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Growing Up In Civil Rights Richmond: A Community Remembers, N. Elizabeth Schlatter, Ashley Kistler, Laura Browder, Richard Waller, Myra Goodman Smith, Elvatrice Belsches, Michael Paul Williams Jan 2019

Growing Up In Civil Rights Richmond: A Community Remembers, N. Elizabeth Schlatter, Ashley Kistler, Laura Browder, Richard Waller, Myra Goodman Smith, Elvatrice Belsches, Michael Paul Williams

Exhibition Catalogs

Published on the occasion of the exhibition Growing Up in Civil Rights Richmond: A Community Remembers, Joel and Lila Harnett Museum of Art, University of Richmond Museums, January 17 to May 10, 2019.

Organized by the University of Richmond Museums, the exhibition was developed by Ashley Kistler, independent curator, and Laura Browder, Tyler and Alice Haynes Professor of American Studies, University of Richmond. The exhibition, related programs, and publication are made possible in part with funds from the Louis S. Booth Arts Fund and with support from the University’s Cultural Affairs Committee. The printed exhibition catalogue was made possible in …


Garry Winogrand, Family Intimacies, Joseph C. Troncale Jan 2015

Garry Winogrand, Family Intimacies, Joseph C. Troncale

Languages, Literatures, and Cultures Faculty Publications

We are pleased to present this exhibition of photographs by Garry Winogrand (American, 1928-1984). A photographer of New York City and of American life from the 1950s through the early 1980s, the content and dynamic style of his images placed him among the most influential photographers of the period. The legendary curator and critic John Szarkowski called him the central photographer of his generation, and Winogrand is widely considered one of the greatest photographers of the twentieth century.


Eating Wonderland: Recent Work By Sue Johnson, University Of Richmond Museums Jan 2008

Eating Wonderland: Recent Work By Sue Johnson, University Of Richmond Museums

Exhibition Brochures

Eating Wonderland: Recent Work by Sue Johnson

February 8 to June 15, 2008

Lora Robins Gallery of Design from Nature

Introduction

We very pleased to present the work of Maryland artist Sue Johnson at the Lora Robins Gallery of Design from Nature, University of Richmond Museums. The exhibition premieres recent ceramic work created by Johnson at the Arts/Industry residency program of the John Michael Kohler Art Center, Sheboygan, Wisconsin, and funded by Kohler Company, Kohler, Wisconsin. This unique residency provides visiting artists the opportunity to learn techniques and work with materials and equipment in Kohler's pottery, iron, and brass foundries. …


This Is War! The Pain, Power, And Paradox Of Images, University Of Richmond Museums Jan 2008

This Is War! The Pain, Power, And Paradox Of Images, University Of Richmond Museums

Exhibition Brochures

This is War! The Pain, Power, and Paradox of Images

October 5 to April 4, 2008

Joel and Lila Harnett Museum of Art and Print Study Center

Introduction

If "war is the father of all things," as the Greek philosopher Heraclitus lamented many centuries ago, then perhaps art is the mother. War continues to be a perennial subject in all of the arts, often symbolizing mortality and struggle and illustrating the triumphs and degradation of humanity. Our exhibition comes at a time when many museums are presenting war imagery in their galleries, from historical explorations to contemporary artists contending with …


Leaded: The Materiality And Metamorphosis Of Graphite, University Of Richmond Museums Jan 2007

Leaded: The Materiality And Metamorphosis Of Graphite, University Of Richmond Museums

Exhibition Brochures

Leaded: The Materiality and Metamorphosis of Graphite

August 23 to September 30, 2007

Joel and Lila Harnett Museum of Art

Introduction

In a sense it is highly appropriate that a university museum organize an exhibition about graphite. After all, the pencil is one of the essential tools in foundation drawing classes. In fact the pencil is perhaps the most familiar of all tools to students taking their first steps at making art, as opposed to charcoal or chalk, or the brush loaded with oil or watercolor. To others, the pencil and the graphite it holds symbolize the essence of …


The Space Of Freedom: Apartment Exhibitions In Leningrad, 1964-1986, Joseph C. Troncale, Evgeny Orlov, Sergei Kovalsky Jan 2006

The Space Of Freedom: Apartment Exhibitions In Leningrad, 1964-1986, Joseph C. Troncale, Evgeny Orlov, Sergei Kovalsky

Exhibition Catalogs

The Space of Freedom: Apartment Exhibitions in Leningrad, 1964-1986

Joel and Lila Harnetl Museum of Art, University of Richmond Museums, VA

September 16 to December 3, 2006

We are very pleased to present this traveling exhibition of artwork from the collection of the Museum of Nonconformist Art, Pushkinskaya 10 Art Centre, St. Petersburg, Russia, presented within the context of a re-created "apartment" exhibition from Leningrad. [...]

