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Full-Text Articles in Arts and Humanities
Power Of The Korean Film Producer: Dictator Park Chung Hee's Forgotten Film Cartel Of The 1960s Golden Decade And Its Legacy, Ae-Gyung Shim, Brian Yecies
Power Of The Korean Film Producer: Dictator Park Chung Hee's Forgotten Film Cartel Of The 1960s Golden Decade And Its Legacy, Ae-Gyung Shim, Brian Yecies
Faculty of Arts - Papers (Archive)
After censorship was eliminated in 1996, a new breed of writer-directors created a canon of internationally provocative and visually stunning genre-bending hit films, and new and established producers infused unprecedented venture capital into the local industry. Today, a bevy of key producers, including vertically integrated Korean conglomerates, maintain dominance over the film industry while engaging in a variety of relatively near-transparent domestic and international expansion strategies. Backing hits at home as well as collaborating with filmmakers in China and Hollywood have become priorities. In stark contrast to the way in which the film business is conducted today is Korean cinema’s …
Contemporary Korean Cinema: Challenges And The Transformation Of ‘Planet Hallyuwood’, Brian Yecies, Ae-Gyung Shim
Contemporary Korean Cinema: Challenges And The Transformation Of ‘Planet Hallyuwood’, Brian Yecies, Ae-Gyung Shim
Faculty of Arts - Papers (Archive)
This article examines how the South Korean cinema has undergone a transformation from an ‘antiquated cottage industry’ in the 1980s into a thriving international cinema – albeit with a host of new challenges and tensions – in the ‘post-boom’ years of the 2000s right up to the present. Its analysis of film culture in the 1980s sets the stage for the Korean cinema’s transnational development over the last decade, and points to a longer historical continuum involving the ‘re-emergence’ in the 1980s of a ‘cinema of quality’ that was marked by widespread critical acclaim. Additionally, this article canvasses the key …
Cinematic Hooks For Korean Studies: Using The ‘Apache’ Framework For Inspiring Students About Korea In And Through Film, Brian M. Yecies, Ben Goldsmith
Cinematic Hooks For Korean Studies: Using The ‘Apache’ Framework For Inspiring Students About Korea In And Through Film, Brian M. Yecies, Ben Goldsmith
Faculty of Arts - Papers (Archive)
Developing awareness of and maintaining interest in Korea and Korean culture for non-language secondary and tertiary students continues to challenge educators in Australia. A lack of appropriate and accessible creative and cultural materials is a key factor contributing to this challenge. In light of changes made to ‘fair use’ guidelines for the Digital Millennium Copyright Act in the United States in July 2010, and in order to prepare for a time in the near future when Australian copyright regulations might follow suit, this article offers a framework for utilizing film and digital media contents in the classroom. Case studies of …
Post-Burden Or New Burden Korean Cinema?: Outside Looking In At The Latest Golden Age, 1996-?, Brian M. Yecies
Post-Burden Or New Burden Korean Cinema?: Outside Looking In At The Latest Golden Age, 1996-?, Brian M. Yecies
Faculty of Arts - Papers (Archive)
This work-in-progress examines the paradoxical nature of what I call Koreas post-burden cinema a present-day film industry that has survived Japanese colonialism, American occupation, civil war, prolonged dictatorship, rapid industrialization, economic crisis and severe censorship. For nearly a century filmmakers have learned and practised their trade under these challenging social, political, cultural, economic and industrial constraints, and outlived them. This paper uses a case study of The President's Last Bang to illustrate the divergent freedoms that have enabled representative commercial, art-house, independent and animation filmmakers to transcend national and cultural borders by telling previouslyforbidden stories and breathing a universal but …
Reading Korean Stardom: Number 3 And The Reel, Real And Star Transformation Of Song Kang-Ho, Brian M. Yecies
Reading Korean Stardom: Number 3 And The Reel, Real And Star Transformation Of Song Kang-Ho, Brian M. Yecies
Faculty of Arts - Papers (Archive)
This article focuses on Number Three and attempts to provide a window of understanding of Song Kang-Ho and the development of his artistry, which became crystallized in the early part of his filmmography. Number Three is an important film because Song Kang-Ho’s recognition and popularity began to spread after his performance in it. However, to date, few scholars have methodically explored and analyzed the transformation of his persona. Over the last seven years Song has appeared in some the most popular films as well as on the covers of numerous issues of Cine21 and Filml.O, two of Korea’s largest film …
Hurray For Pusan And The Korean New Wave!, Brian M. Yecies, Aegyung Shim Yecies
Hurray For Pusan And The Korean New Wave!, Brian M. Yecies, Aegyung Shim Yecies
Faculty of Arts - Papers (Archive)
For nine days in November 2001 (9th-17th), the 6th Pusan International Film Festival (PIFF) rocked the seaside city of Pusan. A record 659 industry guests from 30 countries, 3100 official Korean guests, and more than a hundred thousand moviegoers filled the seats of 332 completely sold-out, or near sell-out screenings in 15 different theatres. Thousands and thousands of curious festival fans filled the small streets and alleyways in the Downtown-Nampodong festival area, enjoying the stars, lights, cameras, and all of the promotional PIFF booths and kiosks. A total of 126,613 paid tickets were sold to 201 films from 60 countries, …
Korean Post New Wave Film Director Series: Kim Ki-Duk, Brian M. Yecies, Aegyung Shim Yecies
Korean Post New Wave Film Director Series: Kim Ki-Duk, Brian M. Yecies, Aegyung Shim Yecies
Faculty of Arts - Papers (Archive)
Shortly after the release of his new film Bad Guy (Korea 2001), KIM Ki-Duk announced that he was not giving any more interviews. He took a vow of silence, because many of his critics had been criticizing him. I decided to ask him for an interview anyway. He accepted my invitation right away. I reviewed his website (www.kimkiduk.com), which includes my harsh criticism about his films, and I read his past interviews. There were 21 interviews and 37 reviews about his new film Bad Guy. I printed 184 articles written by his fans and harsh opponents and read them randomly.