Arts and Humanities Commons^™

Retrieving Images From Tarnished Daguerreotypes Using X-Ray Fluorescence Imaging With An X-Ray Micro Beam With Tunable Energy, Tsun-Kong Sham, Y. Zou Finfrock, Qunfeng Xiao, Renfei Feng, Sarah Bassnet

Visual Arts Publications

We report recent observations using a synchrotron X-ray micro-beam to retrieve images from tarnished 19th century daguerreotypes. We confirm that high quality image can always be retrieved from tarnished plates using Hg Lα XRF as long as the bulk of the image particles and their distribution remains intact. We also report results from using tunable tender X-rays (2 - 7 keV) to conduct imaging in high vacuum at energy above the Ag L-edge and the Hg M-edge, extracting images using Ag Lα and Hg Mα, respectively among others (e.g., S to track corrosion). Images obtained with the surface sensitive total …

Experiential Learning Final Report: Ase Transition Leader & Fcff Filmmaker Concierge, Margaret Gleed

SASAH 4th Year Capstone and Other Projects: Publications

In her report, Margaret Gleed discusses her internships as an Academic Success and Engagement Transition Leader (ASE Leader) for Western University in the summer of 2021 and her Forest City Film Festival Filmmaker Concierge internship in the summer and fall of 2023.

Figures Of Radical Absence: Blanks And Voids In Theory, Literature, And The Arts, Alexandra Irimia

Languages and Cultures Publications

Although post-structuralism highlighted the importance of what is offstage, lost, forgotten, hidden or discarded, silent or silenced, the poetics and politics of absence (much like its ethics and aesthetics) have rarely been discussed across media and disciplines. This book proposes the concept of ‘radical absence’ to describe a certain tradition of resistance to ontology, predication, and representation, contesting their reliance on a metaphysics of presence. Apophatic speech, empty signifiers, and figural voids are some of the figures through which radical absence becomes apparent with unprecedented intensity in twentieth-century theory, literature, film, and the arts. Phantasmatic and outrageous, such figures play …

Photography And 21st-Century Migration, Sarah Bassnet, Blessy Augustine

Visual Arts Publications

No abstract provided.

Family, Diaspora, And The Politics Of Care In Griselda San Martin’S The Wall , 2015-16, Sarah Bassnet

Visual Arts Publications

This article examines a series of photographs by Griselda San Martin, a Spanish journalist and documentary photographer based in New York City and Mexico City. The series focuses on the experiences of people at Friendship Park, a bi-national park located in the border region of San Diego, United States, and Tijuana, Mexico. Working in Tijuana, San Martin engaged with families as they attempted to connect with loved ones across the border in San Diego. Many of the people she met at Friendship Park had become separated from family members after living as undocumented migrants in the US and then being …

Sasah Experiential Learning Final Report: Fcff Marketing Internship & Creative Writing Mentorship, Ahsif Khair Mohammad

SASAH 4th Year Capstone and Other Projects: Publications

In this report, Ahsif Khair Mohammad discusses his experiences as a marketing intern for the Forest City Film Festival in London, Canada, and undertaking a creative-writing project under the mentorship of a local writer.

Rescue Politics: Richard Mosse’S Thermal Imaging And The Containment Of Migration, Sarah Bassnet

Visual Arts Publications

This article focuses on a body of work by Mosse that includes the multichannel video installation Incoming, shown as a 52:12 minute three-channel video installation with 7.3 surround sound, and the photographic series Heat Maps (2015–2017) (Fig. 1). While Incoming concentrates on migration routes, Heat Maps portrays the architecture of refugee camps.4 I consider how the artist’s use of thermal imaging and his immersive mode of documentary complicates tropes used to represent migration. I reflect on the way Mosse’s artwork intersects with a long-standing interest by practitioners and theorists of film and photography in the idea of the camera as …

Youth In Policing Initiatives And The Forest City Film Festival, Gallus Mcintyre

SASAH 4th Year Capstone and Other Projects: Publications

This report details my EL experiences that took place throughout 2021. Firstly, I discuss my time as a coordinator in a program run by the Ottawa police called the Youth in Policing Initiatives program or the “YIPI” program. The YIPI program is a program for youth in high school and serves two main purposes: 1) to foster good relationships with the police and 2) to spark an interest in policing in youth. In this role, I helped out at a summer camp for underprivileged kids, as well as assisted my supervisors and police officers on group days which were different …

The Retablos Of Teabo And Mani: The Evolution Of Renaissance Altars In Colonial Yucatán, C. Cody Barteet

