Arts and Humanities Commons^™

Computation As A Planetary Scale Phenomenon, Payoshini Pandey

Electronic Thesis and Dissertation Repository

The concept of the ‘technosphere’ was advanced in the field of Earth Systems Science to capture technology as a geological phenomenon in the Anthropocene. What precisely, I ask, drives the technosphere to be so novel and unprecedented a planetary force? Part of the answer, I venture, lies in the nature of computation as a generative force that drives the expansion of the technosphere. To build an account of computation as a generative force of a planetary scale, I engage with and parse through various debates regarding its historical and ontological predispositions. To address computation in its full potential, I argue, …

“Literally, A Game-Changer”: Renegotiating The Aesthetics Of The Real, Moira Mckee

Electronic Thesis and Dissertation Repository

The affirmation of identity as a leitmotif throughout art history has become increasingly concerned with the conflation of the real and constructed, the material and immaterial, as technological developments engineer the fabric of reality with heightened sophistication. In the age of lifelike, digital avatar influencers such as Lil Miquela, Ai-Da, billed as “the world’s first ultra-realistic robot artist,” algorithms developed to create The Next Rembrandt, and the rise of crypto art and non-fungible tokens (NFT’s), the ambiguity or removal of the hand of the artist prompts questions surrounding identity as a visualization of the data that follows us and is …

The Digital Extreme: Cinema's Reality Crisis In A Nostalgic Age, Lucas J. Dvorsky

Electronic Thesis and Dissertation Repository

This thesis examines the trajectory and legacy of two streams of filmmaking born in the 1990s: extreme film and the digital film, which eventually fuse into the digital extreme film, a watershed moment of postmodern filmmaking. I analyze the rise of the digital extreme, probing its disturbing aesthetic, its grainy, blurry glitches, dark, mundane reality and connections to fear, surveillance and nostalgia. Looking at filmmakers as disparate as pop-culture mainstays like Martin Scorsese, breakout directors like Jane Schoenbrun, avant-garde artists like Michael Snow, and arthouse auteurs such as Catherine Breillat and Olivier Assayas, I consider what the moment of …

A Qualitative Look Into Repair Practices, Jumana Labib

Undergraduate Student Research Internships Conference

This research poster is based on a working research paper which moves beyond the traditional scope of repair and examines the Right to Repair movement from a smaller, more personal lens by detailing the 6 categorical impediments as dubbed by Dr. Alissa Centivany (design, law, economic/business strategy, material asymmetry, informational asymmetry, and social impediments) have continuously inhibited repair and affected repair practices, which has consequently had larger implications (environmental, economic, social, etc.) on ourselves, our objects, and our world. The poster builds upon my research from last year (see "The Right to Repair: (Re)building a better future"), this time pulling …

Philosophy Of Technology: The Creation Of A New Course, Anthony Tannous

Undergraduate Student Research Internships Conference

Technology has become such an enormous part of our daily lives that we often forget how much we rely on it. Although we may appreciate how technology has made our lives easier, we also realize the detriments that come with it. The purpose of this project was to create a syllabus for a new course being taught at Western called Philosophy of Technology. The course is designed to provide students with several philosophical points of view on technology to create and encourage the discussion of common questions in the Philosophy of Technology.

Pharmakon: From Body To Being, Jérôme Y. C. Conquy

Electronic Thesis and Dissertation Repository

This thesis dossier is separated into the following distinct sections: an extended artist statement; a portfolio documenting artworks made during my MFA candidacy and my exhibit Pharmakon: Acts, Traces, and Maps; and a case study of artist Tony Oursler, whose video and multimedia installations explore the psychological and social relationships between individuals and technologies. Together, they present my exploration of the body’s ‘power of acting,’ or potentia agendi, in relation to the modificatory capacity of technology, or affectus, on the human body. In particular, I investigate the body’s habits, or capacity for habit-building, what Bourdieu calls habitus, and the interconnection …

