Arts and Humanities Commons^™

Experiential Learning Final Report: Ase Leader And Student Writer-In-Residence, Gray Brogden

SASAH 4th Year Capstone and Other Projects: Publications

This report chronicles my two experiential writing credits completed for the School for Advanced Studies in the Arts and Humanities between 2021 and 2023. The first experience was as an Academic Support and Engagement Transition Leader (ASE leader) during the summer of 2021, and the second experience is my ongoing tenure as the Western University 2023-24 Student Writer-in-Residence. The former involved facilitating Community Connections days, running events for Smart Start academics, leading programming on Faculty Day, and providing a support system where incoming students could learn more about what their year was going to look like from someone who had …

Transference Music: For Electric Guitar Soloist And Amplified Orchestra, Andrew Noseworthy

Electronic Thesis and Dissertation Repository

Transference Music: for Electric Guitar Soloist and Amplified Orchestra is a concertante work with an approximate duration of 25 minutes. The work is inspired by my experiences as a composer-electric guitarist. Its musical parameters are constructed via the act transferring those experiences between the typically separate designations of ‘performer’ and ‘composer.’ These experiences involve aspects of style and genre, electric guitar-specific performance gestures and various timbral or textural ideas, as well as concepts of electronic sound production. These experiences are then used as the basis for the work’s form, motivic relationships and orchestration. As the electric guitar is somewhat of …

Jeux Et Enjeux Des Formes Poétiques Dans Les Mystères Médiévaux, Patrick Ager

Electronic Thesis and Dissertation Repository

Late-medieval mystery plays present an exceptionally rich versification. This dissertation aims to shed light on the features of these texts, which I consider to be “dramatic poems”. Scholars have long recognized that the playwrights of this period used many complex strophic forms in their works: this was noted by Henri Chatelain in his Recherches sur le vers français au quinzième siècle (1908). However, studies on the versification of medieval theatre have often been limited to mere lists and catalogues of forms, sometimes accompanied by cursory remarks. Certainly, such an approach provides a glimpse of the technical virtuosity of these poets; …

Performing Identities, Performing Possibilities: A Music-Centered And Relational Perspective On Performance In Community Music Therapy And Music Education, Elizabeth Mitchell

Electronic Thesis and Dissertation Repository

All humans are born with musical capacity, yet many individuals have minimal access to active music-making and its affordances. This integrated-article dissertation explores the impact of participation in musical performance as it pertains to self-identity and relationship for participants who face barriers in accessing artistic engagement. Drawing upon music-centered theory from music therapy, this research celebrates the fundamentally performed and relational nature of musicking and the self and explores implications for music therapy and music education.

The first two articles explore the “Coffee House”, a community music therapy event at an adolescent mental health facility, through the voices of youth …

And Where Is The Body?, Tyler Durbano

Electronic Thesis and Dissertation Repository

In combination with a Master of Fine Arts thesis exhibition, and where is the body?, this dossier offers the following as accompanying components: an extended artist statement, a transcribed interview with artist Francisco-Fernando Granados, documentation of my artwork and my curriculum vitae. The section containing documented artwork provides a selected overview of my creative research and material exploration made during my time at Western University. These components complement my creative research and expand on ideas of queer identity, performance, vulnerability, assemblage and drag that are explored in my thesis exhibition.

The Acrobatic Body In Ancient Greek Society, Jonathan R. Vickers

Electronic Thesis and Dissertation Repository

In this thesis I collate the textual, artistic, and material evidence for acrobatics in sport and spectacle in Archaic, Classical, and Hellenistic Greece, and analyze gymnastic performances with regard to their respective socio-cultural contexts. I develop the theoretical perspective that all body movement is socially qualified in order to demonstrate how the extreme manipulations of an acrobatic body carry particular social meaning: in sport, the male acrobatic body approaches superhumanism, and in spectacle the female acrobatic body approaches subhumanism. I argue, on the one hand, that men’s tumbling took place at the early Panathenaia festival in Athens, both in martial …

"The Sense Of An Ending": The Destabilizing Effect Of Performance Closure In Shakespeare's Plays, Megan Lynn Selinger

Electronic Thesis and Dissertation Repository

What makes a good ending? How do we know when something ends? In performance, it is difficult to characterize that nebulous and highly subjective — yet nonetheless theatrically powerful — “sense” of an ending. Previous scholarly work on Shakespearean endings, even when emphasizing performance, has largely focused on understanding endings from a narrative viewpoint, questioning how endings reach textual closure. These works examine the lingering questions or problems at the end of Shakespeare’s texts, and discuss how performance tackles these issues.