Visual Arts Publications

From the turn to seventeenth through the early eighteenth century, three retablos (altarpieces) were created in Yucatán that relied on a similar Renaissance design. The retablos located in the ex-convents of Mani and Teabo all adopt the Spanish sixteenth-century Renaissance style of the Plateresque. Further, the retablos are connected by the inclusion of caryatid framing devices that establishes a strong affinity among the works. Two of the retablos are located in Mani: the Retablo of San Antonio de Padua and the Retablo of Nuestra Señora de Soledad (or sometimes called the Dolores Retablo). At Teabo is the Retablo de Santa …

Depicting Absence: Thematic And Stylistic Paradoxes Of Representation In Visual And Literary Imagery, Alexandra Irimia

Languages and Cultures Publications

The article draws up an inventory of, and compares strategies for, the theoretical and critical treatment of the absence–presence interplay at stake in the literary and visual representations of absence. This brings to our attention a multiplicity of heterogeneous and, to a greater or lesser degree, marginal signify-ing phenomena that have in common patterns of disrupting and deviating from the standard conventions of creating and conveying meaning through figures of absence. Lacking a name for these disparate yet similar instances where meaning is created from empty signifiers, we have chosen to call them figural voids. This attempt to produce a …

What Moves You?: Georges Didi-Huberman’S Arts Of Passage And Pittsburgh Stories Of Migration, Alexandra Irimia

Languages and Cultures Publications

Contemporary art historian, critic, and theorist Georges Didi-Huberman thinks of images not as static objects, but as movements, passages, and gestures of memory and/or desire. For the French “historian of passing images,” as he has been called, “all images are migrants. Images are migrations. They are never simply local” (D2017). His book, Passer, quoi qu'il en coûte ("To Pass at Any Price"), co-written with the Greek poet and director Niki Giannari, takes on precisely the visual dynamics of passages, passengers, and passageways in the context of contemporary migration flows. In April 2018, only several months after the launching of the …

Cheenama The Trail Maker: An Indian Idyll Of Old Ontario Indigenous Ethnographic Films Of The 20th Century, Sarah Charette

SASAH 4th Year Capstone and Other Projects: Publications

Ethnographic films of the early twentieth century, intended to document and reproduce the cultural practices, living conditions, and identities of Indigenous populations, were often rife with colonial assumptions, staged events, abnormal or uncommon practices, and the active silencing of Indigenous perspectives. Cheenama the Trailmaker: An Indian Idyll of Old Ontario, produced in 1935 by the Canadian Museum of History, attempts to recreate the day-to-day life of an Algonquin family in pre-contact North America.

Beginning with a comparative analysis of the film itself, this essay uses empirical evidence from the Algonquins of Pikwakanagan to paint a picture of the accuracy …

Undocumented Migration And Political Community In Susan Meiselas's Crossings Photographs, Sarah Bassnet

Visual Arts Publications

In 1989, Magnum photographer Susan Meiselas (b. 1948) photographed irregular border crossings in southern California. At the time, it was relatively easy for undocumented migrants from Central America and Mexico to cross between ports of entry, even as there was growing pressure on American officials to address border security.1 One photograph in Meiselas’s Crossings series depicts a border patrol officer apprehending a migrant off the interstate near Oceanside (fig. 1). Two torsos fill the center of the image. The officer grasps the man’s clothing, propelling him toward the nearby vehicle. With heads cut off by the frame and backs turned, …

(Un)Filtered Females: Exploring The Changing Representation Of Women In Cigarette Advertising, 1920-1940, Sophia Belyk

SASAH 4th Year Capstone and Other Projects: Publications

Throughout the first half of twentieth century, the act of smoking transitioned from being an exclusively male to a predominantly female practice. Indeed, by the end of the twentieth century merely being female was considered a serious risk to developing a smoking habit. This cultural shift is reflected in contemporary cigarette advertising, in which women begin as attractive accessories to male smokers and gradually become depicted as smoking independently. These advertisements were actively engaged with the social worlds of the women they targeted, drawing upon their contemporary concerns and values, namely those of women’s liberation and an increased attention placed …

Terrorism And Its Legal Aftermath: The Limits On Freedom Of Expression In Canada’S Anti-Terrorism Act & National Security Act, Percy Sherwood

FIMS Publications

This analysis aims to demonstrate how s. 83.221 in Bill C-51 is likely to violate freedom of expression guaranteed under the Charter. The first section employs the two-step Irwin Toy analysis to show that the speech offense infringes upon s. 2(b) of the Charter. The second section uses the Oakes test to determine whether the breach of freedom of expression is a reasonable limit. On whether the speech offense can be justified under s. 1 of the Charter as a reasonable limit, the legislation fails at the third and fourth step of the Oakes test. Section three of this paper …

Indigenous Representation In Cinema, Nathaniel Ninham

Head and Heart Posters 2019

Indigenous people are underrepresented offscreen on film-sets, and misrepresented onscreen. This has always been true in cinema and progress towards proper representation has been incredibly slow.

