Arts and Humanities Commons^™

On Reckoning, Kim Solga

Department of English Publications

How can settler-colonial subjects bear witness to survivors of Canada’s residential school system? Kim Solga attends ARTICLE 11’s Reckoning at the Theatre Centre and asks questions about the strategies it uses to bring audiences into the conversation about truth and reconciliation.

Representing Modern Female Villain: On Feminine Evil, Perverse Nationhood, And Opposition In Rómulo Gallegos’ Doña Bárbara And Salman Rushdie’S Midnight’S Children, Barbara Guerrero

Electronic Thesis and Dissertation Repository

This thesis aims to contribute to the scholarship on modern female villainy by further exploring the ways in which 20^th century female villains are represented as well as the functions they carry out in the text. In this study, I look at Rómulo Gallegos’ doña Bárbara from Doña Bárbara (1929) and Salman Rushdie’s Indira Gandhi from Midnight’s Children (1981). I argue that both villains are a combination of already-existing forms of evil in more recognizable contexts as well as a rejection of and opposition to modern values. Firstly, I examine how the villains both conform and resist the formula …

Saturnine Constellations: Melancholy In Literary History And In The Works Of Baudelaire And Benjamin, Kevin Godbout

Electronic Thesis and Dissertation Repository

Aristotle famously asked the question: why are extraordinary people so often melancholics? “Problem XXX,” written by Aristotle or one of his disciples, speculates that black bile, the humour once believed to cause melancholy, can promote a form of genius, a profound intellectual power. Walter Benjamin and Charles Baudelaire are two writers for whom this theory was true: though they suffered from gloominess and despondency, they also recognized that in the interior of sadness, and even madness, is a kernel of aesthetic, artistic, and philosophical truth. Melencolia illa heroica – whose theory was authoritatively formulated by Ficino, taking after Aristotle’s Problems …

Organizations Of Knowledge About The Orient In German And British Romanticism 1780-1820, Naqaa Abbas

Electronic Thesis and Dissertation Repository

This dissertation examines the various literary modes in which German and British Romantic literature and culture organize knowledge about Islam and the Middle East. I explore how the Orient exceeds and troubles the “place” it is given in a historical and geographical classification systems. I argue that many Romantic writers challenge the constructedness of the Oriental narrative during their time, thus questioning what really constitutes knowledge and the limits of knowledge. In this context, I re-evaluate Edward W. Said’s socio-historical generalizations regarding Orientalism as a form of Western control over the East. While studies on Romantic Orientalism have focused on …

Of The Last Verses In The Book: Old Age, Caregiving, And Early Modern Literature, Emily M. Sugerman

Electronic Thesis and Dissertation Repository

This dissertation examines the representation of old age in the textual representations of the centenarian Thomas Parr, including verse by John Taylor; in The Old Law by Thomas Middleton (and others); and in four plays by William Shakespeare, King Lear, As You Like It, and 1 and 2 Henry IV. This examination shows how old age in the early modern period exceeds chronological and numerical definitions and is instead a contested social construction. By historicizing the representation of early modern old age and also by tracking its changing representation throughout Shakespearean reception history, this dissertation argues that …

"The Sense Of An Ending": The Destabilizing Effect Of Performance Closure In Shakespeare's Plays, Megan Lynn Selinger

Electronic Thesis and Dissertation Repository

What makes a good ending? How do we know when something ends? In performance, it is difficult to characterize that nebulous and highly subjective — yet nonetheless theatrically powerful — “sense” of an ending. Previous scholarly work on Shakespearean endings, even when emphasizing performance, has largely focused on understanding endings from a narrative viewpoint, questioning how endings reach textual closure. These works examine the lingering questions or problems at the end of Shakespeare’s texts, and discuss how performance tackles these issues.

This dissertation takes performance as its starting point. It argues that Shakespearean performance endings naturally trouble textual conclusiveness, as …

Rhetorical Ductus In Chaucerian Ekphrasis, Emily Laura Pez

Electronic Thesis and Dissertation Repository

My thesis investigates how the rhetorical device of ekphrasis functions in Geoffrey Chaucer’s poetry, specifically The Book of the Duchess, The Parliament of Fowls, The House of Fame, and The Knight’s Tale. I argue that Chaucer’s ekphrases incorporate medieval memory techniques, which connect the ekphrases integrally to their respective texts. Chaucer’s early uses of ekphrasis in The Book of the Duchess and The Parliament of Fowls guide the audience’s interpretation and therefore contribute to the ductus, defined by Mary Carruthers as the text’s “overall direction” (“Concept of Ductus . . .” 196). In the …

