Arts and Humanities Commons^™

Growing Up In Civil Rights Richmond: A Community Remembers, N. Elizabeth Schlatter, Ashley Kistler, Laura Browder, Richard Waller, Myra Goodman Smith, Elvatrice Belsches, Michael Paul Williams

Exhibition Catalogs

Published on the occasion of the exhibition Growing Up in Civil Rights Richmond: A Community Remembers, Joel and Lila Harnett Museum of Art, University of Richmond Museums, January 17 to May 10, 2019.

Organized by the University of Richmond Museums, the exhibition was developed by Ashley Kistler, independent curator, and Laura Browder, Tyler and Alice Haynes Professor of American Studies, University of Richmond. The exhibition, related programs, and publication are made possible in part with funds from the Louis S. Booth Arts Fund and with support from the University’s Cultural Affairs Committee. The printed exhibition catalogue was made possible in …

[Introduction To] Almost Eternal: Painting On Stone And Material Innovation In Early Modern Europe, Piers Baker-Bates, Elena Calvillo

Bookshelf

Almost Eternal: Painting on Stone and Material Innovation in Early Modern Europe gathers together an international group of ten scholars, who offer a novel account of the phenomenon of oil painting on stone surfaces in Northern and Southern Europe. This technique was devised in Rome by Sebastiano del Piombo in the early sixteenth century and was practiced until the late seventeenth century. This phenomenon has attracted little attention previously: the volume therefore makes a significant and timely contribution to the field in the light of recent studies of materiality and the rise of technical Art History.

Crooked Data: (Mis)Information In Contemporary Art, N. Elizabeth Schlatter

Exhibition Catalogs

The University of Richmond Museums exhibited Crooked Data: (Mis)Information in Contemporary Art on February 9 through May 5, 2017, in the Joel and Lila Harnett Museum of Art. The exhibition features art by twenty-one contemporary artists and studios who work with data in nontraditional ways. Some artists incorporate data from known sources, using it as an aesthetic device divorced from its originally intended interpretive function. Others gather and manifest data that might normally be considered not worthy of collecting. And some of the works explore alternatives to standard data visualization forms and practices.

Some of the works featured in Crooked …

Anti-Grand: Contemporary Perspectives On Landscape, N. Elizabeth Schlatter, Kenta Murakami

Exhibition Catalogs

Anti-Grand: Contemporary Perspectives on Landscape

Joel and Lila Harnett Museum of Art University of Richmond Museums, VA
January 15 to March 6, 2015

Anti-Grand: Contemporary Perspectives on Landscape features 24 contemporary, international artists, artists’ collectives and game developers who examine, challenge, and re-define the concept of landscape while simultaneously drawing attention to humanity’s hubristic attempts to relate to, preserve, and manage the natural environment. Anti-Grand includes 33 works of art, with video, installation, video games, and traditional two- and three-dimensional work.

All of the works in the exhibition were created since 2000 to focus on art made well after the …

Flow, Just Flow: Variations On A Theme, N. Elizabeth Schlatter, Richard Waller, Sarah Matheson

Exhibition Catalogs

Flow, Just Flow: Variations on a Theme
Joel and Lila Harnett Museum of Art
University of Richmond Museums, VA January 29 to June 28, 2013

Psychologist Mihaly Csikszentmihalyi first used the term “flow” in 1975 to describe “being completely involved in an activity for its own sake. The ego falls away. Time flies. Every action, movement, and thought follows inevitably from the previous one, like playing jazz.” Accordingly, this experience of single-minded immersion in an activity that is continuously challenging and rewarding is the secret to a vigorous and satisfying life.

Also referred to as “being in the zone,” this …

Art=Text=Art: Works By Contemporary Artists, N. Elizabeth Schlatter

Exhibition Catalogs

Art=Text=Art: Works by Contemporary Artists

Wednesday, August 17 to Sunday, October 16, 2011
Joel and Lila Harnett Museum of Art

On view in the Harnett Museum of Art, University of Richmond Museums, from August 17 to October 16, 2011, Art=Text=Art: Works by Contemporary Artists features 72 works created between 1960 and 2011, that include text or reference textual elements. Many of the works reflect developments in modern and contemporary art and critical theory, and relate to concurrent politics, history, and philosophy. Among the more than 40 artists included in the exhibition are Alice Aycock, Trisha Brown, Dan Flavin, Jane Hammond, …

The Space Of Freedom: Apartment Exhibitions In Leningrad, 1964-1986, Joseph C. Troncale, Evgeny Orlov, Sergei Kovalsky

Exhibition Catalogs

The Space of Freedom: Apartment Exhibitions in Leningrad, 1964-1986

Joel and Lila Harnetl Museum of Art, University of Richmond Museums, VA

September 16 to December 3, 2006

We are very pleased to present this traveling exhibition of artwork from the collection of the Museum of Nonconformist Art, Pushkinskaya 10 Art Centre, St. Petersburg, Russia, presented within the context of a re-created "apartment" exhibition from Leningrad. [...]

To our knowledge, [...] The Space of Freedom is the first exhibition organized in the United States to focus on both the artwork shown in communal apartments and on the exhibition space of the …

Art Of The Scholar-Poets: Traditional Chinese Painting And Calligraphy, University Of Richmond Museums

Exhibition Brochures

Art of the Scholar-Poets: Traditional Chinese Painting and Calligraphy

April 01 to May 09, 1998

Marsh Art Gallery, University of Richmond Museums

Introduction

Chinese culture developed one of the world's most enduring artistic traditions, literati painting, based upon a unique idea about the purposes of art. The art of the scholar-poets is centered in calligraphy and poetry, which the literati learned at an early age as part of their basic education. Painting was done with the same tools as poetry and calligraphy - brush, ink, and paper - and it was an easy step to express poetic sensibilities in visual …