This has effects both on Indigenous people, and how the rest of society views them. It limits career opportunities for Indigenous filmmakers, restricts Indigenous role models on film, and reinforces cultural misunderstandings in society.

Web.Isod.Es Cel, Aman Kular

SASAH 4th Year Capstone and Other Projects: Presentations

For her CEL, Aman interned at WEB.ISOD.ES in London, Ontario, working on producing a documentary discussing the recent implementation of Basic Income by the Conservative Provincial government. Aman learned valuable research skills and communications skills while working on this project and was excited to work in politics.

Experiential Learning At The Yee Hong Community Wellness Foundation, Vicky Qiao

SASAH 4th Year Capstone and Other Projects: Presentations

Vicky Qiao spent the summer of 2019 working at the Canadian not-for-profit Yee Hong Community Wellness Foundation, at the Yee Hong Centre for Geriatric Care. While there, Vicky coordinated fundraising events and event planning, and organized a mini-documentary series interviewing 8 individuals, including senior residents and staff, to unearth their immigration stories and experiences. Through this community engaged learning course, Vicky developed strong interpersonal, organizational, and problem-solving skills while engaging with a network of seniors to share their stories.

Replacement Of The Recorder By The Transverse Flute During The Baroque And Classical Periods, Victoria Boerner

2018 Undergraduate Awards

While the recorder today is primarily an instrument performed by school children, this family of instruments has a long history, and was once more popular than the flute. This paper examines when, why, and how the Western transverse flute surpassed the recorder in popularity. After an explanation of the origins, history, and overlapping names for these various aerophones, this paper examines the social and cultural, technical, and musical reasons that contributed to the recorder’s decline. While all of these factors undoubtedly contributed to this transition, ultimately it appears that cultural, economic, and technical reasons were more important than musical ones, …

Adoptability And Acceptability Of Peace Journalism Among Afghan Photojournalists: Lessons For Peace Journalism Training In Conflict-Affected Countries, Saumava Mitra

Media Studies Publications

In this article, I seek to inform Peace Journalism (PJ) edu­cation and training in conflict-affected countries in par­ticular. Based on a case study of the professional expe­riences of Afghan photojournalists, I offer insights into the acceptability and adoptability of PJ practice by jour­nalists from conflict-affected countries. I present six key findings of a larger study on Afghan photojournalists in this article and discuss the lessons they hold for PJ train­ing in conflict-affected countries. In sections 1, 2, 3, 4 and 5, I provide some important theoretical, contextual and methodological background. In section 6, I discuss three professional adversities faced by …

The Sounds Of Violence: Textualized Sound In Frank Miller’S Sin City And Batman: The Dark Knight Returns, Sam Boer

2017 Undergraduate Awards

Though graphic novels are slowly being accepted into the world of academic criticism, one fundamental aspect of the medium has been consistently ignored, dismissed, and ridiculed as a crude necessity: textualized sound. Visual onomatopoeias, most recognizably depicted as sound effects for gunshots, car chases, and the like, have a long history in the medium of comics. Though these textualized sounds may have originated as a device of necessity—a clumsy means of employing sound into a “mono-sensory medium” (to quote Scott McCloud)—the implementation of onomatopoeia in comics has become an integral device in defining an author’s style and heightening their work. …

Ubiquitous Media And Monopolies Of Knowledge: The Approach Of Harold Innis, Edward Comor

FIMS Publications

In this chapter, Innis’ approach to ubiquitous media will be outlined. It will focus on how and why such media influence taken-for-granted thinking in a given place and time. To explain, the concept “monopoly of knowledge” is applied to two ubiquitous media of Innis’ time: the price system and printing. In the first section, some background concerning the bases of his interest in media and monopolies of knowledge is provided. In the second, what might be called Innis’ approach to ubiquitous media is presented and this, in the third section, is demonstrated through the examples of the price system and …

Digital Refuse: Canadian Garbage, Commercial Content Moderation And The Global Circulation Of Social Media’S Waste, Sarah T. Roberts

Media Studies Publications

The story of a rogue Canadian garbage barge attempting to offload illegal garbage in the Philippines opens this article on techno-trash, in order to underline both the relationships between countries of the Global North with countries of the Global South in matters of waste, as well as to reframe discussions of techno-trash as one fundamentally tied to material things. The definition of techno-trash is then expanded, to cover digital detritus created through an entirely digital set of practices I term “Commercial Content Moderation.” The attempt to offload mounds of e-waste and the similar ways in which a great deal of …

