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Full-Text Articles in Arts and Humanities

Blood, Organs And Other Tissues For Sale: Diamela Eltit's Impuesto A La Carne And The Afterwards Of The Neoliberal Development In Latin America., Wanda I. Ocasio- Rivera Oct 2012

Blood, Organs And Other Tissues For Sale: Diamela Eltit's Impuesto A La Carne And The Afterwards Of The Neoliberal Development In Latin America., Wanda I. Ocasio- Rivera

Hispanic Studies Publications

Abstract

Blood, organs and other tissues for sale: Diamela Eltit's Impuesto a la carne and the afterwards of the neoliberal development in Latin America.

As Marx elaborated in Capital: Volume I at the moment human labour is sold, the subject participates in an ominous plot where she/he becomes a commodity. In a capitalist mode of production, the subject’s alienation from his/her humanity occurs because the individuals can only express labor through a privately-owned system of production in which he/she is an instrument, an object. This dehumanization process submits the subject under the exchange transactions of the market, where labor value …


In The Fullness Of Time: M. M. Bakhtin, In Discourse And In Life, James C. Hall Sep 2012

In The Fullness Of Time: M. M. Bakhtin, In Discourse And In Life, James C. Hall

Electronic Thesis and Dissertation Repository

The phrase “the fullness of time” touches upon one of M. M. Bakhtin’s most consistently upheld tenets; for Bakhtin, philosophical and everyday utterances rely on their historical embeddedness for the material and concrete reality from which they draw their meaning and through which they are conditioned, inflected, and re-evaluated. In his very last work Bakhtin stated that all meanings are in continuous evolution. In this thesis the attempt will be made to interpret Bakhtin’s corpus by concentrating particularly on the movement of historical and philosophical becoming, the art of responding to philosophy and the events of everyday life, and the …


Burying Dystopia: The Cases Of Venedikt Erofeev, Kurt Vonnegut, And Victor Pelevin, Natalya Domina Aug 2012

Burying Dystopia: The Cases Of Venedikt Erofeev, Kurt Vonnegut, And Victor Pelevin, Natalya Domina

Electronic Thesis and Dissertation Repository

One of the main things we have come to expect from a dystopian novel is the portrayal of an evil social structure. Such a text would aim to put reader in a position of a judge and/or warn him/her about the inevitability of an impending catastrophe (Zamyatin, Orwell, Huxley). This thesis focuses on how Venedikt Erofeev’s Moscow to the End of the Line, Kurt Vonnegut’s Slaughterhouse-Five, and Victor Pelevin’s The Clay Machine-Gun respond to Dostoevsky’s prophetic dystopia and go against the grain of the genre, and, by doing so, redefine the genre itself.


Playing With The Other: The Stories Of Mu Xin And Vladimir Nabokov, Meng Wu Aug 2012

Playing With The Other: The Stories Of Mu Xin And Vladimir Nabokov, Meng Wu

Electronic Thesis and Dissertation Repository

This thesis studies the play of the Other in Vladimir Nabokov’s short story collection The Stories of Vladimir Nabokov and Mu Xin’s short story collection An Empty Room. Friedrich Nietzsche’s theory on the genealogy of morality provides a framework for the research. This thesis explores the two writer’s representation of the other time, the other space, and the self as another, and extends the analysis in the thematic contexts of exile and memory. Examining how Nabokov and Mu Xin cope with “differences” arising in human existence, this thesis argues that such differences are fundamental to their artistic creation. By …


Human Automata, Identity And Creativity In George Du Maurier's Trilby And Raymond Roussel's Locus Solus, Adrienne M. Orr Aug 2012

Human Automata, Identity And Creativity In George Du Maurier's Trilby And Raymond Roussel's Locus Solus, Adrienne M. Orr

Electronic Thesis and Dissertation Repository

George Du Maurier’s Trilby (1895) and Raymond Roussel’s Locus Solus (1914) feature a unique figure, the human automaton, a human being who has been transformed into a machine. Rather than becoming objectified and dehumanized, thus transformed they produce great music and art defined by the single quality supposedly irreproducible by machines—variability. Drawing multiplicity from the sameness of exact repetition in their art, the human automata’s identities are equally capable of embodying otherness and oppositions in a plural identity that remains uniquely singular. This challenges contemporary attitudes towards automation as a fixative, deterministic and reductive, and ultimately dehumanizing transformation. Linking automatism, …


Architectures Of The Veil: The Representation Of The Veil And Zenanas In Pakistani Feminists' Texts, Amber Fatima Riaz Apr 2012

Architectures Of The Veil: The Representation Of The Veil And Zenanas In Pakistani Feminists' Texts, Amber Fatima Riaz

Electronic Thesis and Dissertation Repository

My dissertation, which works at the intersections of feminist theory, architectural theory and postcolonial literary theory, examines the spatiality of the zenana and the burqa as represented in Pakistani literary and cultural texts. I propose that the burqa creates a portable closet, an interstitial, liminal, “third space” that allows Pakistani (secluded and veiled) women to not only traverse the borders between the private (female, domestic) and public (male) spaces, but to also signal chastity and religiosity while in the public, and semi-public spaces of the cities and villages of Pakistan. I argue that the dupatta, the chador and the hijab …


The Gospel According To José Saramago: A Comparative Study Of Critical Reception In Portugal, United States, And Canada, Bruna Reis Apr 2012

The Gospel According To José Saramago: A Comparative Study Of Critical Reception In Portugal, United States, And Canada, Bruna Reis

Electronic Thesis and Dissertation Repository

Portuguese writer José Saramago (1922-2010) is well-known for controversial, challenging, and thought-provoking novels. In this study, I analyze the critical reception of his works in his home country, where The Gospel According to Jesus Christ (1991) was excluded from participation in the European Literary Prize on ideological grounds, and in the United States and Canada, where Blindness (1995) brought a wave of uniformly positive response until the publication of Cain (2010), perceived negatively as a didactic tool to convince readers of the unviability of Christianity.

This examination is framed by Iser’s theory of aesthetic response. More specifically, I focus on …


Călin-Andrei Mihăilescu's Research, Călin-Andrei Mihăilescu Mar 2012

Călin-Andrei Mihăilescu's Research, Călin-Andrei Mihăilescu

Research Day (Arts & Humanities, FIMS, and Education)

No abstract provided.