For The Progress Of “Faustus And Helen”: Crane, Whitman, And The Metropolitan Progress Poem, Jeremy Colangelo

Department of English Publications

This essay is meant to invigorate a critical discussion of the progress poem—a genre that, while prevalent in American literature, has been virtually ignored by critics and scholars. In lieu of tackling the genre in its entirety, a project too large for just one article, the author focuses the argument through the well-known alignment between Walt Whitman and Hart Crane on the subject of the modern city. It is through the progress poem genre that Crane and Whitman’s peculiar place in metropolitan poetics can best be understood, and it is through their poetry that scholars can begin to approach the …

Reclaiming The Female Melancholic Artist In Charlotte Smith’S Elegiac Sonnets, Emily Denommé

2016 Undergraduate Awards

Charlotte Smith is often considered a proto-Romantic poet, and her Elegiac Sonnets a precursor to the Romantic poetry of the next century. However, Smith’s Elegiac Sonnets is also heavily influenced by late-eighteenth century currents of thought, most especially the cult of sentiment that had extreme literary significance in the later decades of the eighteenth century. Additionally, changing perceptions of the melancholic artistic genius as a specifically male figure meant that Smith, as a poet for whom melancholy in Elegiac Sonnets was a central element of her artistry, had to demonstrate her claim, as a woman, to the space of the …

Faustus’ England: Marlowe’S Representation Of Individualism And Spiritual Authority In Elizabethan England In The Tragical History Of Doctor Faustus, Andrea Holstein

2016 Undergraduate Awards

This paper explores Christopher Marlowe’s representation of individualism and his criticism of spiritual authority in Elizabethan England as presented in Doctor Faustus. Current Marlovian scholarship focuses on the question of how Marlowe’s consideration of the pressing doctrinal questions of his day were used to advance the narrative of Doctor Faustus. The goal of this paper, however, is to demonstrate that Doctor Faustus is first and foremost a subversive commentary on the religious climate of Marlowe’s day. This analysis of Marlowe’s attitude regarding the religious authorities—both doctrinal and institutional—of this period was accomplished by examining the representation of religious beliefs …

Literary Amplification: Jon Krakauer's Use Of Intertextual References In Into The Wild And Their Role In The Mccandless Phenomenon, Wyatt Merkley

2016 Undergraduate Awards

In the summer of 2013 alone, twelve hikers had to be air-rescued off the remote Stampede Trail in the Northern Alaskan wilderness. The route is not particularly accessible or particularly beautiful, and it covers twenty-two miles of soggy, bug-infested, beaver-ponds and muskeg. Throughout the year, powerful rivers of glacial snow-melt cross the path; only in the winter and early spring is it even remotely safe or easy to follow the trail. In her 2013 essay “Chasing Alexander Supertramp,” Eva Holland quotes one Alaskan woman who, shaking her head, pronounced “of all the places you could hike in Alaska…” Yet each …

Beyond Borders: Nature, Revelation, And Identity In Atwood’S Surfacing, Emily Denommé

2016 Undergraduate Awards

Margaret Atwood’s Surfacing studies the effects of the delineation of identity at a time in Canadian history where the question of Canadian national identity was evolving, becoming a marker that was more clearly defined and more consciously sought out by Canadian artists and citizens. Atwood’s novel can be considered in light of these historical developments, but Surfacing’s interest in the establishment of borders of exclusion and inclusion is not an affirmation of the positive effects such identifiers can bring. Instead of the perhaps typical celebration of the collective identity that such group identifiers as nationality can bring, this novel reveals …

Food Figures At The Forks: The Intersection Of Feminist And (Post)Colonial Politics Of Food Imagery In Kiran Desai’S The Inheritance Of Loss, Maryam Golafshani

2016 Undergraduate Awards

In Culinary Fictions: Food in South Asian Diasporic Culture, Anita Mannur argues that food offers ‘an alternative register through which to theorize gender, sexuality, class, and race’ in literature by and about the South Asian diaspora. The use of food in these texts is not merely a figurative flourish, but rather an ‘important vector of critical analysis in negotiating the gendered, racialized, and classed bases of collective and individual identity’ of South Asian bodies. Food is always already political; it must not merely be tasted, but must be read in terms of how it (re)presents and (re)produces intersecting power differentials. …