Arts and Humanities Commons^™

Love On The Spectrum: Djuna Barnes’S Case Against Categorization In Nightwood, Kaitlyn A. Alford

Masters Theses

Djuna Barnes’s Nightwood is a challenging and beautiful text that continues to confound readers almost 100 years after its original publication. Though the text is often read as a “lesbian” novel, I consider the possibilities available when we read this text instead with a more open queerness in mind. By looking at the novel’s treatment of image, time, history, gender, sexuality, and identity, a new way of reading is revealed which rejects moves of taxonomization and categorization. This thesis explores how Barnes challenges dominant modes of representation and understanding, not to be a simple contrarian, but to present a new …

Re-Visioning The Modern/Ist Body: Literature, Women, And Modern Dance, Marisa Higgins

Doctoral Dissertations

This project explores the connections between modern dance and modernism Though initially, these connections might seem inchoate, modern dance provides a way to consider how expressive movement in modernism and gender restrictions prompts a physical response. Dance is inherently stylistic movement, and it is vital to explore how movement offers women a way to engage or respond to modernity. By investigating the role of movement in modernist literature and the particular tension between constraint and freedom that characterized female movement during this period, I argue that expressive movement and embodied performance offers a means of self-exploration and self-actualization. Specifically, it …

There Can Be But The One Ezra Pound: Rearticulating Hugh Selwyn Mauberley As Modernist Autobiography, Joshua H. Moore

Masters Theses

Ezra Pound took Eliot’s theory of Literary Impersonality seriously and rejected biographical readings of his poetry. Yet, his poem Hugh Sewlyn Mauberley contains explicitly autobiographical material, which is directly related to the poem’s meaning and has been referenced repeatedly in historical criticism of the poem. This creates a paradox of interpretation, in which the poem’s interpretive meaning stands in contrast with the author’s preferred style of interpretation. The intent of this Thesis is to work within this paradox by applying new criticism on literary autobiography to the poem; specifically the work of Max Saunders, Kevin Wong, and Hannah Sullivan. As …

Mediating Machines: Human Mechanisms And The Modern Stage, Kerri Ann Considine

Doctoral Dissertations

Vast changes in technology during the eighteenth and nineteenth centuries fundamentally altered the way living bodies related to the machines they increasingly encountered in everyday life. One consequence of this shift was a preoccupation with questions about bodily agency and creative authority that would continue into the modern era. While artists of all kinds engaged with these issues, the theatre proved uniquely suited to addressing the relationship between living bodies and their mechanical environments by not only cultivating a theoretical understanding of the relationship between live bodies and mechanism, but also necessitating the practical enactment of this relationship.

Modern theatre …

Everything Leaves A Trace: D. H. Lawrence, Modernism, And The English Bildungsroman Tradition, Justin Miles Mcgee

Masters Theses

During the transition from the nineteenth to the twentieth-century, the Bildungsroman acted as a vehicle for artists’ reflections on the turbulent time. The Bildungsroman is especially well suited to capture the fragmentation and disillusionment characteristic of modernism because of its sensitivity to the community’s role in the individual’s social normalization. D. H. Lawrence’s autobiographical novel Sons and Lovers (1913) embodies the jarring transition from the world of the Victorian Bildungsroman to modernity. While Lawrence’s novel still relies on characteristics of the Victorian Bildungsroman, it makes a significant attempt to break away from the Victorian Bildungsroman. Lawrence uses the …

Kenneth Koch's Postmodern Comedy Revisited, John Campbell Nichols

Masters Theses

This thesis describes and analyzes the postmodern comedy of New York School poet, Kenneth Koch and discusses the changes this comedy underwent throughout his lengthy career. The thesis is divided into four chapters. Chapter I explains the aesthetic of the New York School of poets as contrasted to the dominant New Critical compositional aesthetic embodied by poets such as Robert Lowell in the mid-century United States. Chapter II develops Koch’s comedy as expressing an emergent postmodernism. Chapter III discusses the various aspects of Koch’s comedy, sampling poems from across his career. Chapter IV traces the development and maturity of Koch’s …