Final Report: Marketing Internships With Connected, Hadi Kiani

SASAH 4th Year Capstone and Other Projects: Publications

Working as the Marketing Coordinator Intern for a tech start-up was an amazing experience. I conducted competitor research, ghostwrote blog posts, ran social media, and aided in a complete company rebrand. Connected is a software product development firm. They partner with ambitious organizations to deliver on the potential of software-powered products. Joining the company halfway through their rebrand, I was immediately thrown into the deep end. Fortunately, I was able to leverage the research and communication skills I had honed through SASAH and translate them into successful contributions. Nevertheless, I had to learn a lot about industry standards, tech jargon, …

Finding The Path Beneath My Feet, Jill O'Craven

SASAH 4th Year Capstone and Other Projects: Publications

Jill O'Craven participated in two CEL experiences: first, assisting with the second-year Digital Humanities course taken by SASAH students and producing a video on breaking down the A&H/STEM dichotomy and, second, volunteering at the London Children's Museum assisting with running the Early Years' Play Dates. The two experiences were useful in crystalizing her interest in science communication and education outside the classroom and helped her develop skills and experience to pursue this passion.

The Event Of Blues Music And The Effects Of Technology On The Artistic Event, Adam Rejak

Electronic Thesis and Dissertation Repository

The goal of this dissertation is to find out whether or not blues music is an event. I explore what constitutes a musical or artistic event in modern times and to see how this has changed in relation to earlier periods. I also identify its essential formal elements. I divide blues music into two categories, namely, its technical playing qualities (the micro) and its historical changes (the macro). This division frames the entire project and illustrates that in order to discuss an artistic event, we must account for both its technical and historical aspects. I examine several theories of the …

Industrial Stagecraft: Tooling And Cultural Production, Jennifer A. Hambleton

Electronic Thesis and Dissertation Repository

The tooling of theatrical spectacle requires collaboration between stagecraft technicians and designers in an increasingly globalized and standardized manufacturing process. While hand skills are still used and remain useful, digital fabrication and other tools are now incorporated in labour processes in scenery manufacturing workshops, altering collaborative work in complex ways. This thesis is an inquiry into the epistemological role of software and digital fabrication tools in stagecraft practices and explores how the politics of craft labour intersect with material practices in media production labour. The technical aspects of the fabrication of theatrical spectacles and display environments, the way objects are …

Can Applying A Gender Lens To Social Innovation Promote Women's Rights And Gender Equality?, Sarah Saska-Crozier

Electronic Thesis and Dissertation Repository

Social innovation is not new, but it is increasingly being called on to provide solutions to some of the world’s most pressing social and economic problems. Despite awareness about its importance, research in the field of social innovation is often vague, and there are competing definitions and understandings of the concept. There is also very little research that attempts to connect the field of social innovation with the fields of gender studies, women’s studies, feminist research, or men and masculinity studies. This dissertation applies a gender lens to the concept of social innovation. In doing so, it aims to develop …

On The Internet By Means Of Popular Music: The Cases Of Grimes And Childish Gambino, Kristopher R. K. Ohlendorf

Electronic Thesis and Dissertation Repository

What is the internet? It began as a military research experiment, but the internet has since become a sweeping cultural phenomenon. One of the most prevalent areas of the internet’s cultural dominance is in popular music, and this thesis addresses how the internet is being understood and discussed by popular music artists. I study the works of Grimes and Childish Gambino, two popular music artists who grew up alongside the internet’s rise to cultural dominance and explicitly address this experience as an integral component of their lives and works. I look specifically at discourse surrounding Grimes’ “post-internet” music and Childish …

Through Google-Colored Glass(Es): Design, Emotion, Class, And Wearables As Commodity And Control, Safiya Umoja Noble, Sarah T. Roberts

Media Studies Publications

This chapter discusses the implications of wearable technologies like Google Glass that function as a tool for occupying, commodifying, and profiting from the bio- logical, psychological, and emotional data of its wearers and those who fall within its gaze. We argue that Google Glass privileges an imaginary of unbridled exploration and intrusion into the physical and emotional space of others. Glass’s recognizable esthetic and outward-facing camera has elicited intense emotional response, partic- ularly when “exploration” has taken place in areas of San Francisco occupied by residents who were finding themselves priced out or evicted from their homes to make way …