This dissertation takes performance as its starting point. It argues that Shakespearean performance endings naturally trouble textual conclusiveness, as …

Toward A Postmodern Avant-Garde: Labour, Virtuosity, And Aesthetics In An American New Music Ensemble, John R. Pippen

Electronic Thesis and Dissertation Repository

This dissertation examines the aesthetic beliefs and labour practices of the American new music ensemble eighth blackbird (lower-case intentional). Drawing on ethnographic research conducted with the ensemble for the past six years, I show how the ensemble responds to specific cultural pressures endemic to the classical music scene, its new music vanguard, and to the contemporary United States. eighth blackbird, I argue, has created an ensemble identity and performance style designed to satisfy numerous audience positions, from experts well-versed in the intricacies of musical techniques to lay-persons unacquainted with the values and practices of new or classical music. This attempt …

Music, Cinema And The Representation Of Africa, Natasha Callender

Electronic Thesis and Dissertation Repository

The purpose of this thesis is to examine how music is used in cinema to create representations of Africa. It begins by tracing the early importance of musicality and performance in cinema back to other cultures of visuality and socio-political ideologies that were prevalent at the time of cinema’s birth. The result of this relationship means that cinema has functioned as both a tool for portraying Africa as the “Dark Continent” and for reshaping narratives about the nature of African identities, history, politics and cultures. Music in cinematic portrayals of Africa is, therefore, part of a system of representation in …

Because I Am Not Here, Selected Second Life-Based Art Case Studies. Subjectivity, Autoempathy And Virtual World Aesthetics, Francisco Gerardo Toledo Ramírez

Electronic Thesis and Dissertation Repository

Second Life is a virtual world accessible through the Internet in which users create objects and spaces, and interact socially through 3D avatars. Certain artists use the platform as a medium for art creation, using the aesthetic, spatial, temporal and technological features of SL as raw material. Code and scripts applied to animate and manipulate objects, avatars and spaces are important in this sense. These artists, their avatars and artwork in SL are at the centre of my research questions: what does virtual existence mean and what is its purpose when stemming from aesthetic exchange in SL?

Through a qualitative …

Human Automata, Identity And Creativity In George Du Maurier's Trilby And Raymond Roussel's Locus Solus, Adrienne M. Orr

Electronic Thesis and Dissertation Repository

George Du Maurier’s Trilby (1895) and Raymond Roussel’s Locus Solus (1914) feature a unique figure, the human automaton, a human being who has been transformed into a machine. Rather than becoming objectified and dehumanized, thus transformed they produce great music and art defined by the single quality supposedly irreproducible by machines—variability. Drawing multiplicity from the sameness of exact repetition in their art, the human automata’s identities are equally capable of embodying otherness and oppositions in a plural identity that remains uniquely singular. This challenges contemporary attitudes towards automation as a fixative, deterministic and reductive, and ultimately dehumanizing transformation. Linking automatism, …

Realism/Terrorism: The Walworth Farce, Kim Solga

Department of English Publications

Kim Solga reviews The Walworth Farce – a "farce" in name only – as a play that is actually about the dangerous performatics of memory. As it explores the ways in which the theatre both enables and *dis*ables the drive to remember, it thinks seriously about traumatic re-enactment and the limits of the theatre as a site for such.

Building Utopia: Performance And The Fantasy Of Urban Renewal In Contemporary Toronto, Laura Levin, Kim Solga

Department of English Publications

Toronto markets itself as a city in renewal, a “creative city” of the future full of arts and culture. Alongside the official pitch, a number of street-level underground initiatives reimagine Toronto's utopic future in a different way by means of site-specific performances.

Introduction, D. J. Hopkins, Shelley Orr, Kim Solga

Department of English Publications

No abstract provided.

Dress Suits To Hire And The Landscape Of Queer Urbanity, Kim Solga

Department of English Publications

No abstract provided.