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Concerto For Marimba And Orchestra, Scott Blasco

Masters Theses

The Concerto for Marimba and Orchestra is a three-movement work in the traditional concerto form. The first movement is roughly Sonata-form, the second movement is in essence a set of variations on two mutually derivative melodies over an almost constant rhythmic motive of five eighth-notes, and the third movement is a short through-composed finale based on a quirky, angular melody. The tonal scheme of the concerto is fairly traditional, in that the outer two movements focus on an 'A' tonal center, while the slower middle movement is based on an 'E' tonality. Quintal, extended and added-tone tertian, and mixed cluster-based …

Two Chinese Festivals, Peng (Pamela) Chen

Masters Theses

Two Chinese Festivals is a music piece written for a chamber-sized orchestra. The first movement Kite Festival is a traditional Chinese celebration in which people give thanks that the spring is coming. The second movement Lantern Festival is an event run on the fifteenth day of Chinese New Year. People make many varieties of Lanterns that represent different ancient Chinese tales. Then the lanterns are displayed on all the city streets.

Steamboat Passenger Ferries In Nineteenth Century London: A Cultural Survey, Jennifer Wohlberg

Masters Theses

Traditionally, steamboats and their history have belonged to the area of antiquarians. Many sources in my bibliography focus on the design and use of the boats and neglect the social and cultural impact the boats had on mid-Victorian London life. Steamboats, however, were an important transportation system in mid-Victorian London, so that a study of steamboats can provide an insight into mid-Victorian times. In this thesis, I will place steamboat design construction and use in the context of the social and cultural worlds of mid-Victorian London and the River Thames.

The results of my research yielded a thesis describing the …

As The Ruin Falls, Luke Dahn

Masters Theses

As the Ruin Falls is a two-movement work scored for full orchestra, augmented with bass clarinet, piano, and three percussionists. Though the title comes from a poem written by C.S. Lewis, it is in no way is a programmatic representation of the poem's content. Furthermore, the programmatic "scenes" in the second movement do not relate to the poem. The title was selected only to signify the work's rather ominous character.

The primary musical building block for the entire work is a four-note chord whose construction is symmetrical - two minor thirds separated by a perfect fourth: C-Eb-Ab-Cb (or B). The …

From Snakes To Meaning: Interpretation And Explanation Of Traditional Sub-Saharan African Religious Ethnographic Data, Joel Mort

Masters Theses

Concerns about accepted approaches to ethnographic data have arisen in terms of how scholars attempt to explain and interpret the formation, transmission, and persistence of seemingly bizarre religious ideas and practices. I would like to suggest a new way to make sense of ethnographic data regarding religious thought and action.

My contention is that the explanatory and interpretive methods employed by the majority of religion scholars are mistakenly and unknowingly informed by intuitive background theories. As a result of using intuitive assumptions rather than an established scientific theoretical tradition as the basis for interpretive inference the conclusions offered by these …