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Full-Text Articles in Arts and Humanities
Becoming A Creatrix: Women’S Religious Roles In W. B. Yeats And Olivia Shakespear, Elaine Kathyryn Childs
Becoming A Creatrix: Women’S Religious Roles In W. B. Yeats And Olivia Shakespear, Elaine Kathyryn Childs
Doctoral Dissertations
This project is the biography of a symbol: that of the holy woman motif in William Butler Yeats’s oeuvre. For most of Yeats’s writing life, beautiful women have a place of spurious privilege in his spiritual imagination because they have an intrinsic connection with the divine otherworld. In chapters on Yeats’s beauty-worship in his long fin de siecle, Olivia Shakespear’s critique of that beauty-worship in her fiction, and the role of A Vision in The Winding Stair and Other Poems, I argue that Yeats revised the holy woman motif from a limited and limiting goddess or helpmeet role in …
Invisible Mink, Jessie L Janeshek
Invisible Mink, Jessie L Janeshek
Doctoral Dissertations
Emily Dickinson, Frances Sargent Osgood, and Sarah Piatt render the nineteenth-century “women’s sphere” ironically Unheimliche while simultaneously conveying it as the “home sweet home” the sentimental tradition prescribes it should be. These American women poets turn the domestic milieu into, as Paula Bennett phrases it, “the gothic mise en scene par excellence…the displacements, doublings, and anxieties characterizing gothic experience are the direct consequence of domestic ideology’s impact on the lives and psyches of ordinary bourgeois women (121-122).”
Anne Sexton and Sylvia Plath continue to represent the Unheimliche home in their poetry through the middle of the twentieth century, specifically by …