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Architectural Representation And The Dragon’S Lair In Beowulf, Margaret Heeschen
Architectural Representation And The Dragon’S Lair In Beowulf, Margaret Heeschen
Masters Theses
Since the early twentieth century, the dragon’s lair of Beowulf has been primarily associated with the early megalithic mounds of northern Europe. This interpretation of the space, however, does not account for the many contradictions present in the poet’s descriptions. In order to fully understand the quiddity of the dragon’s lair, we must resolve three major issues with previous interpretations: the use of rare words with unclear meanings, contradictions in descriptions of the physical space, and an assumption by scholars that the poet is describing a single type of space identifiable in the historical record. By addressing each of these …
An Analysis Of The Metal Finds From The Ninth-Century Metalworking Site At Bamburgh Castle In The Context Of Ferrous And Non-Ferrous Metalworking In Middle- And Late-Saxon England, Julie Polcrack
Masters Theses
This thesis opens with an investigation of the evidence for blacksmithing and non-ferrous metalworking in Anglo-Saxon England during the Middle- and Late-Saxon periods, c. 700-1066. The second chapter of this thesis focuses on knives and non-ferrous strap-ends during this period in order to discern any regional distinction in metalworking from the Anglo-Saxon kingdom of Northumbria. I initially conjectured that Northumbrian knives and strap-ends would show stylistic differences from knives and strap-ends made in other Anglo-Saxon kingdoms, but in this chapter, I conclude that Northumbrian metal objects were homogenous with the assemblages from the remaining kingdoms. In the final chapter of …
“Clamor Validus” Vs. “Fragilitas Sexus Feminei”: Hrotsvit Of Gandersheim On The Agency Of Women, Caroline Jansen
“Clamor Validus” Vs. “Fragilitas Sexus Feminei”: Hrotsvit Of Gandersheim On The Agency Of Women, Caroline Jansen
Masters Theses
Hrotsvit of Gandersheim has generated interest among scholars of gender and sexuality due to her status as a woman and writer of Latin legends, epics, and plays in the Ottonian Empire. As the only prominent female playwright of her time, Hrotsvit presents an intriguing, complex treatment of female characters and their sexuality, particularly her plays, which rework both well-known lives of female saints and the tropes of the Roman playwright Terence’s comedies. One issue that has not been fully addressed, however, is the gendering of the heroines populating Hrotsvit’s plays—while some scholars refer to the characters as “overcoming femininity” others …