To our knowledge, [...] The Space of Freedom is the first exhibition organized in the United States to focus on both the artwork shown in communal apartments and on the exhibition space of the …


The Space Of Freedom, Joseph C. Troncale Jan 2006

The Space Of Freedom, Joseph C. Troncale

Languages, Literatures, and Cultures Faculty Publications

The exhibition, The Space of Freedom: Apartment Exhibitions in Leningrad, 1964-1986, invites visitors directly into the carefully re-created interior of a Soviet communal apartment. Within the kind of environment where the paintings first breathed freely, visitors have the opportunity to experience works by unofficial artists of the Soviet era who boldly executed and exhibited art that did not conform to the ideological prescriptions of the Communist Party of the Soviet Union. These artists had to substitute the private space of their apartments for the public space controlled and denied them by the Party. Planning and staging these exhibitions, the artists …


Pierre Daura, Catalan-American Modernist: People, Places, And Things, University Of Richmond Museums Jan 2005

Pierre Daura, Catalan-American Modernist: People, Places, And Things, University Of Richmond Museums

Exhibition Brochures

Pierre Daura, Catalan-American Modernist: People, Places, and Things

September 28 to December 11, 2005

Joel and Lila Harnett Museum of Art and Print Study Center

Introduction

Pierre Daura (American, born Spain, 1896 - 1976) was a member of a radical generation of artists who shaped the development of European modernism from the 1910s to the 1930s. The richness of his art reflects the diverse experiences of his life - growing up in Catalonia, Spain, maturing as an artist in Paris, moving to the small French village of Saint Cirq-Lapopie, participating in the Spanish Civil War, and finally relocating to Rockbridge …


The Brotherhood Of Free Culture: Recent Art From St. Petersburg, Russia, Joseph C. Troncale, Richard Waller Jan 2002

The Brotherhood Of Free Culture: Recent Art From St. Petersburg, Russia, Joseph C. Troncale, Richard Waller

Exhibition Catalogs

The Brotherhood of Free Culture: Recent Art from St. Petersburg, Russia

Marsh Art Gallery, University of Richmond Museums, VA

October 11 to December 15, 2002.

We are pleased to present this exhibition of recent art from St. Petersburg, Russia, created by artists from Pushkinskaya 10. Known as the Brotherhood of Free Culture, the society was formed in 1989 as a cultural center to promote nonconformist art (often referred to as underground art during the Soviet period) in contemporary Russia. In addition to organizing exhibitions and providing performance, museum , and gallery spaces, Pushkinskaya 10 offers studio space to forty performing …


An Introduction To The Brotherhood Of Free Culture And The Cultural Center Of Pushkinskaya Ten, Joseph C. Troncale Jan 2002

An Introduction To The Brotherhood Of Free Culture And The Cultural Center Of Pushkinskaya Ten, Joseph C. Troncale

Languages, Literatures, and Cultures Faculty Publications

The exhibition, The Brotherhood of Free Culture: Recent Art From St. Petersburg, Russia represents a significant moment in the history of exhibitions of Russian nonconformism in painting. Like all Russian nonconformist art, this exhibition and these artists trace their roots back directly to 1863 and to the tradition of "unofficial" art, which, one might say, began with the refusal of those fourteen artists to remain under the yoke of the academy. The bold move of those young artists in the nineteenth century precipitated the formation of a more permanent group of painters into the Brotherhood of Traveling Art Exhibitions, …


Origin Stories: Creation Narratives In Australian Aboriginal Art, University Of Richmond Museums Jan 2001

Origin Stories: Creation Narratives In Australian Aboriginal Art, University Of Richmond Museums

Exhibition Brochures

Origin Stories: Creation Narratives in Australian Aboriginal Art

September 26 to December 9, 2001

Marsh Art Gallery

Introduction

The Kluge-Ruhe Collection provides an incredibly valuable resource for people in Virginia and throughout the country to study and appreciate some of the most interesting and exciting work being created today - contemporary Australian Aboriginal art.

