Arts and Humanities Commons^™

Melting, Dripping, Becoming: The Operations Of Memory From The Perspective Of Wax, Naomi Yu

Bachelor of Fine Arts Senior Papers

In my thesis, I explore how different compositional and material techniques are used to re-create a memory. Looking at artists such as Kiki Smith, Guadalupe Maravilla, and Anselm Keifer, I investigate the ways in which they utilize 2D and 3D materials to re-create feelings of memory.

I argue that the art object can conserve and portray memory through metaphorical acts of preservation. I will be specifically studying the acts of encasing and layering as a means to simulate the feelings of memory. I argue that these metaphorical actions create an artificial sense of time that imbues these objects with created …

Forget Us Not, Jamie Harris

MFA in Visual Art

I create because I mourn, to seek comfort in the knowing and sharing of Suppressed Histories, and to find joy in the rediscovering of lost stories. I create the vessel, which for me is akin to the human body. A form containing memories, wisdom, a soul, and a space for transportation between plains. I paint to capture moments in times of joy and sorrow. To make memoriam, I pay homage to past, present, and future.

Sad Socks Without Sole Mates, Shaelee Comettant

Bachelor of Fine Arts Senior Papers

Portrait of A Hundred Heartbreaks is a series that uses the unmatched sock as a symbol to speak about the experience of losing and grieving a relationship. Positioned as a series of memorials, the project facilitates spaces for viewers to bring their own life experiences to the project as well as empathize with those presented in the series. The use of the unmatched sock, an inanimate object, allows for it to be projected onto and melded into the specific and individualized narratives that viewers bring to the works. In its ability to access a level of specificity for each viewer, …

The Hidden Power Of Images: An Allegory Of Chaos And Performance In The Digital Age, Livia Xandersmith

MFA in Visual Art

Within this text, I explore the hidden power of images in American visual culture through painting-based installations. I investigate images of the past and present juxtaposed in a surrealist landscape. Through the use of images in the news, entertainment, advertising, and images within the home, I depict how the problems of the past bleed into our perceptions of the present. I find that this cycle of problem inheritance connects us as humans regardless of time, generation, and place. In my work, I explore the complexity of image culture and its shifting presence within the digital age. Using surrealist collage, I …

The Counter-Discourses Of Fictional And Autofictional Contemporary German Refugee Narratives: The Slow Violence Of Postponement, Bethany Morgan

Arts & Sciences Electronic Theses and Dissertations

Whereas the public discourses surrounding refugees encompass notions of legitimacy and proving the need for asylum, potential for an individual to enact violence on the host community or country as well as integration and standards for measuring individual integration, the discourse and language used by the refugee figures themselves focuses on issues of self-representation, loss and various wrongs done to themselves. These fictional and autofictional texts position the refugee figure in light of their identity, their loss(es) and the ways they have endured wrongdoing to their physical persons either through violence and imprisonment or through overly rigorous or disorganized bureaucratic …

Sculpture As Memoir, Tirzah Reed

Bachelor of Fine Arts Senior Papers

Questions guide my art practice, so they naturally guide the structure of this thesis.

Remember?

If I remember, what then?

What makes a memoir?

What is the work made of?

Nouns and adjectives—why have both?

What’s the role of sound?

How does the form of installation relate to memoir?

How do we take an installation from situation to story?

What happens in the studio?

What gets me to the studio in the first place?

What matters?

Objects have power. They hold the histories of their owners—or if they have not had previous owners, they at least carry the connotations of …

Unraveling Memory Through Childhood Relics, Franchesca Rousseas

Bachelor of Fine Arts Senior Papers

The formation of memory is a universal experience that occurs at an individual level. Memory is intangible and abstract, but it can be tied to physical objects such as photographs. These objects may remain the same throughout the course of our lives, but our memories are subject to change. Information is inevitably lost or altered over time, as our minds are more pliable than they are rigid. These alterations result in the desire to reconstruct and reinterpret past events given the information that is still accessible. Focusing on objects of domesticity that trigger childhood memories, I reveal how the act …

Deconstructing The Present || (Re)Constructing The Past, Hugh Hoagland

Bachelor of Fine Arts Senior Papers

Though we live only in the present, our every experience will eventually fade into the depths of memory. Deconstructing the Present || (Re)constructing the Past introduces my artist practice on a broad level, one that is preoccupied by the difference between present experience and its memory, as well as the ways we weave memory into the physical environments of architecture and material objects. This thesisestablishes a specific signal memory for the body of work, the memory of a structure that, for a brief time, was a sanctuary for myself and many others. The paper then follows the arc of …

Mind In Hand, Anna Olson

Bachelor of Fine Arts Senior Papers

This thesis explores the intersection of art and psychology as it manifests in my art practice, particularly in the medium of weaving. The contemporary frameworks of memory and archive provide the basis of this discussion, as well as findings from the field of Art Therapy. Difficult emotions like loss and grief often show up in my work, and I will discuss how artists like Felix Gonzalez-Torres and Sophie Calle also utilize these concepts. In weaving, I capture my internal mental states, memories, and perceptions of the future in a variety of found and gifted objects. Guided by the precedents set …

Inspiring The Nation: French Music About Jeanne D'Arc In The 1930s And 1940s, Elizabeth Dister

Arts & Sciences Electronic Theses and Dissertations

This dissertation, a cultural history of interwar and wartime France, investigates the wealth of music dedicated to Jeanne d'Arc during the tumultuous 1930s and 1940s. Jeanne d'Arc's status as an ambivalent symbol of French nationalism allows a novel appraisal of both the music of this period and its larger historical issues: the formation of French national identities, how music is used to convey contradictory political ideologies, and how music participates in both collaboration and resistance during periods of unrest. Relying on extensive archival research, this project investigates an unusually varied cross-section of musical activity in France during the 1930s and …

The German Jewish Post-Holocaust Novel: Narrative And A Literary Language For Loss, Corey Lee Twitchell

Arts & Sciences Electronic Theses and Dissertations

This dissertation investigates how a constellation of German Jewish post-Holocaust novels confronts the paradox of recovering and recuperating lost stories of Holocaust victims. I analyze how works by Edgar Hilsenrath, Jurek Becker, and Fred Wander reveal a preoccupation with the innumerable stories and testimonies of the individuals who did not survive the Nazi Judeocide to contribute to the archive of experience. These novels gesture toward an epistemological alternative to this loss: they consider possibilities for recovering the unarchivable. These German Jewish authors employ a particular cluster of varied narrative strategies: the dialogic, linguistic and cultural elements of Eastern European Jewish …

Stories In Mind – The Relationship Between The Narratological Categories Of Order And Time And The Reader’S Cognitive Structures As Exemplified In Büchner’S Play Woyzeck, Marc Breetzke

Arts & Sciences Electronic Theses and Dissertations

No abstract provided.