Arts and Humanities Commons^™

Touching Bodies/Bodies Touching: The Ethics Of Touch In Victorian Literature (1860-1900), Ann M.C. Gagne

Electronic Thesis and Dissertation Repository

Tactility becomes a marked preoccupation in mid-Victorian literature. The description of how characters touch one another and negotiate their surroundings through tactility reinforces the ethics of intersubjectivity in Victorian England. I argue that touch becomes representative of embodied experience in Victorian literature. As well, touch goes beyond the explicit moral taxonomies found in etiquette books to provide implicit guiding principles for the negotiation of both the public and the private. The Contagious Diseases Acts (CDAs) serve as a point of departure for an analysis of tactility in Victorian literature for the CDAs emphasized and reinforced the importance of legislating touch. …

Biological Inheritance And The Social Order In Late-Victorian Fiction And Science, Sherrin Berezowsky

Electronic Thesis and Dissertation Repository

This dissertation investigates the heightened interest in heredity as a biological inheritance that arises after the publication of Charles Darwin’s On the Origin of Species and how this interest intersects with concerns about class mobility and the shifting social order. Within this framework, this project considers how heredity became a means of organizing and regulating bodies in keeping with what Michel Foucault terms bio-power. It unearths the cultural work within literary and scientific writings as they respond to narratives of self-help and self-improvement by imagining heredity as a means of stabilizing the social order, and by extension the nation, at …

Social Money: Literary Engagements With Economics In Early Modern English Drama, Myungjin Choi

Electronic Thesis and Dissertation Repository

This thesis investigates the impact of economic philosophy and history on sixteenth- and seventeenth-century English drama. It focuses primarily on the ways in which emergent mercantilist theories, new labour models, and changing class structures informed literary production. The significant influence exerted on the English public by financial developments during the early modern period suggests that economic concerns were of preeminent relevance to public discourse. As a result, playwrights cognizant of these worries produced plays that incorporated the distinctive language and character of economic thought and engaged their audiences through tableaus representative of select aspects of London’s financial landscape. In my …

Corporeal Returns: Theatrical Embodiment And Spectator Response In Early Modern Drama, Caroline R. Lamb

Electronic Thesis and Dissertation Repository

Taking its cue from the many Renaissance playwrights who emphasized their spectators’ participation, this dissertation develops a model of audience response based on what texts from the period reveal about early modern spectators’ active engagements with staged bodies and stage space. Discussing plays by Shakespeare, Peele, Beaumont, Marston, Ford, Middleton, and Tourneur, I establish an analytical arc that travels gradually deeper into the body, moving from performances that depict the superficial violation of the body to those that represent its violent penetration onstage, thereby encouraging spectators to contemplate the body’s physiological recesses. Early modern anatomical science and its exploration of …

Romantic Anarche: The Philosophical And Literary Anarchism Of William Godwin, Jared M. Mcgeough

Electronic Thesis and Dissertation Repository

This study examines the philosophical and literary anarchism of William Godwin. Through an analysis of several of Godwin’s major texts, including Political Justice (1793, 1796, 1798), “Of History and Romance” (1798), and his novels Caleb Williams (1794), St. Leon (1799) and Mandeville (1817), I argue that Godwin’s relationship both to the intellectual history of anarchism and its literary expression in the form of the historical romance is more complex than has been recognized. In order to tease out this complexity, I approach Godwin from the perspective of recent critics who reread the ideals of classical anarchism through post-structuralist theory. Rather …

Life Among The Machines: James Joyce's Ulysses And Early Twentieth-Century Technology, Patrick Casey

Electronic Thesis and Dissertation Repository

This project investigates the cultural impact of the various technological innovations that appeared around the turn of the twentieth century, and how modernism contends with the increasing presence of technology in everyday life. It focuses on the work of James Joyce, whose attitudes toward technology differ significantly from many of his contemporaries, and on his novel Ulysses, which takes place in metropolitan Dublin and features many of the everyday technologies of the early twentieth century.

The first chapter examines the relationship between technology and the vitalist theories of Henri Bergson and Hans Driesch, arguing that the popularity these theories …

Myth, Language, Empire: The East India Company And The Construction Of British India, 1757-1857, Nida Sajid

Electronic Thesis and Dissertation Repository

My thesis investigates the discursive strategies employed by the East India Company during the early colonial period to legitimize mercantile imperialism as an act of preservation for the fast-disintegrating political order that was the Mughal empire in India. By arguing that the interrelationship of myth, history and archive was essential to networks of trade and the establishment of political domination, my thesis offers a new reading of the representations of the political debates surrounding the Company’s scandals and imperial ambitions in the English public sphere. It further demonstrates the centrality of the India question in defining the contours of some …

Seeking The Self In Pigment And Pixels: Postmodernism, Art, And The Subject, Selma Purac

Electronic Thesis and Dissertation Repository

In this study, I examine how works of art become vehicles for the postmodern inquiry into the nature of subjectivity. My thesis narrows the focus to those characters who attempt to ground themselves in works of art, especially representational paintings. I argue that, to cope with what they see as the chaos of a decentered postmodern world, these figures try to anchor their confused identities in what they wrongfully interpret as stable and mimetic artworks. Nostalgic for an imagined past when representation was transparent and corresponded to reality, they believe that traditional figurative art offers the promise of cohesive meaning …