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Full-Text Articles in Arts and Humanities
Supporting Characters: Prosthesis And Aesthetic Technologies Of Disability In The Victorian Novel, Rebecca L. Mccann
Supporting Characters: Prosthesis And Aesthetic Technologies Of Disability In The Victorian Novel, Rebecca L. Mccann
Doctoral Dissertations
This dissertation investigates the production of physical disability and the function of prosthesis in nineteenth-century British fiction. My intervention in disability studies readings of Victorian literature attends to the prosthetic object and prosthetic body not only as the dual products of medicine and art, but also as catalytic elements of fiction and culture. I read reciprocal developments in medical technology and disabled characterization in the Victorian novel to demonstrate how the artistic translation of the prosthetic object effected a set of criteria for defining people through both bodies and things and, in so doing, revealed the ways in which the …
Temembe And Sven: The Ethics Of Racist Mirth, Stephen Wilke
Temembe And Sven: The Ethics Of Racist Mirth, Stephen Wilke
Masters Theses
You walk past a crowd of people at a bar, grouped around one person. He’s in the middle of telling a joke, the kind you wouldn’t tell your parents but is often told in the amenable company of close friends. You realize that the butt of the joke, the punchline, assumes that people of color are lazy and entitled. This is not an assumption you agree wit, but you find yourself with a feeling of mirth while scoffing at the comedian. His timing is well executed, and the turn of phrase is witty. The joke was racist, and yet emotionally …
Sketches, Impressions And Confessions: Literature As Experiment In The Nineteenth Century, Andrew Ragsdale Lallier
Sketches, Impressions And Confessions: Literature As Experiment In The Nineteenth Century, Andrew Ragsdale Lallier
Doctoral Dissertations
In this dissertation, I argue for the existence and critical relevance of a program of experimental literature in the long nineteenth century, developed in the aesthetics of German Romanticism and adapted in a set of texts by Thomas De Quincey, Charles Dickens and George Eliot. My introduction positions this argument in context of larger debates concerning form, theory and literary capacity, provides points of connection between these authors, and outlines the most prominent features of experimental literature. In the first chapter, I present an unorthodox reading of Kant’s Critique of Judgment, accompanied by a brief account of the literary-critical …