John Kluge of Virginia began collecting Aboriginal art in 1987, and in 1993 he purchased the collection of Professor Edward L. Ruhe of the University of Kansas, Lawrence. With a mission to educate the American public about Aboriginal art, the Kluge-Ruhe Collection was formed in 1997 …


Senior Thesis Exhibition 2000, University Of Richmond Museums Jan 2000

Senior Thesis Exhibition 2000, University Of Richmond Museums

Exhibition Brochures

Senior Thesis Exhibition 2000

April 13 to May 06, 2000

Marsh Art Gallery

Introduction

The senior thesis exhibition is the capstone experience for graduating studio art majors in the Department of Art and Art History at the University of Richmond.


Erling Sjovold: Recent Paintings, University Of Richmond Museums Jan 1999

Erling Sjovold: Recent Paintings, University Of Richmond Museums

Exhibition Brochures

Erling Sjovold: Recent Paintings

October 16 to December 11, 1999

Marsh Art Gallery

Introduction

Erling Sjovold's exhibition features his recent watercolors and oil paintings, works where the artist's desire to "slow down time" for reflection is the basis for images that even include the element of time as subject matter, both literally and figuratively. Like many artists that are described as "second sight artists," he creates images that require careful looking beyond the surface realism, works that do not reveal their full statements at first sight. His paintings are rich with layers of meaning that lead the viewer to deeper …


Senior Thesis Exhibition 1999, University Of Richmond Museums Jan 1999

Senior Thesis Exhibition 1999, University Of Richmond Museums

Exhibition Brochures

Senior Thesis Exhibition 1999

April 15 to May 08, 1999

Marsh Art Gallery

Introduction

The senior thesis exhibition is the capstone experience tor graduating studio art majors in the Department of Art and Art History at the University of Richmond.


Looking At The Visual: Art As Object, Art As Experience, University Of Richmond Museums Jan 1999

Looking At The Visual: Art As Object, Art As Experience, University Of Richmond Museums

Exhibition Brochures

Looking at the Visual: Art as Object, Art as Experience

October 16 to December 11, 1999

Marsh Art Gallery

Introduction

How do you read a painting? A sculpture? A print? Can they be studied the way that we study books? We live in a very visual culture, but we seldom study why a particular form, color, or image has an effect upon us. Visual art has a language, or series of languages, just like written texts. The languages can be more immediate than words, and they can tell us things about ourselves, the world around us, imaginary and supernatural worlds, …


Anthony Panzera: The Big Picture, Life-Size Scrolls And Drawings, University Of Richmond Museums Jan 1998

Anthony Panzera: The Big Picture, Life-Size Scrolls And Drawings, University Of Richmond Museums

Exhibition Brochures

Anthony Panzera: The Big Picture, Life-Size Scrolls and Drawings

January 28 to March 6, 1998

Marsh Art Gallery, University of Richmond Museums

Introduction

Anthony Panzera's remarkable series of monumental scrolls and drawings of the nude is impressive in its scale and startling in its immediacy. Large and beautiful, the life-size drawings present a contemporary perspective that carries forward a genre of drawing with a long and rich tradition.

The nude figure is an aesthetic theme of endless variation and can be traced to the very beginnings of art. The desire to depict the human form has been the source of …


Haiga: Takebe Sōchō And The Haiku-Painting Tradition, University Of Richmond Museums Jan 1995

Haiga: Takebe Sōchō And The Haiku-Painting Tradition, University Of Richmond Museums

Exhibition Brochures

Haiga: Takebe Sōchō and the Haiku-Painting Tradition

March 3 to April 16, 1995

Marsh Art Gallery

Introduction

There is an old saying in Japan that "the nail that sticks out gets banged down." This shows how the Japanese tend to perceive themselves in a social context, as opposed to Western individualist perceptions. Japanese society is seen as a community of human relationships; its performance depends critically upon the quality of these relationships. Therefore, Japanese are constantly trying to reach a harmonious balance between individual aspirations and social responsibilities.

