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Full-Text Articles in Arts and Humanities
Appropriated Voices: William Blake’S “The Little Black Boy” And British Antislavery Poetry, Brett J. Mattson
Appropriated Voices: William Blake’S “The Little Black Boy” And British Antislavery Poetry, Brett J. Mattson
All NMU Master's Theses
British antislavery poetry in the late 1700s is well characterized by the first stanza of William Blake’s poem “The Little Black Boy” when his black speaker says “o! my soul is white; … But I am black as if bereav’d of light” (2-4). These statements that seem to exclude each other exemplify the discussions and arguments that antislavery poets had been publishing and would continue to deliberate after “The Little Black Boy” was printed in 1789. Other poets, while appropriating the voices of enslaved people or Africans, as Blake does in “The Little Black Boy,” often emphasize differences between their …
Sue, Heath Joseph Wooten
Sue, Heath Joseph Wooten
All NMU Master's Theses
Sue is a collection of poetry investigating the cyclical nature of grief through the lens of Eve Kosofsky Sedgwick’s schemas of paranoid and reparative readings. The poems employ motifs such as hunting, disease, and human remains to capture the temporal disorientation experienced in the wake of loss. Via an extensive use of metaphor and recurring poem titles, Sue exploits the multivalence of language to conjure a dense field of meaning, meant to capture the undecidability of language noted by philosopher Jacques Derrida. This collection also employs several vectors of derivation, including erasure of text lifted from the 2002 strategy video …