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Articles 1 - 7 of 7
Full-Text Articles in Arts and Humanities
Narratives Of Canadian Identity At The Ultimate Fighting Championship, Jared V. Walters
Narratives Of Canadian Identity At The Ultimate Fighting Championship, Jared V. Walters
Electronic Thesis and Dissertation Repository
The purpose of this dissertation was to examine the use of representations and symbols of Canadian identity within the event coverage produced by the Ultimate Fighting Championship Corporation, in the context of its two key events, Ultimate Fighting Championship, and Fight Night, produced in Canada. To establish the historical context in which the sport developed in Canada, a narrative historiography of the political and legal struggles that led to the legalization and increasing popularity of Mixed Martial Arts, and the UFCC’s version of the sport, in particular. This first major part of the dissertation is contained in Study 1. The …
Critiquing The New Autonomy Of Immaterial Labour: An Analysis Of Work In The Artificial Intelligence Industry, James Steinhoff
Critiquing The New Autonomy Of Immaterial Labour: An Analysis Of Work In The Artificial Intelligence Industry, James Steinhoff
Electronic Thesis and Dissertation Repository
Karl Marx theorized capitalism as a relation between labour, capital and machines. For Marx, capital, the process of self-augmenting value appropriated from human labour, is inherently driven by competition to replace labour in production with machines. Marx goes as far as to describe machines as capital’s “most powerful weapon” for suppressing working class revolt. Marx, however, could not have predicted the computing machines – such as artificial intelligence – which now form the basis for an increasingly cybernetic capital. Since Marx’s time, many Marxist thinkers have sought to apply or update his approach to the cybernetic era. The influential post-operaismo …
Dead Men Walking: An Analysis Of Working-Class Masculinity In Post-2008 Hollywood Film, Ryan Schroeder
Dead Men Walking: An Analysis Of Working-Class Masculinity In Post-2008 Hollywood Film, Ryan Schroeder
Electronic Thesis and Dissertation Repository
Working-class masculinity has lost its steam. Since 2008, a sub-genre of Hollywood films has emerged that depicts the current crisis, and imminent demise, of working-class masculinity in the United States. The 2008 financial crisis has had devastating effects on the American economy, and particularly the working-class, whose precarious economic position has only been exacerbated under neoliberalism. These effects have become the thematic focus of a fringe genre of films, which show how the destabilization of the American economy has incited greater instability in gender relations, and has had an acute impact on working-class men. This thesis proceeds by analyzing how …
Trauma, Creativity, And Bearing Witness Through Art: Marian Kołodziej's Labyrinth, Alyssa Logie
Trauma, Creativity, And Bearing Witness Through Art: Marian Kołodziej's Labyrinth, Alyssa Logie
Electronic Thesis and Dissertation Repository
The mid-2000s brought rise to significant shifts in the field of trauma studies, most notably the suggestion that a survivor’s trauma can have meaning when it is shared with others through creative representation and storytelling. Despite these critical changes in the field, there is a dearth of research outside of clinical art therapy that examines the role of creativity in the processes of working through past traumas for survivors, and in the processes of bearing witness to the trauma of others.
In an effort to address these issues, I use a framework of relational psychoanalysis and feminist philosophy to explore …
'Calling Out From Some Old Familiar Shrine': Living Archivism And Age Performativity In Bob Dylan's Late Period, Matthew Lipson
'Calling Out From Some Old Familiar Shrine': Living Archivism And Age Performativity In Bob Dylan's Late Period, Matthew Lipson
Electronic Thesis and Dissertation Repository
The release of Bob Dylan’s 30th studio album in 1997, Time Out of Mind, marked an unlikely and triumphant return to critical acclaim following years of personal and creative decline. From this point onward, Dylan would maintain a quality of output comparable to his 1960s catalogue and unprecedented among artists in the twilight of their career. The proceeding albums, from “Love and Theft” (2001) to Triplicate (2017) would present Dylan as a living archive of traditional American genres – an intersection through which rock and roll, blues, bluegrass, and vocal jazz would pass. The notion of Dylan as …
Musical Artists As Entrepreneurs: Assessing Popular Artists’ Brand Partnerships, Social Media Usage, And Performance Of Identity Politics, Amara Pope
FIMULAW
Today’s popular music artists have the potential power to shape hegemonic ideologies of identity categories across multiple media and industries. This position of power is unique to modern musical artists due to recent changes in the music industry’s business model and the introduction of social media. Record sales have diminished. Labels and artists have adapted in new and creative ways with a heavier reliance on brand partnerships. I wish to fill a gap in the literature that explores how brand partnerships may affect modern musical artists’ performances of identity politics through three case studies: Drake, Post Malone, and Cardi B.
Resistant Vulnerability In The Marvel Cinematic Universe's Captain America, Kristen Allison
Resistant Vulnerability In The Marvel Cinematic Universe's Captain America, Kristen Allison
Electronic Thesis and Dissertation Repository
Established in 2008 with the release of Iron Man, the Marvel Cinematic Universe has become a ubiquitous transmedia sensation. Its uniquely interwoven narrative provides auspicious grounds for scholarly consideration. The franchise conscientiously presents larger-than-life superheroes as complex and incredibly emotional individuals who form profound interpersonal relationships with one another. This thesis explores Sarah Hagelin’s concept of resistant vulnerability, which she defines as a “shared human experience,” as it manifests in the substantial relationships that Steve Rogers (Captain America) cultivates throughout the Captain America narrative (11). This project focuses on Steve’s relationships with the following characters: Agent Peggy Carter, Natasha …