There is great admiration in Japan for the balance which is evident …


Reconstructions: The Video Image Outside Of Time, University Of Richmond Museums Jan 1995

Reconstructions: The Video Image Outside Of Time, University Of Richmond Museums

Exhibition Brochures

Reconstructions: The Video Image Outside of Time

November 08 to December 17, 1995

Marsh Art Gallery

Introduction

Co-organized by the Marsh Art Gallery, University of Richmond, and the Virginia Museum of Fine Arts, Richmond, the exhibition is traveling throughout the Commonwealth through the Virginia Museum's Department of Traveling Exhibitions and Media Services (Eileen Mott. Statewide Exhibition Coordinator) following its venue at the Marsh Art Gallery (November 8 to December 17, 1995).

The exhibition, Reconstructions, The Video Image Outside of Time (1994), comprises a continuously-running single-channel videotape and twenty-seven photographs. All the photographs are Cibachrome prints, 8 x 10 inches, printed …


Daniel Serra-Badué: Dreamt Reality, University Of Richmond Museums Jan 1994

Daniel Serra-Badué: Dreamt Reality, University Of Richmond Museums

Exhibition Brochures

Daniel Serra-Badué: Dreamt Reality

1994

Marsh Art Gallery

Introduction

Daniel Serra-Badué is an artist of uncompromising vision who dwells upon memory as if it were tangible. "All that we see or seem - Is but a dream within a dream," wrote Edgar Allan Poe , and Serra-Badué seeks to place his audience within that dream. His evocative images compel us toward experiences that combine described reality with surreal impossibilities and dreamlike remembrances. Serra-Badué's world is a world of dreamt reality.

The lithographs in this exhibition, ranging in date from 1964 to 1992, demonstrate Serra-Badué's mastery of clarity of line, exactitude …


Ephraim Rubenstein: The Rilke Series, University Of Richmond Museums Jan 1994

Ephraim Rubenstein: The Rilke Series, University Of Richmond Museums

Exhibition Brochures

Ephraim Rubenstein: The Rilke Series

January 28 to February 27, 1994

Marsh Art Gallery

Introduction: Rilke and Rubenstein

The first time I met Ephraim Rubenstein, some eight years ago, and looked at his early paintings I immediately sensed a powerful poetic quality coming out of his paintbrush. This ambitious exhibition not only confirms my initial feeling, but surpasses anything I could have thought of at that time. It is rare these days to find a young artist inspired, not by pop culture or the mass media, but by a classic of literature. I find it interesting and refreshing to …


Voyaging: William Bennett And Elizabeth Schoyer, University Of Richmond Museums Jan 1991

Voyaging: William Bennett And Elizabeth Schoyer, University Of Richmond Museums

Exhibition Brochures

Voyaging: William Bennett and Elizabeth Schoyer

February 14 to March 07, 1991

Marsh Art Gallery

Introduction

For both William Bennett, sculptor, and Elizabeth Schoyer, painter, art is a voyaging: invoking, acknowledging, celebrating the forces and mysteries of life's passages.

Bennett builds up, with stone, glass, copper, lights, and wood, exquisitely crafted monumental forms: The Voyage, The Boat over Ocean over Ocean, Stigmata, Bed of Dreams, Belly Scepter among them. The titles signal the theme of quest, while axial forms draw the viewing into ritual alignment. One come to Bed of Dreams as an altar; Stigmata, part anchor and part …


George Tooker: Painting And Working Drawings 1947-1988, University Of Richmond Museums Jan 1989

George Tooker: Painting And Working Drawings 1947-1988, University Of Richmond Museums

Exhibition Brochures

George Tooker: Painting and Working Drawings 1947-1988

September 6 to September 27, 1989

Marsh Art Gallery

Introduction

Paintings such as Subway, 1950, and Ward, 1970-71, are unforgettable images of the numbing isolation and anonymity that George Tooker finds in our secular bureaucratic society. What lies behind these compelling images? The larger context of private and public themes offers us insight into Tooker's achievement. I would like to propose that at least a part of this achievement lies in his simultaneous use and dismissal of the traditional, that is Renaissance-based, perspective construction of pictorial space.

