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English Translations Of Two German All-Souls’-Day Pieces, Taro Omori Aug 2022

English Translations Of Two German All-Souls’-Day Pieces, Taro Omori

Undergraduate Student Research Internships Conference

Since the early eighteenth century the Don Juan legend was a popular subject in Austrian theatres on All Souls' Day (November 2); a peculiar custom, given that the main character is a libertine who indulges in excesses without any fear of divine retribution. One such work was Anton Cremeri's Der steinerne Gast (The Stone Guest) published in 1787; coincidentally Mozart's Don Giovanni premiered in the same year.

In the nineteenth century Don Juan gradually disappeared from the stage, but the custom of performing plays on All Souls' Day did not. Ernst Raupach's 1835 piece Der Müller und sein Kind (The …


P13. Wagner's Use Of The Formal Lament For King Mark In Tristan Und Isolde, Julie Anne Nord Mar 2017

P13. Wagner's Use Of The Formal Lament For King Mark In Tristan Und Isolde, Julie Anne Nord

Western Research Forum

Background: The composer Richard Wagner often expressed his distaste for “number” operas and other contrived forms used in the Italianate works of his forerunners and contemporaries. In place of these operatic conventions, Wagner drew upon the Tragedy of Ancient Greece to propose a “total artwork” (Gesamtkunstwerk)) with no contrived breaks for conventional form. Despite, or perhaps because of, his aversion toward operatic formal conventions, Wagner turned to one such form for his music for King Mark in Tristan und Isolde.

Methods: This poster demonstrates Wagner’s use of lament tropes from the poetry of Greek Tragedy and from …


Walter Benjamin's Literary Aura: A Stylistic And Thematic Analysis Of One-Way Street, Stephanie Chapman Mar 2014

Walter Benjamin's Literary Aura: A Stylistic And Thematic Analysis Of One-Way Street, Stephanie Chapman

Modern Languages and Literatures Annual Graduate Conference

“Brevity” epitomizes Walter Benjamin's One-Way Street, an avant-garde text composed entirely of aphorisms. Benjamin's ideal of literary montage involves the utilization of ideas that he refers to as Abfall, or detritus, and rearranging them—preserved in the momentary spontaneity in which they were conceived—in order to create an entirely new meaning. Noteworthy about Benjamin's style is the manner in which the assembly of momentary thoughts and impressions creates, in a literary sense, the artistic aura of authenticity introduced in his seminal essay, “The Work of Art in the Age of Mechanical Reproduction.” By preserving the form, content, and style …