Commercial Content Moderation: Digital Laborers' Dirty Work, Sarah T. Roberts

Media Studies Publications

In this chapter from the forthcoming Intersectional Internet: Race, Sex, Class and Culture Online (Noble and Tynes, Eds., 2016), I introduce both the concept of commercial content moderation (CCM) work and workers, as well as the ways in which this unseen work affects how users experience the Internet of social media and user-generated content (UGC). I tie it to issues of race and gender by describing specific cases of viral videos that transgressed norms and by providing examples from my interviews with CCM workers. The interventions of CCM workers on behalf of the platforms for which they labor directly contradict …

Through Google-Colored Glass(Es): Design, Emotion, Class, And Wearables As Commodity And Control, Safiya Umoja Noble, Sarah T. Roberts

Media Studies Publications

This chapter discusses the implications of wearable technologies like Google Glass that function as a tool for occupying, commodifying, and profiting from the bio- logical, psychological, and emotional data of its wearers and those who fall within its gaze. We argue that Google Glass privileges an imaginary of unbridled exploration and intrusion into the physical and emotional space of others. Glass’s recognizable esthetic and outward-facing camera has elicited intense emotional response, partic- ularly when “exploration” has taken place in areas of San Francisco occupied by residents who were finding themselves priced out or evicted from their homes to make way …

In/Visibility, Sarah T. Roberts

Media Studies Publications

In online life there is a normative supposition that the information- and image-rich environment of the web and other platforms should provide unfettered access to the circulation of all types of content. Less attention is paid to what is not seen, to the invisible—be it actual content that is rescinded, altered or removed, or the opaque decision-making processes that maintain its flow. In/visibility online is central to the intertwined functions/mechanisms of user experience and platform control, further operationalized under globalized, technologically driven capitalism. A digital labour phenomenon that is both responsible for it and relies upon it: is …

Display-Through-Foregrounding By Photojournalists As Self-Reflexivity In Photojournalism: Two Case Studies Of Accidental Peace Photojournalism, Saumava Mitra

FIMS Publications

This article explores media self-reflexivity as understood within Peace Journalism (PJ) in the case of photojournalists and photojournalism. Carrying forward the discussion started by Allan (2011) for research into ‘peace photography’ to be extended to ‘tacit, unspoken rules’ underlying photojournalistic images, the article shows, through two examples of mainstream news images, how photojournalists can and may break from diktats of ‘news values’ to advertently or inadvertently critique the myths of the very practice they function within. Such self-reflexive, synecdochic images which display media’s own role in covering conflict are examples from which PJ can take lessons for a new visual …

Heroes For The Helpless: A Critical Discourse Analysis Of Canadian National Print Media’S Coverage Of The Food Insecurity Crisis In Nunavut, Bradley Hiebert, Elaine Power

FIMS Publications

In northern Canada, the Inuit’s transition from a culturally traditional to a Western diet has been accompanied by chronic poverty and provoked high levels of food insecurity, resulting in numerous negative health outcomes. This study examines national coverage of Nunavut food insecurity as presented in two of Canada’s most widely read newspapers: The Globe and Mail (GM) and the National Post (NP). A critical discourse analysis (CDA) was employed to analyze 24 articles, 19 from GM and 5 from NP. Analysis suggests national print media propagates the Inuit’s position as The Other by selectively reporting on social issues such as …

Epic And Genre: Beyond The Boundaries Of Media, Luke Arnott

FIMS Publications

Noting the resurgence of popular and academic interest in epics across disparate media, this essay proposes a theory of the epic genre that transcends particular media and cultures. It seeks to reconcile discussions of the epic in Aristotle, G.W.F. Hegel, Georg Lukács, Mikhail Bakhtin, Erich Auerbach, and Northrop Frye, arguing that traditional definitions of epic narrative are instead subsets of a greater generic structure. The epic is, following Gregory Nagy and Franco Moretti, among others, a literary “super-genre” that encompasses as many other kinds of narrative as possible. The essay explains how epic narrative, disembedded from earlier oral poetry, is …

Greek At Chartres, William S. A. Dale

Visual Arts Publications

This study of the so-called Headmaster of the West Portals of Chartres Cathedral attempts to demonstrate that this sculptor was probably a Greek, as suggested by Revoil.

First, it describes the present setting of the West Portals, and reviews the evidence for their change in location. Next, it distinguishes between the hand of the Head Master and those of his associates in the carving of the column figures of all three doorways, and describes his illusionistic use of low relief and a form of linear projection in the Maiestas Domini of the central tympanum.

A brief demonstration of the difference …