While studying at the …


The Harnett Collection Of American Painting, University Of Richmond Museums Jan 1989

The Harnett Collection Of American Painting, University Of Richmond Museums

Exhibition Brochures

The Harnett Collection of American Painting

January 10 to January 26, 1989

Marsh Art Gallery

Introduction

Joel Harnett, a 1945 graduate of the University of Richmond. discovered his interest in art when he met his wife, Lila. She had studied painting at the Art Students League in New York City. As a young couple they shared a love of art and of the collecting of art. Today with great generosity they share their collection, the fruit of some thirty years of intelligent and loving discrimination, with Joel's alma mater.

Both diversity and coherence, in addition to a striking level of …


Mark Rhodes/Ephraim Rubenstein: Sculpture, Painting, And Drawing, University Of Richmond Museums Jan 1988

Mark Rhodes/Ephraim Rubenstein: Sculpture, Painting, And Drawing, University Of Richmond Museums

Exhibition Brochures

Mark Rhodes/Ephraim Rubenstein: Sculpture, Painting, and Drawing

November 29 to December 18, 1988

Marsh Art Gallery

Introduction

The art of Ephraim Rubenstein and Mark Rhodes is art about the human figure, born out of personal experience and nourished by the great tradition of the figure in western culture. Indeed, the persistence of the human form in art from prehistoric times into the 20th Century, demonstrates not only the infinite variety of interpretations and expressions possible through the body, but our consistent need for self-realization and re-creation through the figure. The particular pieces in this show convey a remarkable cumulative visual …


Janet Fish: Paintings And Drawings Since 1975, University Of Richmond Museums Jan 1987

Janet Fish: Paintings And Drawings Since 1975, University Of Richmond Museums

Exhibition Brochures

Janet Fish: Paintings and Drawings Since 1975

September 10 to October 3, 1987

Marsh Art Gallery, University of Richmond Museums

Introduction

The Marsh Gallery takes pride in opening its 1987-88 season with the first Virginia exhibition of paintings and drawings by Janet Fish, acknowledged master of the contemporary still life according to art critic Gerrit Henry.

While this exhibition is intended to emphasize her current work it is also slightly retrospective, including work dating from 1975 to 1987, so that the viewer will understand the progression as well as the increasing depth of the artist's oeuvre.

In the midst …


Contemporary Modes Of Expression, University Of Richmond Museums Jan 1987

Contemporary Modes Of Expression, University Of Richmond Museums

Exhibition Brochures

Contemporary Modes of Expression

March 09 to March 31, 1987

Marsh Art Gallery

Introduction

The Tucker-Boatwright Festival is an annual celebration of the arts at the University of Richmond, which features literature, theater arts, music and dance, art and film in a four-year cycle.

It is with pleasure that the Art Department presents the 1987 Tucker-Boatwright Festival. The purpose of this year's festival is to emphasize the diversity and vitality of art being made today by presenting to the students and the community a series of events entitled "Contemporary Modes of Expression." Included are lectures by noted art critic Donal …


Street Journals: An Exhibition Of Paintings And Drawings By Robert Birmelin, University Of Richmond Museums Jan 1985

Street Journals: An Exhibition Of Paintings And Drawings By Robert Birmelin, University Of Richmond Museums

Exhibition Brochures

Street Journals: An Exhibition of Paintings and Drawings by Robert Birmelin

September 5 to September 29, 1985

Marsh Art Gallery

Introduction

It is with great excitement and anticipation that the Marsh Gallery presents this exhibition of Robert Birmelin's work, STREET JOURNALS. We recognize his work as having a significant place in the tradition of art, and have seen the need to introduce the man and his art to the Richmond community. We eagerly await the reverberations from this event and the impact that Robert Birmelin will make on our students and colleagues.

Like Cezanne, Picasso, and Braque, Birmelin is …


Ruth Weisberg, University Of Richmond Museums Jan 1985

Ruth Weisberg, University Of Richmond Museums

Exhibition Brochures

Ruth Weisberg

February 20 to March 17, 1985

Marsh Art Gallery

Introduction

Over the post century, the formal issues in art have been re-examined and exalted. The next question is meaning. As critic and artist, Ruth Weisberg is uncompromising in her belief that the value of art is in its meaning. Through her images, a humanitarian speaks. In her strong compassionate voice, one hears the echos of Goya, Watteau, Velazquez and Munch- those who painted and drew to expose injustice and to understand the pathos of human existence.

Ruth Weisberg is a Professor of Fine Arts at the University of …