive" ending …