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Full-Text Articles in Arts and Humanities

"If The Shoe Fits:" The Evolution Of The Cinderella Fairy Tale From Literature To Television, Margaret L. Lundberg Apr 2013

"If The Shoe Fits:" The Evolution Of The Cinderella Fairy Tale From Literature To Television, Margaret L. Lundberg

Global Honors Theses

More than a millennium after the earliest-known version was committed to text, fairy tales continue to occupy our bookshelves and airwaves. The current popularity of fairy tale-based television programs such as Grimm and Once Upon a Time offer continued proof that the appeal of these tales is not lost on 21st century audiences. Beginning with the rise of fairy tales in the ancient cultures of China and India, this paper will follow their journey through Asia, long before these tales reached their traditionally recognized European birthplace. In this examination of the multicultural variations of a single tale—the Cinderella story—we …


Representations Of The African Diaspora In Three Films, Monica C. Melton Apr 2013

Representations Of The African Diaspora In Three Films, Monica C. Melton

Global Honors Theses

This thesis will examine how the African diaspora has been depicted in filmic text, from directors representing distinctly different loci of the diaspora, in Brazil, Nigeria and the United States. Film is one of many modes of expression for a culture that is based on representations. “For many people, media representations maybe their first and often only source of information about, or reference for people outside of their social and cultural circles, “(James, etc., 354) The scope of this thesis will specifically examine diasporic representation in The Journey by Chineze Anyaene, a Nigerian director of ‘Nollywood’, Walter Salles’ “City of …


Transnational Influence In The Poetry Of Sarah Piatt: Poems Of Ireland And The American Civil War, Amy R. Hudgins Apr 2013

Transnational Influence In The Poetry Of Sarah Piatt: Poems Of Ireland And The American Civil War, Amy R. Hudgins

Global Honors Theses

Sarah Piatt, a recently recovered nineteenth century poet, is best known, where she is known at all, as an American poet. While this label is certainly appropriate, it should not obscure Piatt’s decidedly international focus, or more precisely, her transnational focus, especially in regard to Ireland. Piatt’s verse, considered by some to be the best poetry of her time second only to the work of Emily Dickinson, is remarkable for its quantity and breadth, but more importantly, for its subversive use of genteel style. Though her poems are generally divided into four overlapping categories, the two thematic classes of her …