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Full-Text Articles in Arts and Humanities
Mal_Functions For String Quartet And Live Electronics, Elliott Andrew Lupp
Mal_Functions For String Quartet And Live Electronics, Elliott Andrew Lupp
Masters Theses
Mal_Functions is a four-movement work for string quartet and live electronic that takes as its subject the timbrally rich and expansive acoustic capabilities of a string quartet and twists, warps, and expands upon them with the addition of the live electronic processing. The addition of electronics acts as only an extension of the performer, and therefore, appears to be generated by the performers themselves - as opposed to the computer. The overall goal of this piece is to take a well-established object of the musical past (the string quartet) and add to it something from the present day (live electronic …
String Quartet, Brut, Bernie Walasavage
String Quartet, Brut, Bernie Walasavage
Masters Theses
l’Art Brut , also commonly referred to as “outsider art,” is comprised of a variety of visual media by untrained or mentally ill artists. The string quartet is subtitled this because it takes inspiration from the work of these artists; with its jagged edges, vibrant colors, and horrid scenes, there is an organic beauty inherent in such eclectic and divergent art. Another factor which drew me to the artwork of the mentally ill was the commonality of Kenophobia: an abnormal fear of empty spaces. Schizophrenic, Swiss artists, Adolf Wölfli (18641930) and Aloïse Corbaz (18861964) were noted for suffering this phobia …
A New Kind Of National: Modified String Quartet Practices In Post-Soviet Eurasia, Adam Taylor Lenz
A New Kind Of National: Modified String Quartet Practices In Post-Soviet Eurasia, Adam Taylor Lenz
Masters Theses
This thesis examines the practices of string quartet modification implemented by three post-Soviet Eurasian composers: Franghiz Ali-Zadeh (Azerbaijan), Vache Sharafyan (Armenia), and Dmitri Yanov-Yanovsky (Uzbekistan). After an introduction to the geography of the region and the biographies of the composers, their works containing modified string quartet configurations are examined within three distinct modification practices. These practices consist of the addition of outside instruments, the addition of electronic components, and the alteration of performance practice. The evaluation of these techniques is carried out through musical analysis and examination of cultural context. After each work has been examined, the body of works …