Myth Y La Magia: Magical Realism And The Modernism Of Latin America, Hannah R. Widdifield

Masters Theses

The similarities between Latin American magical realism and European surrealism have long been regarded as part of a shared, cohesive movement in literature and art. After all, they share certain nonsensical and fantastical traits that place both movements far away from the Realism that modernism, as a whole, refutes. But in light of postcolonial theory, it becomes more and more necessary to explore magical realism as a geographically and politically situated movement with its own unique value in discussions of Modernism; not an offshoot of surrealism, but a sister genre, born in the distinct atmosphere of a region trying to …

Mina Loy And The Electric Body, Debra Elizabeth Cardell

Masters Theses

Abstract Mina Loy, modernist poet and artist, experimented with theories of feminism and class within her own artwork. This creates a complex point of interpretation for the reader because of overlap and contradiction. The concept of ekphrasis, when manipulated for Loy’s context, opens possibilities of understanding Loy’s many contradictions. Since the body and material world play a central role in Loy’s art, ekphrasis is a lens through which we can begin to see the relationship between Loy’s art and writing along with her feminism.

Gothic Modernism: Revising And Representing The Narratives Of History And Romance, Taryn Louise Norman

Doctoral Dissertations

Gothic Modernism: Revising and Representing the Narratives of History and Romance analyzes the surprising frequency of the tones, tropes, language, and conventions of the classic Gothic that oppose the realist impulses of Modernism. In a letter F. Scott Fitzgerald wrote about The Great Gatsby, he explains that he “selected the stuff to fit a given mood or ‘hauntedness’” (Letters 551). This “stuff” constitutes the “subtler means” that Virginia Woolf wrote about when she observed that the conventions of the classic Gothic no longer evoked fear: “The skull-headed lady, the vampire gentleman, the whole troop of monks and monsters …

A Comparison Of H. D. And Marianne Moore’S Poetry In The 1910s And 1920s, Yoko Ueno

Masters Theses

Although both H. D. and Marianne Moore created distinctive voices, we cannot ignore their close relationship with poetic modernism. These two poets had common characteristics which were fit for the ideas of modernism, such as exact descriptions, clear images, concision, objectivity, and repression of personal emotions. H. D.’s poems were regarded as an ideal model of Imagism, and Moore generally tried to follow the style although her poems contained her own unique features. Their choice of the modernistic hard style caused them to face complicated situations because of their gender. Both poets had affinities with Romantic aesthetics such as excessive …

Evoking Unity: Toward A Communal Phenomenology In Virginia Woolf And William Faulkner, Phillip Douglas Bandy

Masters Theses

Contemporary readings of William Faulkner and Virginia Woolf typically situate these canonical authors within their historical contexts as exponents of the material conditions of modernity or as the literary precursors of postmodernism, as writers of indeterminacy and linguistic play. In this thesis, I argue for a mode of reading Woolf and Faulkner grounded not in history or language, but in consciousness as the irreducible basis of human experience. That is, by invoking the philosophical tradition of phenomenology, I claim that both authors attempted to engage more fully with not simply a historical moment called “modernity,” but a human reality characterized …

Ein Kleiner, Schwarzer Punkt Am Weisslichen Himmel: Antarctica & Ice In German Expressionism, Joy M. Essigmann

Masters Theses

This work explores a fascinating and disturbing literary trope found in select German Expressionist prose in the years 1910-1920. Key Expressionist-era authors, including Georg Heym, Robert Musil, Egmont Colerus and Franz Kafka employed Antarctic and ice metaphors in their poetry and prose to exemplify inner feelings of displacement resulting from modernity. Expressionist discontent, as well as the “Heroic Age of Antarctic Exploration” that occurred from 1895 to 1922, led to the creation of polar dystopias in some literature. These dystopias explored abstract interpretations of the South Pole, not as a place of excitement and adventure, but rather as a journey …