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Articles 1 - 7 of 7
Full-Text Articles in Arts and Humanities
Whimsical Pornography: Albert Dubout's Illustrations For Sade's Justine, Olivier M. Delers
Whimsical Pornography: Albert Dubout's Illustrations For Sade's Justine, Olivier M. Delers
Languages, Literatures, and Cultures Faculty Publications
In Dangereux supplement: I 'illustration du roman en France au dixhuitieme siecle, Christophe Martin explains that images were generally considered to be dangerous additions to a text, because they could not be limited to their intended primary purpose: to provide a visual translation for characters and events depicted in works of fiction.1 For even as they illustrate, images also offer a reading that necessarily shapes the reader's perception of a novel. In the process, the images themselves become texts with their own complex system of signification. As such "supplements" go, illustrations of Donatien Alphonse Francois de Sade's novels …
'Si Ridesti [Il Leon Di Castiglia] La Fiamma Sopita': Ricordi's Censored Libretto Of Ernani And Some Vicissitudes Of The Conspiracy Scene, David B. Rosen
'Si Ridesti [Il Leon Di Castiglia] La Fiamma Sopita': Ricordi's Censored Libretto Of Ernani And Some Vicissitudes Of The Conspiracy Scene, David B. Rosen
Verdi Forum
No abstract provided.
Dangerous Bodies: The Regulation And Contestation Of Women's Sexuality At The Movies In Virginia, Melissa Ooten
Dangerous Bodies: The Regulation And Contestation Of Women's Sexuality At The Movies In Virginia, Melissa Ooten
Women, Gender and Sexuality Studies Faculty Publications
In 1922, the General Assembly of Virginia created a motion-picture censorship board to regulate out of popular culture images its cultural arbiters ruled detrimental to state officials' attempts to modernize and "clean up" the image of Virginia. On-screen depictions of women's sexuality repeatedly fell prey to the board's "protectionist" ideology, by which censors argued that their work "protected" society's most vulnerable citizens. In reality, such an ideology served as an extension of state power to keep subjective, realistic portrayals of these already marginalized citizens out of popular culture in order to justify their continued status as "second-class" citizens within the …
A Tale Of Five Cities: The Peregrinations Of Somma's And Verdi's Gustavo Iii (And Una Vendetta In Dominò And Un Ballo In Maschera) At The Hands Of The Neapolitan And Roman Censorship, David Rosen
Verdi Forum
No abstract provided.
The Censorship Of 'I Masnadieri' In London, Roberta Montemorra Marvin
The Censorship Of 'I Masnadieri' In London, Roberta Montemorra Marvin
Verdi Forum
No abstract provided.
Censorship In Verdi's 'Attila': Two Case Studies, Linda B. Fairtile
Censorship In Verdi's 'Attila': Two Case Studies, Linda B. Fairtile
Verdi Forum
No abstract provided.
Censorship Of 'I Masnadieri' In Italy, Roberta Montemorra Marvin
Censorship Of 'I Masnadieri' In Italy, Roberta Montemorra Marvin
Verdi Forum
No abstract provided.