For Keeps-Sake: Women's Experiences With Elective Prenatal Ultrasound Imaging In Canada, Jennifer Chisholm

Electronic Thesis and Dissertation Repository

This thesis explores women’s experiences with the practice of elective prenatal ultrasound imaging in Canada. Ultrasound technology was first introduced into obstetric practice in the late 1950s and has, since then, become a routine part of antenatal healthcare. More recently, ultrasound technology has expanded into private industry, with many businesses now offering keepsake or entertainment ultrasound to pregnant women and their families. I begin by offering a brief historical account of the development and diffusion of obstetric ultrasound, and situating the elective ultrasound industry within current debates about non-medical applications of ultrasound technology. Through in-depth interviews with women had who …

A Look At The Changing Relationship Between My Generation And Technology In Michael Harris's Book The End Of Absence, Anastasia Scott

Huron1Read

No abstract provided.

Technological Takeover: A Reading Response To Chapter 1 Of Michael Harris' The End Of Absence, Joshua Thompson-Persaud

Huron1Read

No abstract provided.

The Challenge To Disconnect: Response To Chapter One Of The End Of Absence, By Michael Harris, Leonid Beletski

Huron1Read

No abstract provided.

The Perpetuation Of Pundits: My Reflection And Response To Chapter Four "Public Opinion," From The Book The End Of Absence By Michael Harris, Elise Geschiere

Huron1Read

No abstract provided.

The Cleaving Of House And Home: A Lacanian Analysis Of Architectural Aesthetics, Sarah E. Thorne

Electronic Thesis and Dissertation Repository

Drawing on Lacanian psychoanalysis and digital media studies, this thesis explores the radical disconnect between the home as a fantasmatic object of desire and the house as the space in which the fantasy of home is staged. By analyzing the house as a prosthetic replacement for our originary home (the womb), the aim is to uncover how architectural aesthetics of the Victorian, modern, and postmodern house respond to this irreconcilable gap, and why each aesthetic necessarily fails to create a more homely home. Considering recent trends in architecture, the thesis then examines the coincidence of the “small house” movement with …

The Powered Generation: Canadians, Electricity, And Everyday Life, Dorotea Gucciardo

Electronic Thesis and Dissertation Repository

Most studies of electricity in Canada have examined the process of electrification from a business or political perspective, emphasizing the role of private and public institutions in electrifying the country. Such approaches neglect the primary targets of the electrification process: Canadians as consumers of electricity. This dissertation analyzes electrification as a social phenomenon. Drawing from archival sources in Canada and the United States, as well as newspapers, magazines, and government documents, the author addresses technological debates in Canadian history and investigates the relationship between technology and society. The broader themes in this dissertation include: urban electrification, rural electrification, domestic electrification …

Life Among The Machines: James Joyce's Ulysses And Early Twentieth-Century Technology, Patrick Casey

Electronic Thesis and Dissertation Repository

This project investigates the cultural impact of the various technological innovations that appeared around the turn of the twentieth century, and how modernism contends with the increasing presence of technology in everyday life. It focuses on the work of James Joyce, whose attitudes toward technology differ significantly from many of his contemporaries, and on his novel Ulysses, which takes place in metropolitan Dublin and features many of the everyday technologies of the early twentieth century.

The first chapter examines the relationship between technology and the vitalist theories of Henri Bergson and Hans Driesch, arguing that the popularity these theories …

Graphomania: Composing Subjects In Late-Victorian Gothic Fiction And Technology, Gregory D. Brophy

Electronic Thesis and Dissertation Repository

This dissertation explores the varied phenomena of “automatic writing” in Victorian Gothic fiction, reading the genre’s fascination with the irrepressible signifying practices of the body in light of the medical, criminological and scientific discourses that underwrite the “scriptural economy” of the late nineteenth century with their own arsenal of automatic writing machines. I have titled the project "Graphomania," and I consider the term a keyword of late-Victorian culture—one that names a distinctly Victorian pathology of compulsive writing, but that alludes also to the widespread epistemic hope that writing could render objectively the internal and subjective experiences of individuals.

In a …