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Full-Text Articles in Arts and Humanities
Response To The Unthinkable: Collecting And Archiving Condolence And Temporary Memorial Materials Following Public Tragedies, Ashley R. Maynor
Response To The Unthinkable: Collecting And Archiving Condolence And Temporary Memorial Materials Following Public Tragedies, Ashley R. Maynor
UT Libraries Faculty: Peer-Reviewed Publications
From Oklahoma City to Columbine to the Boston Marathon finish line, individuals around the world have responded to violent mass deaths publicized in mainstream media by creating ever-larger temporary memorials and sending expressions of sympathy—such as letters, flowers, tokens, and mementos—by the tens and even hundreds of thousands. Increasingly, there is an expectation that some, if not all, of the condolence and temporary memorial items will be kept or saved. This unusual and unexpected task of archiving so-called “spontaneous shrines” often falls to libraries and archives and few protocols, if any, exist for librarians and archivists in this role. This …
Footnotes (Spring 2015), Department Of History
Paideia Newsletter, Humanities Center
Distilled: The Narrative Transformed (Exhibition Catalogue), Sam Yates, Pinkney Herbert, Joseph Mella, Kim Levin, Tim Rollins, T. Michael Martin
Distilled: The Narrative Transformed (Exhibition Catalogue), Sam Yates, Pinkney Herbert, Joseph Mella, Kim Levin, Tim Rollins, T. Michael Martin
Ewing Gallery of Art & Architecture
Inspired by place and process, Pinkney Herbert's work is a spirited exploration in color and line derived from the sights, sounds, and energies of the two principal cities – Memphis and New York – in which this body of work was created. Graffiti-like gestures scrawl atop digital prints, which are collaged and integrated into his paintings. In this 30-year survey, we follow Pinkney Herbert on his transformative journey from the narrative into abstraction.
Cntrl+P: Printmaking In The 21st Century By University Of Tennessee Alumni (Exhibition Catalogue), Beauvais Lyons, Sarah Suzuki
Cntrl+P: Printmaking In The 21st Century By University Of Tennessee Alumni (Exhibition Catalogue), Beauvais Lyons, Sarah Suzuki
Ewing Gallery of Art & Architecture
Curated by Sarah Suzuki Associate Curator, Department of Drawings and Prints, Museum of Modern Art, New York, NY
This exhibition presenting prints by twenty-one University of Tennessee alumni was organized in conjunction with the 2015 SCG International Conference. Artists selected for the exhibition completed graduate and undergraduate degrees from the University of Tennessee between 1994 and 2014 and include Bryan Baker, Tim Dooley, Wade Guyton, Mark Hosford, Liz Klimek, Shaurya Kumar, Lauren Kussro, Eun Lee, Emily Minnie, Josh Minnie, Katie Ries, Clifton Riley, Hannah Skoonberg, Josh Smith, Veronica Siehl, Meredyth Sparks, Jessie Van der Laan, Crystal Wagner, Ericka Walker, Kelley …
Compound Lens (Exhibition Catalogue), Sam Yates
Compound Lens (Exhibition Catalogue), Sam Yates
Ewing Gallery of Art & Architecture
Compound Lens is an amalgam of photographic work of nineteen former students of Baldwin Lee. Lee retired from teaching photography at the School of Art in 2014.
Exhibiting artists were: Jonathan Bagby, Phillip Carpenter, Tuni Chatterji, Cip Contreras, Matt Ducklo, Rebecca Finley, Banner Gwin, Neely Crihfield Hyde, Erin Leland, Sarah Martin, Wardell Milan, Christopher Miner, Shelly O'Barr, Hei Park, Jack Parker, Marlo Pascual, Denny Renshaw, Bradly Dever Treadaway, and Constance Thalken.
Classics Newsletter Winter 2015, Department Of Classics
Classics Newsletter Winter 2015, Department Of Classics
The Department of Classics Newsletter
No abstract provided.