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Full-Text Articles in Arts and Humanities
Sanaugavut: Art From Kinngait, Nakasuk Alariaq
Sanaugavut: Art From Kinngait, Nakasuk Alariaq
Electronic Thesis and Dissertation Repository
“Sanaugavut: Art from Kinngait” explores 20th century Inuit art from an Inuk’s perspective to highlight the work Inuit participants contributed to in the development of commercialized art production in the North. The author Nakasuk Alariaq is from Kinngait (Cape Dorset) and is the first Inuk graduate student at Western University to be offered space within the university’s formal settings to curate an Inuit art exhibition. This exhibition and thesis go hand in hand and are therefore very important to advocates of Indigenous self-representation in academia and in galleries. The exhibition “Sanaugavut: Art from Kinngait” was …
A Space Without Memory: Time And The Sublime In The Work Of Janet Cardiff And George Bures Miller, Margherita N. Papadatos
A Space Without Memory: Time And The Sublime In The Work Of Janet Cardiff And George Bures Miller, Margherita N. Papadatos
Electronic Thesis and Dissertation Repository
The central question of my investigation is: how do artists present the unpresentable when presentation itself is impossible? Concentrating solely on Janet Cardiff and George Bures Miller’s artworks Opera For a Small Room (2005) and The Killing Machine (2007), I redevelop Jean François Lyotard’s concept of the sublime as put forth in his The Inhuman: Reflections on Time, in order to ask how Cardiff and Miller give shape to the unpresentable in their work. Opera and Killing are works that dynamically problematize and play with ideas of presentation, subjectivity, memory, and time. Thus, I explore my central question of …
Relational Viewing: Affect, Trauma And The Viewer In Contemporary Autobiographical Art, Matthew Ryan Smith
Relational Viewing: Affect, Trauma And The Viewer In Contemporary Autobiographical Art, Matthew Ryan Smith
Electronic Thesis and Dissertation Repository
This dissertation examines the communicative relationship between contemporary autobiographical art and the viewer. By analyzing the work of six artists, Richard Billingham, Jaret Belliveau, Larry Clark, Nan Goldin, Lisa Steele and Bas Jan Ader, I maintain that lived experience and personal history condition the way viewers respond to autobiographical art. I turn to literary theory as a critical methodology to argue that autobiographical art operates as a catalyst for identification, memory and self-discovery. I use affect and trauma theory to demonstrate how artwork produces meaning and discourse through the viewer’s feelings, emotions and bodily sensations. Consequently, I survey the importance …
Unearthing The Past: The Archaeology Of Bog Bodies In Glob, Atwood, Hébert And Drabble, Anthony Purdy
Unearthing The Past: The Archaeology Of Bog Bodies In Glob, Atwood, Hébert And Drabble, Anthony Purdy
French Studies Publications
Within the narrative poetics of the archaeological find, accounts of the discovery of beautifully preserved Iron Age bodies in the peat-bogs of Northwestern Europe constitute a particularly complex, well-defined and resonant subgenre. A reading of the genre’s founding text, P.V. Glob’s The Bog People, reveals a repertoire of tropes and topoï that will inform subsequent fictional treatments of bog body finds. Arguing that the poetic specificity of the bog body lies in its extraordinary capacity to abolish temporal distance and mediate between past and present, this essay seeks to define the figure as a special kind of chronotopic motif, or …