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University of Richmond

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Ephraim Rubenstein

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Ephraim Rubenstein: The Rilke Series, University Of Richmond Museums Jan 1994

Ephraim Rubenstein: The Rilke Series, University Of Richmond Museums

Exhibition Brochures

Ephraim Rubenstein: The Rilke Series

January 28 to February 27, 1994

Marsh Art Gallery

Introduction: Rilke and Rubenstein

The first time I met Ephraim Rubenstein, some eight years ago, and looked at his early paintings I immediately sensed a powerful poetic quality coming out of his paintbrush. This ambitious exhibition not only confirms my initial feeling, but surpasses anything I could have thought of at that time. It is rare these days to find a young artist inspired, not by pop culture or the mass media, but by a classic of literature. I find it interesting and refreshing to …


Francis Cunningham: Painting And Drawing, University Of Richmond Museums Jan 1989

Francis Cunningham: Painting And Drawing, University Of Richmond Museums

Exhibition Brochures

Francis Cunningham: Painting and Drawing

March 14 to April 5, 1989

Marsh Art Gallery

Introduction

Realism is an attitude toward life that affirms the beauty and significance of the visible world. Realism starts outside with the surfaces of things and travels inward to their meaning. Everything in this process has to do with selection. What has the object told a particular artist about itself, about its relationship to other objects and to the surrounding space?

In life one takes in things at a glance, but the artist looks at an object for hours, weeks, months, even years. Premier coup painting …


Mark Rhodes/Ephraim Rubenstein: Sculpture, Painting, And Drawing, University Of Richmond Museums Jan 1988

Mark Rhodes/Ephraim Rubenstein: Sculpture, Painting, And Drawing, University Of Richmond Museums

Exhibition Brochures

Mark Rhodes/Ephraim Rubenstein: Sculpture, Painting, and Drawing

November 29 to December 18, 1988

Marsh Art Gallery

Introduction

The art of Ephraim Rubenstein and Mark Rhodes is art about the human figure, born out of personal experience and nourished by the great tradition of the figure in western culture. Indeed, the persistence of the human form in art from prehistoric times into the 20th Century, demonstrates not only the infinite variety of interpretations and expressions possible through the body, but our consistent need for self-realization and re-creation through the figure. The particular pieces in this show convey a remarkable cumulative visual …