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Seventeen Waltzes For Piano By Leo Ornstein: A Stylistic Analysis, Jared Jones
Seventeen Waltzes For Piano By Leo Ornstein: A Stylistic Analysis, Jared Jones
Theses and Dissertations
The purpose of this document is to provide a stylistic analysis of Seventeen Waltzes for Piano by Leo Ornstein by examining the music in the analytical areas of form, harmony, melody, rhythm, texture, and keyboard layout–along with suggestions concerning pedal usage. These seventeen individual works were compiled and catalogued by the composer’s son, Severo Ornstein. The collection (S.400-S.416) is found to be a significant contribution to 20th-century piano literature by a lesser-known but nonetheless great Russian-Jewish-American composer and pianist, Leo Ornstein. The Seventeen Waltzes for Piano are a unique realization of the composer’s improvisatory writing style, mastery of large forms, …
A Theoretical And Stylistic Analysis Of Paul Ben-Haim’S Five Pieces For Piano, Op. 34 And Piano Sonata, Op. 49, Rachel Bletstein
A Theoretical And Stylistic Analysis Of Paul Ben-Haim’S Five Pieces For Piano, Op. 34 And Piano Sonata, Op. 49, Rachel Bletstein
Theses and Dissertations
The purpose of this study is to provide a theoretical and stylistic analysis of Paul Ben-Haim’s Five Pieces for Piano, Op. 34 and Piano Sonata, Op. 49. The study consists of an analysis of form, meter, rhythm, harmony, melody, keyboard usage, and stylistic elements.
The study helps to educate musicians about Ben-Haim’s music and conveys how the works are representative of compositional practices that combine Middle Eastern and Western elements. This study also introduces two major works of Ben-Haim’s, including Five Pieces for Piano, Op. 34, and Piano Sonata, Op. 49. This study promotes one of the most significant Israeli …