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Full-Text Articles in Arts and Humanities
The Mexican Identity And Music: Audioscapes And The Transnational Death Metal Band Brujeria, Michael D. Mena
The Mexican Identity And Music: Audioscapes And The Transnational Death Metal Band Brujeria, Michael D. Mena
Theses and Dissertations - UTB/UTPA
The California-based Mexican-American “activist” metal band Brujeria, uses a powerful, yet conflicting, blend of nihilism, anarchism, and racism with a dose of hyper-patriotism in its attempt to convey the voice of oppressed Mexicans on both sides of the border. While it is uncertain whether or not Brujeria is intentionally political, their live performances and song lyrics are highly critical of both the U.S. and Mexico regarding immigration policy, border-crossing, and other issues which have resonated among an international audience. In this paper I explore the conflicting notions of space, performativity, binationality and U.S. Mexico relations within the context of Brujeria …
Life Stories Of Four Conjunto Musicians: Adding To The Culturally Relevant Curriculum Of The Rio Grande Valley Schools, Andres Martinez
Life Stories Of Four Conjunto Musicians: Adding To The Culturally Relevant Curriculum Of The Rio Grande Valley Schools, Andres Martinez
Theses and Dissertations - UTB/UTPA
This study examines music and culture and their importance in the learning process. As early as 1838, Horace Mann and later John Dewey (1916), Tim Brophy (1992) and others were expounding the benefits of music as a necessary element of the school curriculum. Julio Cammarota (2008), Geneva Gay (2000), Alan Singer (1994), Banks and Banks (1989) and others have argued for the importance of culture in the curriculum to enhance learning. Both elements have a unique place in the school curriculum. A brief history of the genre is presented beginning with the early years (mid 1800s), the development years (early …
After “Borderlands” The Making Of An Academic Chola: Poems, Veronica Sandoval
After “Borderlands” The Making Of An Academic Chola: Poems, Veronica Sandoval
Theses and Dissertations - UTB/UTPA
This poetry collection is by a Mexican American spoken word, performance poet, Lady Mariposa, from Sullivan City turned Chican@ feminist after coming to terms with her mestizaje through Gloria Anzaldúa’s Borderlands La Frontera: The New Mestiza. In Lady Mariposa’s journey as an “Academic Chola,” the term “chola” articulates her Chican@ identity and creates a new space in academia by using “chola” as a hybrid of identity and style in the formation of her poetics. Her poetry can also be called pocho, pocha, Tex-Mex and code switches. She is inspired by Chican@ literature and history, lowriders, cholo culture, cholas, jazz, hip …