Arts and Humanities Commons^™

Forward And Up: An Exploration Of Implementations Of The Alexander Technique In Post-Secondary Music Institutions, Mei Lee

Electronic Thesis and Dissertation Repository

Music performance is a psychophysical affair. Like athletes, musicians need to be physically, mentally, and emotionally fit in order to meet the demands and challenges of training and performing. For over half a century, post-secondary music institutions have been utilizing the Alexander Technique to address young musicians’ psychophysical coordination and playing-related challenges. This unique mind-body method teaches individuals how to move efficiently and carry out activities with freedom and ease by recognizing and changing counterproductive habits. It has noted beneficial effects on posture and coordination, pain relief, and stress management, and its relevance to music performance studies is endorsed by …

Ch. 04 - The Pursuit Of Happiness: Music Access In 21st Century America, Carla E. Aguilar

The Road Goes Ever On: Estelle Jorgensen's Legacy in Music Education

This chapter describes policy mechanisms that can be revised to support “music making by all.” Aguilar starts with the normative claim that engagement in music education in elementary, secondary, and post-secondary institutions should encompass opportunities for a range of music-making experiences, especially those experiences that may be ignored or marginalized because of the traditional structure of post-secondary institutions. Broadening choices for musical engagement may provide greater relevance, as well as increased access and participation in learning music by all and for all.

Ch. 06 - Pilgrim And Quest Revisited, Iris Yob

The Road Goes Ever On: Estelle Jorgensen's Legacy in Music Education

In Pictures of Music Education, Estelle Jorgensen extends her analysis of the pilgrimage metaphor and its associated model of quest in music education. The purpose of the present chapter is not to refute or critique Jorgensen’s work with this metaphor but to build on it by exploring even further the possible meanings captured by the metaphor for music educators. While the notion of pilgrimage carries religious overtones from its long association with faith practices, in a secularized world our present understandings continue to be shaped by remnants of meaning from past mythologies. To that end, various notions associated with …

Ch. 09 - The Music Educator As Cultural Worker, David Lines

The Road Goes Ever On: Estelle Jorgensen's Legacy in Music Education

Estelle Jorgensen’s Pictures of Music Education provides an exploration of music education through figural and literal thinking stimulated by a selection of metaphors and models. This chapter takes inspiration from Jorgensen’s approach to music education and explores how the changing idea of culture resonates with thinking about music education. It is suggested that music education and culture can be thought of together through a more politically aware stance or image of thought that music teachers can adopt: the music educator as cultural worker. By adopting this stance, the music educator enacts music and culture together, is critically informed by the …

Ch. 11 - Becoming A Story: Searching For Music Educations, Patrick Schmidt

The Road Goes Ever On: Estelle Jorgensen's Legacy in Music Education

This short philosophical chapter borrows and diverges from Estelle Jorgensen’s In Search of Music Education. It aims to address the pertinent and defiant questions asked over two decades ago, while re-position them in light of current challenges. Following Jorgensen’s style—carefully and tactically—this chapter draws a line of flight between philosophical and policy-oriented ways of thinking, underlining some ways in which the two meet and how pertinent these encounters can be to music educators today. The chapter makes use and highlights the potential of craftly constructed epistemological familiarity and how it can engender practice. Specifically, it reminds and exemplifies to the …

Ch. 16 - Re-Discovering/Facilitating Intimacy In Borderscapes Of Higher Music Education, Eleni Lapidaki

The Road Goes Ever On: Estelle Jorgensen's Legacy in Music Education

The chapter explores intimacy as a critical site of power and resistance. More specifically, intimacy is considered as an arena in which social and political identities are negotiated, while inclusions and exclusions are continually established or disputed. I will argue for the adoption of a politics of intimacy that aims towards a more nuanced and less reductionist higher music education that can help us articulate the complexity of spaces of proximity as greatly as we live it. Such a reflection offers us opportunity to adopt a variable filter that sheds light on certain characteristics of borders, freedom, and the ways …

Ch. 17 - Traditions And The End Of Music Education, William Perrine

The Road Goes Ever On: Estelle Jorgensen's Legacy in Music Education

This chapter considers the question of how music educators determine the musical ends towards which their teaching is directed. Musical traditions, both “great” and “little,” as Estelle Jorgensen describes them, are inseparable from the philosophical traditions through which music educators determine consider their pedagogical ends. This chapter presents a three-part framework to describe how music educators might approach understanding their work as a socially embodied enactment of contrasting traditions. The term tradition is first defined as a means of categorizing philosophical schools of thought from which various musical practices can be understood. The liberal philosophical tradition that grew out of …

Ch. 21 - When I Grow Up, Or Just Another Love Song, Cathy Benedict

The Road Goes Ever On: Estelle Jorgensen's Legacy in Music Education

One’s journey is never made alone. Relationships with the other begins with the desire to live mutually and responsively. Jorgensen’s lives work has been to both broker and live these relationships with others; modeling scholarly and intellectual companionship that will reach beyond time now as it has been experienced. In this essay I frame Jorgensen’s influence through the lens of Martin Buber, the caring relationship and the creation of spaces that embrace plurality.

The Road Goes Ever On: Estelle Jorgensen's Legacy In Music Education

The Road Goes Ever On: Estelle Jorgensen's Legacy in Music Education

A collection of essays celebrating Estelle Jorgensen's legacy in music education, edited by:Randall Everett Allsup & Cathy Benedict

"It's Obvious Who Plays An Instrument And Who Doesn't": Using Doxa And Illusio To Explore Inequities In English School Music Education, Alison Butler

Electronic Thesis and Dissertation Repository

This thesis investigates Bourdieu’s concepts of doxa and illusio in English secondary school music education, using data collection from a comparative case study undertaken at two contrasting schools in a rural county, Stonefarm High School and Friars Hall School. Data were gathered over five months in 2018, using lesson observations, student focus groups and teacher interviews. Three classes were invited to participate at each school.

The data were analysed using Bourdieu’s Theory of Practice (1977), especially the field mechanisms of doxa and illusio. Doxa, the unwritten rules of a field, and illusio, belief in the game being played in the …

Performing Identities, Performing Possibilities: A Music-Centered And Relational Perspective On Performance In Community Music Therapy And Music Education, Elizabeth Mitchell

Electronic Thesis and Dissertation Repository

All humans are born with musical capacity, yet many individuals have minimal access to active music-making and its affordances. This integrated-article dissertation explores the impact of participation in musical performance as it pertains to self-identity and relationship for participants who face barriers in accessing artistic engagement. Drawing upon music-centered theory from music therapy, this research celebrates the fundamentally performed and relational nature of musicking and the self and explores implications for music therapy and music education.

The first two articles explore the “Coffee House”, a community music therapy event at an adolescent mental health facility, through the voices of youth …